Il dottore e la ragazza

Other reviewers of The Doctor and the Girl have rightfully praised its excellent treatment of a plot-line that at first glance seems familiar, even hackneyed. Of course, the sterling performances of everybody on screen are a huge asset to the picture. But for me, the gold medal has to be given to Curtis Bernhardt's expert handling of Theodore Reeves' adroit screenplay.

It's a tightly-paced film, with very few exteriors. But Bernhardt's brilliant interiors give superb depth to each scene and each character, from stern Charles Coburn to sylphlike Janet Leigh to earnest Bruce Bennett (in a great supporting role as an unassuming ENT specialist). The director keeps everybody's performance low-key and believable. In her first scenes, sickly Janet Leigh seems to be wearing no makeup at all. And even Charles Coburn isn't allowed to milk his scenes to the limit.

A master of lighting and camera angles, Bernhardt was one of the numerous excellent filmmakers in exile from Nazi Germany. His filmography is a strong one, studded with many entertaining films of the forties and fifties. Conflict, starring a quintessential Humphrey Bogart, and My Reputation with Barbara Stanwyck at her best, are two goodies that come to mind. And let's not forget Possessed, highlighted by Joan Crawford's hallucinatory performance.

But unlike some other exiled directors - such as Wilder, Lubitsch, Lang and Sirk - Curtis Bernhardt hasn't got any universally acclaimed masterpieces on his résumé, so he is often neglected by movie historians. But he was certainly a talent to reckon with, and any of his pictures deserve a careful look.

P.S. I totally concur with EliotTempleton's comments about Hollywood having a very long history of movies with medical themes. In fact Theodore Reeves, the main writer for this film, was the author of many medical screenplays dating back to the 1930s.

Somehow this picture reminds me "The Citadel" played by Robert Donat, here Glenn Ford recently formed Doctor Michael Corday on Harvard starts under the his father's wings and linkages to be a successful doctor on New York, Corday has advises by his possessive father that all patients is just a cold number, he must doesn't involved with them in any way, just keeping ahead to reach at the top through his connections, when he meets the earnest and proud Dr. Norton (Bruce Bennett) his director at hospital, Norton realizes that Dr. Corday actually is a careerist and try by any means invites Norton for the closest circle around his influential father to get a promotion, however Norton who is a hardened Doctor denied such odd offer, later Dr. Corday after has dealt with harsh way a young girl Evelyn (Janet Leigh) with a critical illness at lungs and she needs a hard surgery, he felt that should apologize to her, then grows up an affective feelings to the poor girl, Corday perceiving that Evelyn has a dismal chance to survives on surgery, then he asking for his father's closest mate Dr. Francis a very special favor, takes over the trick surgery, the skillful Doctor made a fine job, saving the girl, knowing all about his father try out sets apart the couple, Dr. Corday ends up marry with Evelyn and sets up a humble clinic to assist poor custumers at 3th avenue, "The Doctor and the girl" takes a valuable message for those medicine men who pursue a fancy career driven their efforts to upper class only, blinding yours eyes to least privileged people awesome !!

Resume:

First watch: 2020 / How many: 1 / Source: DVD / Rating: 8

I just wanted to say that the above reviewer is a bit misinformed regarding the history of films about physicians, particularly in the '30s. There was no shortage of movies with doctors as the central character in the early sound era, and some of them are "Men in White," "Internes Can't Take Money," "The Citadel," "Strange Interlude," "Symphony of Six Million," "Arrowsmith," "Yellow Jack," "Doctor X" "The Story of Louis Pasteur," just to name a few off the top of my head, without doing any research. Paramount's "Internes Can't Take Money," starring Barbara Stanwyck and Joel McCrea, was the first movie to feature the character of Dr. James Kildare, created by author Max Brand. I'm sure that the studio's executives rued the fact that they didn't have the foresight to feature the sympathetic young doctor in a series, which is what M-G-M did, starring Lew Ayres as the compassionate and crusading Dr. Jimmy Kildare. That series, by the way, started in the '30s with "Young Dr. Kildare" in 1938, followed by "Calling Dr. Kildare" and "The Secret of Dr. Kildare" in 1939. So, you see, there were quite a few doctors gracing movie screens throughout the 1930s.

Glenn Ford is a young doctor from a well-connected family in "The Doctor and the Girl," a 1949 film also starring Janet Leigh, Charles Coburn, Gloria de Haven, Bruce Bennett, and Nancy Davis, our former first lady.

Ford plays Dr. Michael Corday, an up and coming doctor who comes to do a rotation in a hospital and brings a lot of his well-known doctor/father's attitudes with him. The senior Dr. Corday (Coburn) has fixed attitudes about family and medicine and runs his home with an iron fist. The first night that Michael returns home from his medical training, his sister Fabienne (de Haven) announces that she's moving to Greenwich Village. In those days it was absolutely unheard of for an unmarried woman to move out of the parental home, so her father's not happy.

Michael isn't liked at the hospital. He's snobby, brusque, and too clinical, interested in his work but not people. Then he runs into a woman he processed in the outpatient ward, Evelyn (Leigh), who is waiting for lung surgery, and he realizes how cold he was to her. He works to make it up to her, and they wind up falling in love, and over his father's strenuous objections, he marries her and gives up the important residency he was promised. He and Evelyn move to her Third Avenue apartment, and Michael sets up practice. Meanwhile, the only child that hasn't disappointed the senior Corday is Mariette (Davis), who is marrying a doctor (when her dad sets the date) and is living at home. Corday Sr. soon learns the effect of his rigidity.

I really liked this film. It was an absorbing family drama, maybe on the soapy side, but there's nothing wrong with that when the characters are well depicted. Glenn Ford is very sincere and likable in his role and gets to show a little more dramatic range than usual; the pretty Leigh is lovely as Evelyn, frail but with an inner toughness. The rest of the cast is solid. Bruce Bennett plays the ENT doctor Michael has to deal with on his rotation. Bennett was in countless films, an Olympic champion in 1928, and died 5 years ago at the age of 100.

Very good movie, well worth seeing.

Considering that Charles Coburn is a supporting actor in this film, it's not at all surprising that I watched "The Doctor and the Girl", as he's one of my favorite actors from Hollywood's golden age.

Glenn Ford plays a brilliant young doctor--and the son of a brilliant and well-respected older doctor (Coburn). Ford really looks up to his father and wishes to be just like him--including having a VERY dispassionate outlook towards his patients. At first, those around the doctor at the hospital didn't like him--he was too emotionally disconnected from his patients' pain. But, through the course of the film, he has lots of reason to second-guess this approach....as well as other aspects of this domineering man he'd so long idolized.

Overall, this is a decent little film. However, to me, the ending seemed pretty weak and difficult to believe. Still, it's a bit better than average and worth your time if you, too, are a Coburn-ite! Glenn Ford--overplayed his 'dispassionate' act