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Nella polvere del profondo Sud

Titolo originale: Intruder in the Dust
  • 1949
  • Approved
  • 1h 27min
VALUTAZIONE IMDb
7,6/10
2966
LA TUA VALUTAZIONE
Nella polvere del profondo Sud (1949)
Official Trailer
Riproduci trailer2: 29
1 video
15 foto
CrimeDrama

Aggiungi una trama nella tua linguaIn 1940s Mississippi, two teenage boys and an elderly woman combine forces to prevent a miscarriage of justice and clear a black man of a murder charge.In 1940s Mississippi, two teenage boys and an elderly woman combine forces to prevent a miscarriage of justice and clear a black man of a murder charge.In 1940s Mississippi, two teenage boys and an elderly woman combine forces to prevent a miscarriage of justice and clear a black man of a murder charge.

  • Regia
    • Clarence Brown
  • Sceneggiatura
    • Ben Maddow
    • William Faulkner
  • Star
    • David Brian
    • Claude Jarman Jr.
    • Juano Hernandez
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,6/10
    2966
    LA TUA VALUTAZIONE
    • Regia
      • Clarence Brown
    • Sceneggiatura
      • Ben Maddow
      • William Faulkner
    • Star
      • David Brian
      • Claude Jarman Jr.
      • Juano Hernandez
    • 46Recensioni degli utenti
    • 25Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
    • Ha vinto 1 BAFTA Award
      • 3 vittorie e 8 candidature totali

    Video1

    Intruder in the Dust
    Trailer 2:29
    Intruder in the Dust

    Foto15

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    + 8
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    Interpreti principali47

    Modifica
    David Brian
    David Brian
    • John Gavin Stevens
    Claude Jarman Jr.
    Claude Jarman Jr.
    • Chick Mallison
    Juano Hernandez
    Juano Hernandez
    • Lucas Beauchamp
    Porter Hall
    Porter Hall
    • Nub Gowrie
    Elizabeth Patterson
    Elizabeth Patterson
    • Miss Eunice Habersham
    Charles Kemper
    Charles Kemper
    • Crawford Gowrie
    Will Geer
    Will Geer
    • Sheriff Hampton
    David Clarke
    David Clarke
    • Vinson Gowrie
    Elzie Emanuel
    Elzie Emanuel
    • Aleck
    Lela Bliss
    Lela Bliss
    • Mrs. Mallison
    Harry Hayden
    • Mr. Mallison
    Harry Antrim
    Harry Antrim
    • Mr. Tubbs
    Homer Arnold
    • Minor Role
    • (non citato nei titoli originali)
    John E. Avent
    • Minor Role
    • (non citato nei titoli originali)
    Joyce Ann Baron
    • Child with Yo-Yo
    • (non citato nei titoli originali)
    Tommy Bond
    Tommy Bond
    • Minor Role
    • (non citato nei titoli originali)
    Jack Bronfeld
    • Man in Crowd
    • (non citato nei titoli originali)
    Allison Busby
    • Customer
    • (non citato nei titoli originali)
    • Regia
      • Clarence Brown
    • Sceneggiatura
      • Ben Maddow
      • William Faulkner
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti46

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    Recensioni in evidenza

    9AlsExGal

    Three unlikely and even reluctant heroes

    Chuck Mallison (Claude Jarmison Jr.) waits around in a crowd in the small Southern town where he lives as the sheriff brings in Lucas Beauchamp (Juano Hernandez) for shooting VInson Gowrie in the back. Lucas, before entering the jail, yells out to Chuck and tells him to get his uncle, an attorney.

    Chuck tells his uncle John Stevens (David Brian) that he is troubled by his confusion over his attitude towards Lucas. Lucas is not like the other black men in the town. He doesn't show deference or fear to the white men who live there. In Chuck's only encounter with Lucas, when Chuck fell into an iced up pond on Lucas' property, it wasn't that Lucas behaved wrongly towards him - in fact he was quite hospitable. It was the fact that Lucas treated Chuck as an equal who happened to be a guest in his home. This recognition of the roots of racism growing inside of him seems to be what bothers Chuck more than anything since Chuck is simply not accustomed to a black man who feels free to be unlikeable and haughty with white people.

