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Odio

Titolo originale: Home of the Brave
  • 1949
  • Approved
  • 1h 28min
VALUTAZIONE IMDb
7,0/10
840
LA TUA VALUTAZIONE
Lloyd Bridges, Steve Brodie, Douglas Dick, James Edwards, and Frank Lovejoy in Odio (1949)
DramaWar

Aggiungi una trama nella tua linguaDuring WW2, a reconnaissance platoon is sent to map out a Japanese-held island but racial tensions arise between the white soldiers and the only black member of the group.During WW2, a reconnaissance platoon is sent to map out a Japanese-held island but racial tensions arise between the white soldiers and the only black member of the group.During WW2, a reconnaissance platoon is sent to map out a Japanese-held island but racial tensions arise between the white soldiers and the only black member of the group.

  • Regia
    • Mark Robson
  • Sceneggiatura
    • Arthur Laurents
    • Carl Foreman
  • Star
    • Douglas Dick
    • Steve Brodie
    • Jeff Corey
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,0/10
    840
    LA TUA VALUTAZIONE
    • Regia
      • Mark Robson
    • Sceneggiatura
      • Arthur Laurents
      • Carl Foreman
    • Star
      • Douglas Dick
      • Steve Brodie
      • Jeff Corey
    • 36Recensioni degli utenti
    • 19Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 3 vittorie e 2 candidature totali

    Foto36

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    Interpreti principali7

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    Douglas Dick
    Douglas Dick
    • Maj. Robinson
    Steve Brodie
    Steve Brodie
    • Cpl. T.J. Everett
    Jeff Corey
    Jeff Corey
    • Doctor
    Lloyd Bridges
    Lloyd Bridges
    • Pvt. Finch
    Frank Lovejoy
    Frank Lovejoy
    • Sgt. Mingo
    James Edwards
    James Edwards
    • Pvt. Peter Moss
    Cliff Clark
    • Col. Baker
    • Regia
      • Mark Robson
    • Sceneggiatura
      • Arthur Laurents
      • Carl Foreman
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti36

    7,0840
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    Recensioni in evidenza

    10bux

    superb social commentary-also a war movie

    Decades ahead of its time! Years before the services are integrated, a black soldier is sent on patrol with an all white squad. More than just a story of racial tension in combat, this is a character study, a study of the true inner feelings of men in war, and bigotry that was and has been a way of life for so long. Edwards and Bridges win the acting honors here...however the entire cast deserves kudos for having the guts to participate in a picture that was obviously not received well in all parts of the U.S. This one will have you on the edge of your chair and near tears on occasion-guaranteed.
    9radudca

    A landmark film that broke the back of black stereotypes in cinema

    I was 11 years old when my Mother took me to see Home Of The Brave. She came home from work and said, I want to take you to a movie, it is time you see something other than Roy Rogers and Hopalong Cassidy...I can tell you I grew up a lot seeing HOME OF THE BRAVE. I can remember the dialog to this day even though I only saw this movie once. James Edwards and Lloyd Bridges gave star performances, yet the supporting cast was truly outstanding too...... Jeff Corey was the Doctor (psychiatrist)who helped James Edwards overcome the difficulties of war, and of course of being black. (Corey is recognized as one of the greatest character actors in the history of stage and screen. Check his filmography.) It was a landmark scene and performance by both Corey and Edwards. In the 50s Corey was black balled by the House Unamerican Activities Commitee. HUAC. Because he would not name actors sympathetic to the Communists. Many actors did squeal to save there own careers, but not Corey, he laughed at them. Did not work in Hollywood for 12 or more years. He became an acting teacher for the likes of Jack Nicholson, Barbara Streisand, Cher, and many others. Those three won academy awards. May he rest in peace, he left us in 2002. Corey has an outstanding website, check it out, here is the URL address... jeffcorey.com..... James Edwards filmography is full of great performances down through the years.An outstanding filmography by a pioneering actor who never received the recognition he deserved. One year in the 70s, I was involved with a cable TV station in San Diego,we produced the La Costa celebrity tennis tournament. Lloyd Bridges was there and I walked up to him and said, "Thank You for your performance in "Home of The Brave", he was so startled and said to me, when did you see it? I replied, "when I was 11 years old, my mother took me to see it. She said it was an important film, and it was time to know about the freedom this movie is trying to portray." He said to me, "thank you very much, you made my day, in fact my whole month. Thank You." It is nice to know that these great actors who made this film a landmark in cinema were revered by so many. Most are gone now but their performances are preserved in the great history of film. See this movie, buy the VHS on the internet, show it to others and you become part of movie history too. Thank You. RADUDCA
    9minstrelwoman

    I have always loved this movie...

