Se mia moglie lo sapesse

Was there ever an opera star as beautiful as the flawless Linda Darnell? Maybe Anna Moffo and Anna Netrebko come close, but it was something to hear a gorgeous voice (Helen Spann's) coming out of Darnell.

Anyway, Darnell stars with Paul Douglas and Celeste Holm in "Everybody Does It," a very funny 1949 comedy that is a delight for opera lovers and non-opera lovers alike.

Douglas and Holm play Leonard and Doris Borland - she's from money, he's a demolition man - and she once aspired to a career as a concert soprano. He thought she had given up her dream until he comes home and sees her taking a voice lesson.

She's determined to do a concert, so she rents Town Hall and Leonard and his partner bribe and threaten everyone they know to show up.

In the audience is a famous soprano, Cecil Carver, who met Leonard earlier and has taken an interest in him. She invites him to her apartment and tells him that his wife has a nice voice, but she'll never amount to anything.

While he's there, she gets a phone call asking her to sing a particular song for charity. She can't remember all the lyrics, so she asks Leonard if he knows it. Leonard does, and turns out to have a magnificent high baritone voice (Steve Kamalyan did the singing, and I suspect he could easily have become a tenor like many high baritones). His business failing, Leonard goes on Cecil's concert tour and sings under another name.

A ridiculous plot, some beautiful singing, and fine performances are the highlights of this film, the best part of which is Leonard's opera debut. It's almost right up there with "A Night at the Opera" - hilarious.

An underrated comedy - don't miss it.

If you liked the modern comedy The Fourth Tenor, you'll find the 1949 opera flick very funny. The ending is terrible, but it's entertaining up until the last ten minutes. Big-hearted teddy bear Paul Douglas plays an opera singer!

He starts the film completely in love with his wife, Celeste Holm. She has a deluded dream to be an opera singer herself, so Paul rents her a concert hall and bribes business acquaintances to fill up the seats. He buys her dozens of roses for her opening night, and even confronts a critic who refuses who write a review. Isn't he a dream? Yet, when Celeste finds out his secret (that he himself has a beautiful operatic singing voice), she attacks him with a golf club. Throughout the movie, she's made out to be a pretty terrible wife, so I don't know why he was so in love with her.

For those of us who prefer to see him paired up with Linda Darnell, good news: she's in this movie! She plays another opera singer (if you don't like that type of singing, don't even think of renting this movie), and she's impressed by Paul's devotion to his wife. She hears him sing accidentally and immediately wants him for her next leading man. So, for all the lack of chemistry between Paul and Celeste, he and Linda make up for it. They're such a great screen couple, you'll wish they got married in real life.

Parts of this movie are very funny, especially for Paul Douglas fan. I really couldn't stand Celeste Holm, and the message put forth in the end made me cringe. But if you want to rewrite the story and just enjoy the comedy, I won't tell anyone.

Most viewers who discover this totally-unexpected satirical 'send-up" of opera, social snobbery and several other human pursuits simply find it hilarious. I love it because of the inexorable logic of its line-of-development--and because its humor is so infectious. This is adult humor, not compulsive misbehaviors being committed by parodies of human character (as in too-many TV "sitcoms" and badly-scripted comedies); here everyone tries his/her best and does pretty well considering that the scheme of things" is against them all. Doris Borland, played charmingly by Celeste Holm,, is married to nice-guy wrecker Paul Douglas, who has a partner, Millard Mitchell. Her parents, Charles Coburn and especially Lucile Watson, encourage her singing aspirations; Dougals as Leonard Borland isn't interested. The final shove to the family's already-tilting applecart--her side is wealthy, he just runs a business--occurs when Douglas discovers that he has a magnificent operatic singing voice. Encouraged by gorgeous Linda Darnell, a singer herself, and coached for stardom, Douglas reveals his talent to his astounded in-laws and his furious wife; then he goes onstage for his debut--only to be undone by unforeseeable bad luck. The entire script's development, from a James M. Cain story via Nunnally Johnson and director Edmund Goulding, derives every bit of humor possible from what is fundamentally a two-line joke about upper-class snobbery and lower-class down-to-earth realism. Kay Nelson's costumes are unusually fine; the competent music is by Afred Newman. But this is an actors' film. Douglas and Mitchell are wonderful together and separately; Darnell is lovely and right for a difficult part; Holm nearly steals the film by her ladylike reactions to goings on; Coburn and Watson add to the proceedings, as always. Others in the cast are John Hoyt as a music professor, fine actor George Tobias and Leon Belasco. The climactic scene of the film, Leonard Borland's operatic debut, is probably worth the price of admission alone. But the ending, which I won't reveal, is arguably the perfect commentary on the entire experience everyone has suffered. I recommend this humorous surprise of a film to everyone I know who isn't deceased--for the laughs.

Paul Douglas is magnificent communicating his frustrations trying to placate his headstrong and self-deluded wife -- portrayed marvelously by Celeste Holm -- who persists in pursuing singing endeavors despite everybody's best efforts to let her know that she just doesn't quite have the talent. Enter sumptuous diva Linda Darnell with designs on ruggedly handsome (!?!) Douglas -- especially when she learns, to everyone's surprise, that he has a powerful voice. Charles Coburn and Lucile Watson lead an immensely talented supporting cast. The script delivers sophisticated yet rapid-fire wit while the direction conveys all the nuances perfectly, but still manages to deliver a couple of belly-laughs. I highly recommend watching Everybody Does It.

OK, I'm a great Paul Douglas fan so consider me prejudiced, but this is just a plain terrific film. I understand from a video dealer that some legal problems has its rights tied up so if you get a chance to it, by all means do so. Perhaps some day it will be shown again on TV or maybe even a DVD will be for sale.

The short plot is silly beyond belief. Douglas is again a rough character thrown in among society types - this time with an opera background. Through an unlikely talent, this time he gets to be a performer, but as you will guess, things don't go as planned. If you don't laugh out loud at this film, you are dead and should consult with a mortician for immediate burial. Too bad this one is one of the lost ones. Maybe someday....we'll again hear why the monkeys have no tails