    Chuck goes with his uncle when he talks to his new client, Lucas, that night in the jail. But Lucas won't help himself that much when talking to his attorney past the point of saying that he did not kill Gowrie. Part of the reason for that is probably the fact that Lucas' lawyer thinks that the best Lucas can hope for is a fair trial followed by a hanging versus a hanging with no trial. Initially he won't entertain the idea that Lucas could be innocent. Slowly it is revealed - to Chuck, to his uncle, and to an older woman who is a client of Chuck's uncle (Elizabeth Patterson), that Lucas could not have committed this crime. But they need not only very hard evidence of Lucas' innocence, they need evidence of the guilt of whoever did commit the murder. The criminal justice system, at this point, is pretty much a rubber stamp for conviction when it comes to black men, especially black men accused of killing a white man. Lucas' advocates don't need a reasonable doubt, they need a shadow of a doubt. And there is the threat of lynching until this trio gets that shadow of a doubt.

    This was an excellent very early film on racism and the criminal justice system in the south, beating out To Kill a Mockingbird by more than a decade. Juano Hernandez is the heart of this film as Lucas Beauchamp. He displays an enigmatic dignity - you never know where he is coming from with his lack of explanation of what happened until the end. I'd highly recommend this one.
    10roberts-1

    A neglected classic

    An unjustly neglected classic, "Intruder in the Dust" is one of the great films of the 1940's which has unfortunately slipped into obscurity. Based on a story by William Faulker, and shot in his hometown of Oxford, Mississippi, "Intruder" tells the story of Lucas Beauchamp (played with great dignity by Juano Hernandez), a black man unjustly accused of the murder of a local white man, and a white boy (Claude Jarman, Jr.) who uses this situation as an opportunity to pay a previous debt to Beauchamp. Terrific acting, especially by two great character actors, Porter Hall (as the dead man's father) and Elizabeth Patterson (best known as Mrs. Trumbull on "I Love Lucy") as an old woman willing to stand against the townspeople to see that right is done. This straightforward, tense and sincere study of racial bigotry deserves to be seen more.
    ivan-22

    Beautiful

    I usually don't like movies based on famous and well-established authors, "sure bets". They seem to be telling the public "You can't POSSIBLY dislike this!!!" I tend to prefer movies that take chances with unknown authors or actors, movies that care for art, not money. But this one is so well-made. Everything works: the photography, the acting, the pacing, and it has that documentary beauty of real life that so few movies have (love those window shots where you see small town downtown traffic!). It's historic interest also makes it enjoyable. A kind of poetry pervades this movie that makes it far more effective than the similar "To Kill a Mockingbird". Hernandez is pure dignity - character and actor - and Jarman is a most refreshing contrast to today's smart-alecky youth. He has a humility that is touching. It is hard to imagine another actor in that role. Is this movie on the side of the angels? Sure. And the black and white poetry saves it.
    8melbjr

    INTRUDER IN THE DUST captures Faulkner at his best.

    As a fan of Wm. Faulkner since college, I was especially pleased to see Intruder In the Dust and for other reasons. My grandfather, also named Clarence Brown as was the director, grew up in the Oxford area having been born near there in 1888. We attended a week long family reunion at Oxford in July, 1964 a mere 15 years after filming the movie. It still looked mostly like it does in the film but was going thru a period of civil rights upheaval then as the site of Ole Miss. My recollection is of its being a nice little college town that summer but I was just an 18 year old college sophomore and white. I was just then beginning to see the injustice of segregation and prejudice but still had a long way to go. Anyhow, the movie is well worth watching but the filmmakers must have had to walk a tight rope to get it done there and I would love to know more about that story.

