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IMDbPro

You Were Meant for Me

  • 1948
  • Approved
  • 1h 32min
VALUTAZIONE IMDb
6,0/10
345
LA TUA VALUTAZIONE
You Were Meant for Me (1948)
DramaMusical

Aggiungi una trama nella tua lingua1920's bandleader Chuck Arnold meets hometown girl Peggy at one of the band's dances and next day weds her. Though she loves him, life on the road becomes increasingly difficult for her, but... Leggi tutto1920's bandleader Chuck Arnold meets hometown girl Peggy at one of the band's dances and next day weds her. Though she loves him, life on the road becomes increasingly difficult for her, but it is the 1929 Crash that makes things really tough for the both of them.1920's bandleader Chuck Arnold meets hometown girl Peggy at one of the band's dances and next day weds her. Though she loves him, life on the road becomes increasingly difficult for her, but it is the 1929 Crash that makes things really tough for the both of them.

  • Regia
    • Lloyd Bacon
  • Sceneggiatura
    • Elick Moll
    • Valentine Davies
  • Star
    • Jeanne Crain
    • Dan Dailey
    • Oscar Levant
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,0/10
    345
    LA TUA VALUTAZIONE
    • Regia
      • Lloyd Bacon
    • Sceneggiatura
      • Elick Moll
      • Valentine Davies
    • Star
      • Jeanne Crain
      • Dan Dailey
      • Oscar Levant
    • 10Recensioni degli utenti
    • 3Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 1 vittoria e 1 candidatura in totale

    Foto5

    Visualizza poster
    Visualizza poster
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    Visualizza poster
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    Interpreti principali46

    Modifica
    Jeanne Crain
    Jeanne Crain
    • Peggy Mayhew
    Dan Dailey
    Dan Dailey
    • Chuck Arnold
    Oscar Levant
    Oscar Levant
    • Oscar Hoffman
    Barbara Lawrence
    Barbara Lawrence
    • Louise Crane
    Selena Royle
    Selena Royle
    • Mrs. Cora Mayhew
    Percy Kilbride
    Percy Kilbride
    • Mr. Andrew Mayhew
    Herbert Anderson
    Herbert Anderson
    • Eddie
    Harry Barris
    Harry Barris
    • Pianist - Member of the Band
    • (non citato nei titoli originali)
    Barbara Brewster
    Barbara Brewster
    • Saleswoman
    • (non citato nei titoli originali)
    Les Clark
    • Member of the Band
    • (non citato nei titoli originali)
    Barney Elmore
    • Member of the Band
    • (non citato nei titoli originali)
    Morgan Farley
    Morgan Farley
    • Ticket Taker
    • (non citato nei titoli originali)
    Charles Flickinger
    • Western Union Boy
    • (non citato nei titoli originali)
    Bess Flowers
    Bess Flowers
    • Woman on Dance Floor
    • (non citato nei titoli originali)
    Otto Forrest
    • Salesman
    • (non citato nei titoli originali)
    Ann Fredrick
    Ann Fredrick
    • Minor Role
    • (non citato nei titoli originali)
    Jack Gargan
    • Ticket Taker
    • (non citato nei titoli originali)
    Kay Garrett
    • Salesman
    • (non citato nei titoli originali)
    • Regia
      • Lloyd Bacon
    • Sceneggiatura
      • Elick Moll
      • Valentine Davies
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti10

    6,0345
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    Recensioni in evidenza

    5edwagreen

    Nice Film Spoiled By Weak Ending **

    "You Were Meant for Me" has all the elements of a very nice film. We have a dance band and Jeanne Craine falling for and marrying band leader Dan Dailey over night.

    All goes well until the stock market crashes in 1929 and the band is forced to disband.

    Dailey and Jeanne move back with her parents, Percy Kilbride, who, for a change is not funny here and the dependable Selena Royle who really never was known for comedic gifts. Their lack of it is showing here. Kilbride,in particular, wastes chances to enhance his part. Known for deadpan humor, it is missing here.

    Invariably, when Dailey refuses a job offer that he considers beneath him, the two argue and Dailey runs off to N.Y.

    It is at this point that the film goes awry. Dailey, at the bus depot, looks out at Bloomington, Indiana. He runs back to Craine where he finds long-time pal Oscar (Oscar Levant) at the house. Kilbride comes home from his job. By the next scene, Dailey is leading a band and Levant is working selling bricks at Kilbride's place.

    Craine and Dailey dance and the film ends. There was no proper segue leading up to this end.

