Il grande amante

I've always found it difficult to write anything lengthy or analytical about straight comedies. This is not because I don't enjoy them - nothing could be further from the truth, especially in the case of any offering which includes the talents of the great Bob Hope, with or without Crosby. The reason, I believe, lies in the fact that such pictures generally work only by reference to the viewer's direct involvement in them - rather like the experience of belly-laughing continuously for 45 minutes at the comedian's turn at a sportsmen's evening, but without being ever able to remember one gag afterwards. So often, the plot is all too familiar and holds no major surprises. The performances of the stars are generally what you would expect from them, and differ purely in the level of quality from picture to picture, and, for screen comics, the writing is invariably geared to their own particular talents.

All this is true of "The Great Lover". Bob Hope is close to his very best as a scout leader returning by boat to America from Europe with his troop and drawn as Roland Young's stooge into murder, intrigue and, of course, romance. As in so many of his pictures of the forties and fifties, he plays a reluctant hero, a role which enables him to display the whole range of his trademark features - the mock cowardice, the way he controls his overheating in the romantic scenes, the witty asides and the cheeky but innocent double entendres.

So what makes this picture different or special? In order to answer that, I watched the movie again before writing this review, but I still couldn't come up with a reason. Sure enough, the support playing is more than adequate, the plot simple but still interesting, and Hope is - well - Hope. He just does those things which you associate with him, but somehow the gags and his delivery always seem fresh and unforced and, despite the similarity in content, he always makes the material appear original. I can only therefore come to the conclusion that I like the film because it is a superior piece of Bob Hope work - and I like Bob Hope's work. That is the best recommendation I can give it.

To me "The Great Lover" was the last great Hope film: he had some good lines, the plot was OK and most importantly Golden Age high production values were much in evidence. The nitrate gleams and is an essential component in the enjoyment of it, Hope and Fleming and the "ship" itself would not have looked as romantic on safety stock film. And the rot that set in with the advent of safety film in the early 1950's had already begun in TGL - just listen to those 2 inept songs, they wouldn't have got as far as being filmed even 5 years previously. The nadir was reached a few years later in "My favourite spy", with a seemingly endless Hope song as excruciating as anything Norman Wisdom could have performed, and utterly ruined an average film for me.

I always counted Roland Young as a villain because I saw this first as a kid, whereas he was a pretty versatile actor and played plenty of goodies in his time too. He's a ruthless card sharper in this however, Roland Culver is a cold steely and "broke" aristocrat who Young wants to fleece, Fleming is his high class daughter the innocent Hope falls for. He in turn is leader of 7 little Boy Forresters with Grumpy as 2nd in command.

Favourite bits: The morning exercises; Hope petulantly parping smoke through one of the boys bugles; getting distracted by Fleming over champagne as only Hope ever could. The bad bits: a/m songs to avoid. I leave the rest to you to find out!

Not as good as other Hope films but anything with Hope in it is good for an evening. I tried to include this quote in the Quote section but I found the format too confusing. Maybe someone else with include it. It's rather risque for that era and occurs early in the film.

Boy Forester: Foresters never make mistakes. Hope: Too bad your parents weren't foresters.

A middling Bob Hope movie that provides only occasional laffs, the poorly titled "The Great Lover" (1949) proved something of a disappointment for me, especially in light of the infinitely superior Hope picture "The Ghost Breakers" (1940) that I'd just seen a few days earlier. In "The Great Lover," Hope plays a scoutmaster from N. Zanesville, Ohio who is chaperoning his small troop of obnoxiously upright brats on a trans-Atlantic boat voyage whilst getting involved with destitute duchess Rhonda Fleming and becoming the pawn of cardsharp/psycho strangler Roland Young. Patently unrealistic antics ensue, some of them mildly entertaining, but not enough for consistent amusement. Still, the picture DOES have enough going for it to warrant a mild recommendation. Rhonda Fleming, 26 here and extremely beautiful, makes a nice foil for Hope, though it's a pity her gorgeous red hair can't be appreciated in this B&W film. She and Skislopenose perform a cute musical number, too. Also fun are some cameos and bit parts by that ol' skinflint Jack Benny (uncredited), as well as George "Superman" Reeves and Jim "Mr. Magoo" Backus. It's also interesting to see the usually mild-mannered Roland "Topper" Young playing against type as the crazy villain. Unfortunately, the "good folks" at Brentwood Communications have done it again, offering another lousy-looking/sounding DVD from a crappy 16mm print source, and with no extras to speak of. All in all, while fun enough, "The Great Lover" wasn't that, um, great.

I admit to loving Bob Hope in the '40s. He was cute, he had great delivery, and I loved that naive persona. In The Great Lover, he's a scout leader who falls for Rhonda Fleming on board ship, all the while he's being eyed by Roland Young as his next mark. Young plays a card shark who lets his mark win, then suggests one last cut of the cards for a winner take all. And of course he wins. When he doesn't, he still wins because he murders his victims and steals their money. The first victim we're shown is George "Superman" Reeves.

Fleming and her father are impoverished royalty en route to sell a valuable necklace. Jim Backus, playing a detective after Young, is also on board.

Some funny bits, with Fleming looking beautiful and Hope in great form. The best is when he has a $100 bill and a man asks to see it and then nearly pockets it - Jack Benny. Hope walks away from him, stops, and then says to himself, "No -- he'd never be in first class."