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7,3/10
1801
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaAbstract images drawn directly onto the film are accompanied by three pieces of jazz performed by the Oscar Peterson trio.Abstract images drawn directly onto the film are accompanied by three pieces of jazz performed by the Oscar Peterson trio.Abstract images drawn directly onto the film are accompanied by three pieces of jazz performed by the Oscar Peterson trio.
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A masterpiece of hand-drawn & experimental cinema! McLaren & Lambert pulled out all the stops for the wonderful viewing experience that would become BEGONE DULL CARE, a film made directly by hand through painting, etching, drawing, and pattern- rolling onto clear 35 mm film stock. The phantasmagoria of colours, patterns, images and surreal optical trickery of perceived depth of field are blended together PERFECTLY with the rollicking Jazz soundtrack provided by Canadian Jazz-pianist extraordinaire, Oscar Peterson, and his band. Although this style of animation has been attempted many times, by countless others, both before and since, NONE have come close to Norman McLaren & Evelyn Lambert's stunning accomplishment: BEGONE DULL CARE!
10/10. A resounding visual triumph.........and just so much fun to watch!
10/10. A resounding visual triumph.........and just so much fun to watch!
These abstractions are tuned to the piano work of Oscar Peterson. While they really have no intrinsic connection, they jump and jive with the music. The colors are vivid and enticing. One should not be too critical of this work because efforts to classify the art just don't go anywhere. Just experience it and enjoy.
This film is one of the better works of abstract animation. McLaren succeeds at precisely timing his drawn-on-film animation to Peterson's music. Also, McLaren's mastery of depth in his painting is wonderful.
Well, this certainly was different. I doubt most people would like this, but being a fan of abstract art as well as someone who has dabbled in the genre, I thought this was pretty interesting.
It's almost three animated shorts in one, each played to a short piano piece by jazz great Oscar Peterson. The first and third numbers are upbeat and so are the graphics: one colorful image after after nothing bombarded at you as if you were looking through a kaleidoscope.
The middle segment gives us a breather with more just black-and-white and lines moving to the music. It gives the whole animated piece a welcome respite for a couple of minutes.
This is just pure abstract images drawn directly onto the film. This was done long before computers and I can't imagine the number of hours it took Norman McLaren and Evelyn Lambert to produce this.
This short was part of the DVD "Leonard Maltin's Animation Favorites From The National Film Board Of Canada.
It's almost three animated shorts in one, each played to a short piano piece by jazz great Oscar Peterson. The first and third numbers are upbeat and so are the graphics: one colorful image after after nothing bombarded at you as if you were looking through a kaleidoscope.
The middle segment gives us a breather with more just black-and-white and lines moving to the music. It gives the whole animated piece a welcome respite for a couple of minutes.
This is just pure abstract images drawn directly onto the film. This was done long before computers and I can't imagine the number of hours it took Norman McLaren and Evelyn Lambert to produce this.
This short was part of the DVD "Leonard Maltin's Animation Favorites From The National Film Board Of Canada.
10tavm
With the recent death of jazz great Oscar Peterson, Amid at Cartoon Brew showed his tribute by linking from YouTube two animated shorts scored by him. One was directed by John Hubley. This one, Begone Dull Care, was done by Norman McLaren and Evelyn Lambart with the abstract paint done directly on film. Peterson provides three jazz pieces with the second one just played to white lines on black background and the other two mixed with that and various other colors, mostly red. Wonderful Jackson Pollock-like images that might have inspired many a trip during the '60s! What a great tribute to a recently departed music genius from Canada.
Lo sapevi?
- QuizDirectors Norman McLaren and Evelyn Lambart hung some of the film to dry in windows of their work space in Montreal. Because of the pollution, dirt ended up drying onto the film as well. Lambert suggested projecting the film to see what it looked like. They ended up using this "dirty film" in parts of the finished work.
- ConnessioniEdited into 50 for 50: Volume 1, Tape 2: Animation: A Touch of Fantasy (1989)
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