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6,5/10
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LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA businessman's desire to protect his corrupt son's fortune leads to tragedy.A businessman's desire to protect his corrupt son's fortune leads to tragedy.A businessman's desire to protect his corrupt son's fortune leads to tragedy.
- Regia
- Sceneggiatura
- Star
- Candidato a 1 Oscar
- 3 vittorie e 2 candidature totali
D.A. Clarke-Smith
- Army Captain
- (non citato nei titoli originali)
Larry Dann
- Schoolboy
- (non citato nei titoli originali)
Olive Milbourne
- Mr. Kedner's Secretary
- (non citato nei titoli originali)
Harold Scott
- Coppingham
- (non citato nei titoli originali)
Recensioni in evidenza
"Edward, My Son" is a 1949 film based on the play that starred Robert Morley. Here the stars are Spencer Tracy, Deborah Kerr, and Ian Hunter.
The title role, Edward, is never seen. The movie is really about his father, Arnold Boult, who spoils the boy and ruins everything and everybody he touches.
There was a mention that Spencer Tracy was miscast, that the character shouldn't be so amiable but more acid. I think in a way, Tracy's amiability was more sinister - he threatened people and seemed so cheerful about it. It's quite effective.
The revelation, the stunning, knockout performance comes from Deborah Kerr as Arnold's unhappy wife Evelyn. Young, pretty, and cheerful in the beginning, her character development, in looks and personality, is remarkable - right down to her osteoporotic walk with the slightly stooped shoulders.
How often do we see really wonderful actors play older people with just a little gray in their hair, with nothing else changed? The only other "aging" performance I have seen to equal this was Emma Thompson at the end of "Remains of the Day."
I always knew Deborah Kerr was a fine actress, but obviously, she mostly did roles that were beneath her capability.
Ian Hunter is very good as the doctor s a man who see through Arnold's behavior, and who has always been in love with Evelyn.
Don't miss Kerr's performance in this film.
The title role, Edward, is never seen. The movie is really about his father, Arnold Boult, who spoils the boy and ruins everything and everybody he touches.
There was a mention that Spencer Tracy was miscast, that the character shouldn't be so amiable but more acid. I think in a way, Tracy's amiability was more sinister - he threatened people and seemed so cheerful about it. It's quite effective.
The revelation, the stunning, knockout performance comes from Deborah Kerr as Arnold's unhappy wife Evelyn. Young, pretty, and cheerful in the beginning, her character development, in looks and personality, is remarkable - right down to her osteoporotic walk with the slightly stooped shoulders.
How often do we see really wonderful actors play older people with just a little gray in their hair, with nothing else changed? The only other "aging" performance I have seen to equal this was Emma Thompson at the end of "Remains of the Day."
I always knew Deborah Kerr was a fine actress, but obviously, she mostly did roles that were beneath her capability.
Ian Hunter is very good as the doctor s a man who see through Arnold's behavior, and who has always been in love with Evelyn.
Don't miss Kerr's performance in this film.
Spencer Tracy stars as a ruthless man who spoils his son, Edward, and sacrifices everything else only to have the boy die during WW II.
Bitter story is so sad it's hard to watch BUT for the brilliant performances of Tracy and Deborhah Kerr (Oscar nominee) as the wife. Also great writing and direction from George Cukor.
Neat plot device is that we never see Edward, just a parade of birthday cakes and bits and pieces of his life as he grows up and how his parents react to his disturbing behavior. Story is clever and heartbreaking.
Good supporting cast includes Felix Aylmer as the headmaster, Mervyn Johns as Simpkins, Ian Hunter as the physician, Leueen McGrath (excellent) as Miss Perrin, Tilsa Page as Foxley, James Donald as Bronton, and Colin Gordon as Ellerby the teacher.
The film has overtones from Citizen Kane but is nothing like that great film except in its theme of corrupting power..... Worth a look
Bitter story is so sad it's hard to watch BUT for the brilliant performances of Tracy and Deborhah Kerr (Oscar nominee) as the wife. Also great writing and direction from George Cukor.
Neat plot device is that we never see Edward, just a parade of birthday cakes and bits and pieces of his life as he grows up and how his parents react to his disturbing behavior. Story is clever and heartbreaking.
Good supporting cast includes Felix Aylmer as the headmaster, Mervyn Johns as Simpkins, Ian Hunter as the physician, Leueen McGrath (excellent) as Miss Perrin, Tilsa Page as Foxley, James Donald as Bronton, and Colin Gordon as Ellerby the teacher.
