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Nella polvere del profondo Sud

Titolo originale: Intruder in the Dust
  • 1949
  • Approved
  • 1h 27min
VALUTAZIONE IMDb
7,6/10
2966
LA TUA VALUTAZIONE
Nella polvere del profondo Sud (1949)
Official Trailer
Riproduci trailer2: 29
1 video
15 foto
CrimeDrama

Aggiungi una trama nella tua linguaIn 1940s Mississippi, two teenage boys and an elderly woman combine forces to prevent a miscarriage of justice and clear a black man of a murder charge.In 1940s Mississippi, two teenage boys and an elderly woman combine forces to prevent a miscarriage of justice and clear a black man of a murder charge.In 1940s Mississippi, two teenage boys and an elderly woman combine forces to prevent a miscarriage of justice and clear a black man of a murder charge.

  • Regia
    • Clarence Brown
  • Sceneggiatura
    • Ben Maddow
    • William Faulkner
  • Star
    • David Brian
    • Claude Jarman Jr.
    • Juano Hernandez
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,6/10
    2966
    LA TUA VALUTAZIONE
    • Regia
      • Clarence Brown
    • Sceneggiatura
      • Ben Maddow
      • William Faulkner
    • Star
      • David Brian
      • Claude Jarman Jr.
      • Juano Hernandez
    • 46Recensioni degli utenti
    • 25Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
    • Ha vinto 1 BAFTA Award
      • 3 vittorie e 8 candidature totali

    Video1

    Intruder in the Dust
    Trailer 2:29
    Intruder in the Dust

    Foto15

    Visualizza poster
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    + 8
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    Interpreti principali47

    Modifica
    David Brian
    David Brian
    • John Gavin Stevens
    Claude Jarman Jr.
    Claude Jarman Jr.
    • Chick Mallison
    Juano Hernandez
    Juano Hernandez
    • Lucas Beauchamp
    Porter Hall
    Porter Hall
    • Nub Gowrie
    Elizabeth Patterson
    Elizabeth Patterson
    • Miss Eunice Habersham
    Charles Kemper
    Charles Kemper
    • Crawford Gowrie
    Will Geer
    Will Geer
    • Sheriff Hampton
    David Clarke
    David Clarke
    • Vinson Gowrie
    Elzie Emanuel
    Elzie Emanuel
    • Aleck
    Lela Bliss
    Lela Bliss
    • Mrs. Mallison
    Harry Hayden
    • Mr. Mallison
    Harry Antrim
    Harry Antrim
    • Mr. Tubbs
    Homer Arnold
    • Minor Role
    • (non citato nei titoli originali)
    John E. Avent
    • Minor Role
    • (non citato nei titoli originali)
    Joyce Ann Baron
    • Child with Yo-Yo
    • (non citato nei titoli originali)
    Tommy Bond
    Tommy Bond
    • Minor Role
    • (non citato nei titoli originali)
    Jack Bronfeld
    • Man in Crowd
    • (non citato nei titoli originali)
    Allison Busby
    • Customer
    • (non citato nei titoli originali)
    • Regia
      • Clarence Brown
    • Sceneggiatura
      • Ben Maddow
      • William Faulkner
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti46

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    Recensioni in evidenza

    8SnoopyStyle

    great Faulkner story

    A white man is killed in 1940s small town Mississippi. Proud black man Lucas Beauchamp (Juano Hernández) is arrested for the murder. He asks young Chick Mallison to get his uncle local lawyer John Gavin Stevens (David Brian) to defend him. Stevens would rather stay out of the case which everybody assumes Lucas' guilt. Lucas had helped Chick when he fell into a frozen creek and taught him about something. After a short interview, Stevens is certain of Lucas' guilt but Chick returns to hear him out. Lucas directs Chick to his own gun which is different from the murder weapon. Elderly Eunice Habersham (Elizabeth Patterson) just happens to be in Stevens' office as Chick tries to convince his uncle. Stevens is unconvinced. Chick, black servant boy Aleck and Eunice set out to prove Lucas' innocence.

    Chick's relationship with Lucas is one of those big lessons like Scout in 'To Kill a Mockingbird'. He doesn't know that he's learning even while he's learning it. I love the Habersham character. The story also gives a slice of small town Deep South pre-civil rights era. The racism turns a bit more towards a murder mystery later on.
    8momohund

    Not as good as the book, but good enough

    No movie could ever do justice to Faulkner's command of the English language. but they did a pretty good job here. Lucas Beauchamp is exactly the way I pictured him in the book, as is Chick. What the movie couldn't really go into was how Beauchamp wasn't liked by the Negro people either, because he was equally as stubborn. Not that it is a bad thing, but from my take on the book that was his attitude toward the world (yet, I got the feeling it was white society's racism that started it and it spilled over into Negro society, until that became his attitude toward everyone).