    Now days, Oxford is a larger, more modern college town with all the ills that go along with such things and I hope to return again to see how it must have changed socially in the last 40 plus years. Juano Hernandez should certainly have been nominated for an Oscar that year but Hollywood was still to bigoted itself to let that happen. Other Faulkner stories have been filmed so look for them and compare. One of the best was a PBS treatment of The Barn Burner from about 1985 or so starring Tommy Lee Jones. It really captured the intensity of rural Southern whites that Faulkner wrote so incisively about so often.
    9RanchoTuVu

    quicksand

    Juano Hernandez plays Lucas Beauchamp, a black farmer with a ten acre spread, who is facing a lynching at the hands of hundreds of poor and destitute looking whites who have come into the small Southern town by the busload, as he is locked away in the town's aging jail. His only hope is to prove his innocence of the crime of murdering one of the Gowrie boys, a family klan of five sons led by a father who lost an arm a long time ago as well as his wife. The back story of Lucas, the Gowries, and the assembling of whites who look more the part of poverty than any other film I've ever seen, give this film a heightened sense of realism, which is added to by super intelligent overall development. While there is a certain amount of overt racism in the film, the real story seems to lie in the faces of all the people the camera catches, whether they (the people) speak any lines or not. The crowd never really turns into the mob that you expect it to, which actually makes this movie more interesting and exciting. The film masterfully avoids that drama in order to get at the underlying decency of all the people. This is a must see for Will Geer fans, as he plays the skeptical sheriff who brings Beauchamp in near the film's beginning, with a crowd already gathering. Set amidst dirt roads, rundown farmhouses, with an intriguing batch of quicksand that is under a bridge, all of which now has probably been paved over, Intruder In The Dust is a real look at a life that doesn't exist anymore.

    Altri elementi simili

    Nessuno sfuggirà
    7,0
    Nessuno sfuggirà
    Linciaggio
    6,6
    Linciaggio
    Cuori umani
    6,8
    Cuori umani
    La grande notte
    6,3
    La grande notte
    Ho amato un fuorilegge
    7,0
    Ho amato un fuorilegge
    Odio implacabile
    7,3
    Odio implacabile
    La notte ha mille occhi
    7,0
    La notte ha mille occhi
    I corsari della strada
    7,5
    I corsari della strada
    Vieni a vivere con me
    7,0
    Vieni a vivere con me
    Ah, Wilderness!
    6,9
    Ah, Wilderness!
    Anche i boia muoiono
    7,4
    Anche i boia muoiono
    L'urlo della folla
    7,2
    L'urlo della folla

    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      The film was shot on location in William Faulkner's hometown of Oxford, MS.
    • Blooper
      When Chick comes out of the water, his hair is dry even though he had been completely underwater. Then he goes to Lucas's cabin and takes off his wet clothes, and his hair is wet.
    • Citazioni

      John Gavin Stevens: Lucas, has it ever occurred to you if you just said "mister" to white people and said it like you meant it, you might not be sitting here now?

      Lucas Beauchamp: So I'm to commence now? I can start off by saying "mister" to the folks that drag me outta here and builds a fire under me.

    • Connessioni
      Featured in Some of the Best: Twenty-Five Years of Motion Picture Leadership (1949)
    • Colonne sonore
      Tiger Rag
      Composed by Eddie Edwards, Nick LaRocca, Henry Ragas, Tony Sbarbaro, Larry Shields

      [Played in the market square before the final scene]

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    Dettagli

    Modifica
    • Data di uscita
      • 20 marzo 1950 (Regno Unito)
    • Paese di origine
      • Stati Uniti
    • Lingua
      • Inglese
    • Celebre anche come
      • Rencor
    • Luoghi delle riprese
      • Oxford, Mississippi, Stati Uniti
    • Azienda produttrice
      • Metro-Goldwyn-Mayer (MGM)
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Budget
      • 988.000 USD (previsto)
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      1 ora 27 minuti
    • Colore
      • Black and White
    • Proporzioni
      • 1.37 : 1

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