The film has overtones from Citizen Kane but is nothing like that great film except in its theme of corrupting power..... Worth a look
7sol-
Some have commented that they felt that Spencer Tracy was miscast in this film, playing a character very different to the altruists that he typically plays, and being the only American among the principle cast. However, I believe that this perhaps is Tracy's strongest performance, partly because it is so different to his usual roles. Tracy plays a determined and unrelenting man with real strength, although as his wife, Deborah Kerr also has a number of strong scenes, particularly in the final half hour. The two lead performances are however the bulk of what makes this a good film. It is reasonably engaging, with gimmicks of the title character never on screen, and Tracy speaking to the viewer, to keep it interesting, but the plot is not too great in itself, and the story tires before the end. It is also a bit too stagy, which limits how involving it is to an extent. Nevertheless, despite any possible shortcomings, the powerhouse of acting, not only from Tracy and Kerr, but some of the supporting cast too, make this a film worth checking out.
Arnold Boult ( Spencer Tracy ) is a higher rank than just captain of industry as he dupes, browbeats and bribes his way to power in Twentieth century London. With limitless ambition and drive he is not concerned about being liked but having his way. Son Edward is another story however and he slavishly dotes over the boy spoiling him at every turn and using his considerable power, he holds the mortgage to the prep school Edward is about to be expelled from, to allow him to do as he pleases. With this kind of powerful enabling it is little surprise sonny grows into irresponsible adulthood.
Directed sluggishly by George Cukor, Edward, My Son has a stage feel to it as it trundles slowly from scene to scene. We never see the title character but the little he has is fleshed out excellently in conversation and argument between the parents. Tracy as a bullheaded industrialist from across the pond ( Canadian instead of Ugly American ) does a fine job of going against type, playing one of his many fatherly roles with reckless arrogance. Playing opposite Tracy as his wife Deborah Kerr simply walks away with the picture as she goes from housewife to millionaires wife with title before descending into the depths of alcoholism after the loss of her son and a lifetime with Arnold. It may well be the celebrated Kerr's most challenging and finest performance in a career that has had many.
Mid picture the film really begins to bog down as Boult begins an affair with his secretary (Lueen McGrath) that Cukor attempts to sum up in one long laborious scene at her apartment slowing the pace even more, though salvaged somewhat by Kerr who saves her best for last. The denouement is more than satisfying. It's the getting there that's the problem.
Directed sluggishly by George Cukor, Edward, My Son has a stage feel to it as it trundles slowly from scene to scene. We never see the title character but the little he has is fleshed out excellently in conversation and argument between the parents. Tracy as a bullheaded industrialist from across the pond ( Canadian instead of Ugly American ) does a fine job of going against type, playing one of his many fatherly roles with reckless arrogance. Playing opposite Tracy as his wife Deborah Kerr simply walks away with the picture as she goes from housewife to millionaires wife with title before descending into the depths of alcoholism after the loss of her son and a lifetime with Arnold. It may well be the celebrated Kerr's most challenging and finest performance in a career that has had many.
Mid picture the film really begins to bog down as Boult begins an affair with his secretary (Lueen McGrath) that Cukor attempts to sum up in one long laborious scene at her apartment slowing the pace even more, though salvaged somewhat by Kerr who saves her best for last. The denouement is more than satisfying. It's the getting there that's the problem.
Made in the UK by MGM to use up their frozen money in this country. It moves at a glacial pace with Tracey portraying a character who starts out badly and gets worse and worse. The problem is that there is nothing to alleviate the gloom. So it starts out quite interesting but by the hour mark it has become a bore and you just wish for it to end.
Lo sapevi?
- QuizThe titular character of Edward is unseen in both the stage and film versions, his presence deemed unnecessary by the authors, as the father's ruthless, corruptive influence defines the boy's increasingly antisocial behaviors. As such, Edward's unseen but much-discussed character flaws are the core element of the tale.
- BlooperNear the beginning of the film, Arnold brings home a baby carriage. The gate to the front walk is open when he arrives, and he hurries through it, not closing it. However, from a shot inside the house looking out, the gate is closed.
- Citazioni
Arnold Boult: That's where you differ from me. In my business, I never admit failure.
- ConnessioniFeatured in Some of the Best: Twenty-Five Years of Motion Picture Leadership (1949)
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Dettagli
- Data di uscita
- Paesi di origine
- Lingua
- Celebre anche come
- Edward, mi hijo
- Luoghi delle riprese
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Botteghino
- Budget
- 2.421.000 USD (previsto)
- Tempo di esecuzione
- 1h 52min(112 min)
- Colore
- Proporzioni
- 1.33 : 1
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