Ultimatum a Chicago

I prefered ILLEGAL and CHICAGO DEADLINE from the same director Lewis Allen and also starring Alan Ladd, but all those Paramount Pictures film noirs are true crime noir features, no problem. Alan Ladd is a bit more wooden as usual, and Berry Kroeger is not Paul Stewart - APPOINTMENT WITH DANGER - either. The plot is also weaker than in the other two films which I mentioned just above. The story of investigation could have been grittier, tougher, but this movie remaiins worth watching if you have never seen it before. When Alan Ladd was still a big star, before his fall down. Donna Reed also brings much to this movie. Take advantage of it.

Shades of Laura here.

A reporter, Ed Ames (Alan Ladd), looking into the death of a young woman, finds her address book before the police do. He goes through it and tries to uncover information about her. Her name is Rosita.

Most people hang up on him or claim not to know Rosita. He does locate her brother (Arthur Kennedy) and a friend (June Havoc) and learns that Rosita was married and later widowed. Why are so many people afraid to admit they knew her? Why did she spend time living under another name? Intrigued and entranced by her photo, Ames keeps digging.

Good noir with a solid performance by the handsome Ladd, who always underplays and lends a great presence to a film. Reed is lovely, though she actually doesn't have much to do.

Dark, just like a noir should be.

When a reporter finds a beautiful girl dead of tuberculosis in a cheap hotel room, he pockets her little black book to learn more about her... but no one's talking, and the ones that try to have a nasty habit of getting killed. The basic detective story template in the Hammett vein with a touch of CITIZEN KANE and LAURA as Rosita's life is revealed through flashbacks. Alan Ladd is fun to watch, and there's some pretty good supporting parts. Donna Reed gets second billing, but she only appears in snippets for maybe about 10 minutes total. The film has good atmosphere and makes nice use of locations, but is so convoluted that it can be tough to follow. The lousy copy I watched didn't help. I'd like to see it again in a decent presentation. A solid and moody film but a little too confusing.

I have seen this excellent movie in 1951 in Barcelona/Spain when I was 20 and I liked it then and continue to like now very much, I considered it one of the greatest noir classic movies in history. Alan Ladd is fantastic in his role as a reporter; Donna Red is beautiful and had great performance in his playback roll, as Arthur Kennedy and the rest of the cast. is a pity that original seams lost. I have a copy of a VHS from a Honolulu TV, but it can be watched pretty well. the story is very well done by writers Warren Duff and Tiffany Thayer, and the development of the history very well done by director Lewis Allen. Alan Ladd one of my preferred actors is superb and I had said all the cast specially June Havoc, beautiful and charm-ant actress. the end of the movie remains on your mind as one of best ends of a movie in Hollywood history. I highly recommend for the be-lovers of noir classics.

Chicago Deadline finds reporter Alan Ladd uncovering the body of beautiful Donna Reed at a cheap boarding house in the Windy City. She's dead of natural causes, untreated tuberculosis which was quite common back in the day. Like Laura her beauty haunts Ladd, but what really intrigues him is her address book with one eclectic set of addresses and phone numbers. Something in his reporter's instinct tells him there's a story here and as he starts snooping, turns out there is one.

Reed was a beautiful woman used and abused by any number of people, high and low. The only one who genuinely seems to be mourning her passing is brother Arthur Kennedy. Helping Ladd along with background is society woman June Havoc.

The whole picture eventually does come together and it turns out Reed was into quite a few shady things. Naturally it all makes sense by the time the film is over.

Alan Ladd's greatest screen credit might be in Citizen Kane where he curiously enough has a bit role as a reporter. Chicago Deadline like Kane is a jigsaw puzzle where the bits of Donna Reed's character Rosita D'Ur is put together the way Charles Foster Kane's is.

Berry Kroeger who just does not play good guys on the screen is a malevolent gangster who is marvelously sinister as always. Another performance to note is Irene Hervey as Kroeger's moll who naturally resented Reed and anything about her.

Another good film for Alan Ladd in his Paramount salad days.