VALUTAZIONE IMDb
6,8/10
2656
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaBob Ford murders his best friend Jesse James in order to obtain a pardon that will free him to marry his girlfriend but is plagued by guilt and self-disgust.Bob Ford murders his best friend Jesse James in order to obtain a pardon that will free him to marry his girlfriend but is plagued by guilt and self-disgust.Bob Ford murders his best friend Jesse James in order to obtain a pardon that will free him to marry his girlfriend but is plagued by guilt and self-disgust.
- Regia
- Sceneggiatura
- Star
Tommy Noonan
- Charles Ford
- (as Tom Noonan)
Barbara Wooddell
- Mrs. Zee James
- (as Barbara Woodell)
Phillip Pine
- Man in Saloon
- (as Phil Pine)
Victor Adamson
- Townsman
- (non citato nei titoli originali)
Fred Aldrich
- Townsman
- (non citato nei titoli originali)
Phil Bloom
- Townsman
- (non citato nei titoli originali)
Recensioni in evidenza
it reminds the Biblical stories. or damned characters of Dostoievski.in fact, it is an inspired western, proposing a hero, a coward mate and the fall of dreams, a show as remind of guilt and the public contempt. a film who did not demonstrate anything. only gives a large picture about gestures and fragile and obscure border between bad and good. and this transforms "I Shot Jesse James" more than a B western but a demonstration about values and expectations and illusion and friendship. the noble Jesse James and the knavish Ford. a story with moral veil who remains nice demonstration about limits and falls.
Sam Fuller's first film direction is a version of what happened to Robert Ford (John Ireland), the man who famously killed his friend - Jesse James (Reed Hadley).
Taking up the basic elements of the real life story, Fuller keeps the narrative tight whilst ensuring the complexities of the main characters come to the fore. All the quirks and peccadilloes of the human condition are explored (the detail of Ford's torments and troubles superbly told), which is something of a rarity for a late 1940s "B" standard Western. The use of close-ups are to purposely highlight the psychological discord on show, marking this out as a good pointer to the later work of its maverick director. Ernest Hiller photographs the exteriors out of Iverson Ranch in Chatsworth and support to Ireland comes from Preston Foster, Barbara Britton and J. Edward Bromberg. 7/10
Taking up the basic elements of the real life story, Fuller keeps the narrative tight whilst ensuring the complexities of the main characters come to the fore. All the quirks and peccadilloes of the human condition are explored (the detail of Ford's torments and troubles superbly told), which is something of a rarity for a late 1940s "B" standard Western. The use of close-ups are to purposely highlight the psychological discord on show, marking this out as a good pointer to the later work of its maverick director. Ernest Hiller photographs the exteriors out of Iverson Ranch in Chatsworth and support to Ireland comes from Preston Foster, Barbara Britton and J. Edward Bromberg. 7/10
Sam Fuller's directorial debut is more of a character study than a traditional western. John Ireland stars as Bob Ford, who kills his friend Jesse James in order to get immunity for his past crimes so that he can settle down with the girl he loves. Wracked with guilt and feelings of inadequacy, Ford pursues the girl in the face of a rival for her heart. Fuller hasn't fully developed his dynamic style yet, in fact, this feels more like a low budget Nicholas Ray film than a Fuller film. A scene where Ford forces a dude to sing the ENTIRE song about Jesse James being killed by "that coward Robert Ford" is priceless and worth the price of admission.
A film which uses a lot of medium close ups. Fuller's medium close-ups of John Ireland are wonderful and stress the emotions of Robert Ford "the Coward," the character Mr Ireland plays. So also the Fuller brings out the best in another actress Barbara Britton in this film. I am once again convinced that Fuller brought out great performances with almost all the actresses he chose to direct.
The high point of the film was the innocent balladeer singing his popular ballad which paints Bob Ford as an evil coward to Bob Ford himself without realizing his identity.
A very engaging and intelligent script with notable performances by both Ireland and Britton. Arguably one of the best performances of Ireland along side his performance in the spaghetti western "Hate for Hate."
The high point of the film was the innocent balladeer singing his popular ballad which paints Bob Ford as an evil coward to Bob Ford himself without realizing his identity.
A very engaging and intelligent script with notable performances by both Ireland and Britton. Arguably one of the best performances of Ireland along side his performance in the spaghetti western "Hate for Hate."
a good work, interesting western, smart story. in fact, more than adaptation of an American modern history episode, it seems be adaptation of Ahasverus myth. because it is portrait of a sin committed with noble intention. and that fact is basic virtue of that drama. it does a simple movie, mixture of love and revenge, who can impress first for its deep roots. it is a a film remarkable for actors performance because the acting is , in this case,precise tool not for present a story but to discover the profound human side of characters. and that fact has a correct result and the force of seduction for large public. it is a good work. and that thing is a real admirable virtue for the manner to expose the story in inspired light. and , for that fact, the merit of John Ireland is not little.
Lo sapevi?
- QuizDirector Samuel Fuller said that he wanted to make this picture because, unlike many filmmakers in Hollywood, he did not see the real Jesse James as a folk hero or someone to be admired. Fuller saw him as a cold-blooded psychopath who shot down women, children, the elderly, the helpless (his gang once stopped a Union hospital train and executed every wounded federal soldier on it) and, in Fuller's words, Bob Ford "did something that should have been done quite a bit earlier in the life of Jesse Woodson James".
- BlooperWhen Jesse's wife serves bread at dinner, the bread presented has obviously been sliced by a modern bread-slicing machine. Bread-slicing machines were not introduced until 1928.
- Citazioni
Bob Ford: Whatta yuh got to eat?
Joe, Silver King Bartender: Sweet corn, cornmeal mush, cornpone with cracklins, and corn whiskey.
Bob Ford: I'll have it.
- Curiosità sui creditiOpening credits are shown as posters hanging on a wall.
- ConnessioniFeatured in Gunfighters of the Old West (1992)
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Dettagli
- Tempo di esecuzione
- 1h 21min(81 min)
- Colore
- Proporzioni
- 1.37 : 1
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