    ...since AI first saw it on TV in the late 50's. This is a frank look at military racism and its results. The term "nigger" is used openly (a rarity at any time to be sure, in a movie without an all-black cast and especially way back then). James Edwards delivers a powerful performance as a psychosomatically paralyzed black soldier being treated by a white psychiatrist (Jeff Corey). Corey's relentless digging stirs Edwards's memory and the incident that caused the paralysis is finally uncovered. Stark, honest storytelling. Based on a play in which the afflicted soldier was Jewish, this retelling is very contemporary even today.
    rcj5365

    A movie that addresses the issue of race in the military,but falls short.

    If this curious little drama lived up to its intentions,it might have been one of the important war films. It was great in its premise with its performances and all,but it falls far short and is little more than a footnote in Hollywood's attempts to deal with American racism. Director Mark Robson starts out with two strikes against him. First off,Carl Foreman's script is based on Arthur Laurents's curiously contrived stage play. Second,Laurents's play is about anti-Semitism,and though it is easy to say that all bigotry springs from one source,discrimination against black people is different from discrimination against Jewish people. To claim that they are the same misunderstands both.

    The action takes place on a nameless islands in the Pacific during World War II. In the opening scenes,a psychiatrist(Jeff Corey)tries to find out how Peter Moss(James Edwards),a black soldier,came to be paralyzed from the waist down. Moss is also amnesiac and so he can't remember what happened to him on his last mission. Major Robinson(Douglas Dick),and Mingo(Frank Lovejoy)tell the doctor what they know. They say that it was a reconnaissance patrol to an island held by the Japanese. Robinson picked Mingo,Finch(Lloyd Bridges),and T.J. Everett (Steve Brodie) to "volunteer" from his outfit. He had recruited Moss,an engineer from another division,to make maps of the island. Robinson was then surprised to learn that Moss was "colored." T.J. is openly racist,but it turns out that Finch and Moss are old pals from high school,where they played basketball together. Tensions within the group rise to the surface and explodes as soon as they're dropped on the island to face the enemy. And against each other.

    Neither the depiction of jungle warfare nor the racial attitudes are remotely believable. Men on sentry duty at night chatter away like schoolchildren and smoke cigarettes constantly. T.J.'s expressions of racism and Moss's reactions are equally simplistic and false. And when,finally,the reasons for the paralysis are revealed,audiences today will groan in disbelief,which shocked audiences who went to see this picture in 1949. The resolution of the conflicts piles improbability upon improbability. That said,the filmmakers to deserve credit for addressing racial issues at a time when the entertainment industry generally ignored them,and when segregation was the law of the land. The year 1949 introduced not only this picture,but also another picture,Elia Kazan's "Pinky" that also address the issue of racism and segregation as well. As with "Home Of The Brave",the active recruitment of black soldiers,sailors,and airmen during World War II played a huge part in changing that,and the stories of that change have yet to be fully told. This movie was a small first step in addressing the issue of racism in America during the 1940's.
    10rollo_tomaso

    Flawless character study in wartime setting.

    Mark Robson's sensitively directed film perfectly captures the social mores and racial bigotry of its time during the stresses and traumas of war. The dialogue is brittle and thoroughly convincing. Although Lloyd Bridges and James Edwards are both excellent, Frank Lovejoy steals the film with his portrait of Mingo. Steve Brodie is just right as the insecure bigot who is more ignorant than evil. This is one of my five favorite war movies of all time. It reminds me of another great film made the next year called "The Men" with Marlon Brando. I give this one 10 out of 10.

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    Trama

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    Lo sapevi?

    Modifica
    • Quiz
      This was the first Hollywood movie to be officially be permitted to use the word "nigger" after The Emperor Jones (1933). Previously, the Hays Code had forbidden it since 1934.
    • Blooper
      The Army Recon Team's helmets are fitted with manufactured camouflaged covers. In W.W.II, these were strictly a Marine Corps- issued item.
    • Citazioni

      Mingo: Yeah, I'll never forget the first letter I got from my wife. It started, "My darling, darling, darling, I'll never again use the word 'love' without thinking only of you." And I remember the last one I got from her. It started, "Dear T.J., this is the hardest letter I've ever had to write."

    • Curiosità sui crediti
      The initial credits play over actual footage of battles from the Pacific campaign.
    • Connessioni
      Edited into Dynamite Chicken (1971)
    • Colonne sonore
      (Sometimes I Feel Like a) Motherless Child
      Traditional

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    Dettagli

    Modifica
    • Data di uscita
      • 14 settembre 1949 (Francia)
    • Paese di origine
      • Stati Uniti
    • Lingua
      • Inglese
    • Celebre anche come
      • Home of the Brave
    • Luoghi delle riprese
      • Malibu, California, Stati Uniti(navy PT boat scene)
    • Aziende produttrici
      • Stanley Kramer Productions
      • Screen Plays
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

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    • Budget
      • 375.000 USD (previsto)
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      1 ora 28 minuti
    • Colore
      • Black and White
    • Proporzioni
      • 1.37 : 1

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