    the best part of the movie is that you get to see Yoknapatawpha county (actually, Oxford, Mississippi) exactly as Faulkner wrote about it (the film was made when Faulkner was alive and writing). It doesn't look that much different today. Because of this alone, the movie is worth a watch considering it is filmed in Faulkner's backyard. A true must see for Faulkner fans.
    9RanchoTuVu

    quicksand

    Juano Hernandez plays Lucas Beauchamp, a black farmer with a ten acre spread, who is facing a lynching at the hands of hundreds of poor and destitute looking whites who have come into the small Southern town by the busload, as he is locked away in the town's aging jail. His only hope is to prove his innocence of the crime of murdering one of the Gowrie boys, a family klan of five sons led by a father who lost an arm a long time ago as well as his wife. The back story of Lucas, the Gowries, and the assembling of whites who look more the part of poverty than any other film I've ever seen, give this film a heightened sense of realism, which is added to by super intelligent overall development. While there is a certain amount of overt racism in the film, the real story seems to lie in the faces of all the people the camera catches, whether they (the people) speak any lines or not. The crowd never really turns into the mob that you expect it to, which actually makes this movie more interesting and exciting. The film masterfully avoids that drama in order to get at the underlying decency of all the people. This is a must see for Will Geer fans, as he plays the skeptical sheriff who brings Beauchamp in near the film's beginning, with a crowd already gathering. Set amidst dirt roads, rundown farmhouses, with an intriguing batch of quicksand that is under a bridge, all of which now has probably been paved over, Intruder In The Dust is a real look at a life that doesn't exist anymore.
    dbdumonteil

    With a needle and a thread ,she tamed a maddening crowd.

    "Intruder in the dust" is unfairly forgotten today.Nowadays almost every movie involving racism,murder,lawyer and infuriated crowd ends up in the court,in an endless trial .This one does not,everything happens in a small south town,or in the country around.It features intriguing scenes ,particularly the one when two teenagers and an old lady open a grave at night to exhume a dead body;even stronger is the scene when the same lady keeps the crowd from entering the jail,without a gun, sitting on her chair while a brute is pouring gas around her.Juano Hernandez is equally efficient in his part of an innocent black man-I've rarely seen so much dignity in this kind of role-.

    Also remarkable is the almost complete absence of music,which gives the movie a modern feel.Excellent dialog,with brilliant lines ,towards the end of the movie,between the lawyer and his nephew .This young lad plays a prominent part in the story,which is not surprising,coming from Clarence Brown,who perfectly directed young actors ("the yearling" and "National Velvet")
    grasshopper54

    An early example of a major motion picture company dealing with racial prejudice in a positive light.

    Director Clarence Brown does a tremendous job in presenting Juano Hernandez as a dignified man living within a southern community steeped in Jim Crow. Hernandez is falsely accused of murder and is resigned to the fact that this prejudice will lead to his incarceration or worse.

    The movie is full of surprises and, happily, ends on a positive note. One of the major movies on racial or cultural prejudice of the era, it was done after Gentlemen's Agreement (1947), Crossfire (1947), but precedes Sidney Poitier's No Way Out (1950) by a year. Clearly, the only other movie that touched on this issue beforehand was the first version of Imitation of Life (1934).

    This era was a time when the motion picture industry was struggling with this issue and showed an earnest attempt at portraying this problem with dignity. Hernandez's role as Lucas Beauchamp was no ordinary role for a black actor during this time when the movie industry was still under the control of whites. All in all, this is one of the greats.

    Great supporting acting from David Brian, Claude Jarman, Jr. and Elizabeth Patterson.

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      The film was shot on location in William Faulkner's hometown of Oxford, MS.
    • Blooper
      When Chick comes out of the water, his hair is dry even though he had been completely underwater. Then he goes to Lucas's cabin and takes off his wet clothes, and his hair is wet.
    • Citazioni

      John Gavin Stevens: Lucas, has it ever occurred to you if you just said "mister" to white people and said it like you meant it, you might not be sitting here now?

      Lucas Beauchamp: So I'm to commence now? I can start off by saying "mister" to the folks that drag me outta here and builds a fire under me.

    • Connessioni
      Featured in Some of the Best: Twenty-Five Years of Motion Picture Leadership (1949)
    • Colonne sonore
      Tiger Rag
      Composed by Eddie Edwards, Nick LaRocca, Henry Ragas, Tony Sbarbaro, Larry Shields

      [Played in the market square before the final scene]

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    Dettagli

    Modifica
    • Data di uscita
      • 20 marzo 1950 (Regno Unito)
    • Paese di origine
      • Stati Uniti
    • Lingua
      • Inglese
    • Celebre anche come
      • Rencor
    • Luoghi delle riprese
      • Oxford, Mississippi, Stati Uniti
    • Azienda produttrice
      • Metro-Goldwyn-Mayer (MGM)
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

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    • Budget
      • 988.000 USD (previsto)
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      1 ora 27 minuti
    • Colore
      • Black and White
    • Proporzioni
      • 1.37 : 1

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