    In addition, the few dance numbers are too stilted. Craine, tries but gives little pep to this film. Song and dance man Dailey is wasted here.
    dougdoepke

    The Stars Shine, Though The Production Doesn't

    The movie puzzles me. On the whole, it's a rather dour little musical, but not without its moments. However, I'm struck that the cast is not well served by the quality of the production. Given TCF's reputation for gloss, particularly in its musicals, this production almost looks like a neglected child. The b&w is undistinguished, the direction uninspired, the production numbers meager and the script erratic, particularly in the final few minutes. It's as if the producers wanted a quick, happy wrap regardless of what went before. Given Crain's rising star, State Fair (1945) and Leave Her to Heaven (1945), the studio's apparent disregard seems doubly puzzling.

    Nonetheless, Crain's charm shines through as she battles to keep her marriage together through both high times and low. Dailey too, is engaging as a bandleader who has trouble coping when the Depression suddenly dries up his gigs. Happily, there's some genuine chemistry in their pairing. To me, the high point comes when he and Crain break into an impromptu little dance in the drugstore. It's a charming little display of musical talent, helped along by the movie's generally tuneful selection of songs. Speaking of talent, Levant's gift for dourly humorous asides is ill served by director Bacon. Levant is primarily a personality, not an actor, so he needs a lot of coaching, which his uneasy performance apparently didn't get. Too bad, since he can be delightfully sour when more comfortable.

    All in all, the two stars shine through even though the production doesn't.
    7rdbqpaul

    Original Script?

    This is an enjoyable bit of nostalgia but to call it an original script is nonsense. The first 20 minutes are so closed to Fox's "Orchestra Wives" it borders on plagiarism. Even the bus that leaves Jeanne Crane in the arms of Dailey is the same that left Ann Rutherford in the grips of George Montgomery.

    The score is fun, but written in 1940s Style - not 192Os.

    Dailey's dancing is delightful. Crane is beautiful. Levant is sufficiently sarcastic, and it's always fun to see and hear Percy Kilbride.

    The plot gets more interesting after the market crash.

    One of the musical highlights is Oscar performing an excerpt from Concerto in F.

    This is enjoyable fun.
    9Hup234!

    A movie meant for romantics.

    Yes, I know it's been done before, but this great little tale of a struggling Thirties couple really has something special. Optimistic Dan Dailey keeps smiling through it all, Jeanne Crain lights up the screen, Oscar Levant is a wry delight, and see Percy Kilbride just before his "Pa Kettle" persona caught on. And that great title song.......! Highly recommended to all.
    6bkoganbing

    The party would never end

    This 1948 film starts its action 20 years earlier in 1928 when the country was in the throes of the Roaring Twenties, the Jazz Age when it seemed like the national party would never end. You Were Meant For Me stars Dan Dailey as a Rudy Vallee like band-leader with Jeanne Crain as the small town girl whom he falls for and marries while on tour. One thing though, Vallee never had the dance moves that Dan Dailey had. I always marveled at how gracefully that big man moved.

    If this had been done over at Warner Brothers Jack Carson would have been cast in the lead. Dailey is quite the party animal when good times are plentiful. But the stock market crash comes even with bookings canceling all around him, Dailey feels the need to put up a big front. The man needs a reality trip and Crain is ready to give it to him.

    The score is taken from various standards of the Roaring Twenties and that's the best part of the film. Oscar Levant is in the cast as his usual witty and cynical self and we hear him do Gershwin's Concerto in F. Percy Kilbride and Selena Royle are Crain's small town, home town parents who give out some practical advice.

    If you like the music of the Twenties than You Were Meant For Me is meant for you.

    Altri elementi simili

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    5,5
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    La figlia dello sceriffo
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    5,8
    Una notte sui tetti
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    5,6
    Lo spaccone vagabondo
    Il messicano
    6,0
    Il messicano
    Home Town Story
    4,9
    Home Town Story
    Mia moglie si sposa
    6,1
    Mia moglie si sposa
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    6,2
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    La giostra umana
    7,2
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    L'affascinante bugiardo
    6,5
    L'affascinante bugiardo

    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      Accordong to Shiela Graham, Marilyn Monroe's role ended on the cutting room floor, but in a scene a face which looks like Monroe's is among those reacting on a crowded dance floor.
    • Colonne sonore
      Concerto in F
      (uncredited)

      Music by George Gershwin

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    Dettagli

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    • Data di uscita
      • 1 febbraio 1948 (Stati Uniti)
    • Paese di origine
      • Stati Uniti
    • Lingua
      • Inglese
    • Celebre anche come
      • Naciste para mí
    • Luoghi delle riprese
      • 20th Century Fox Studios - 10201 Pico Blvd., Century City, Los Angeles, California, Stati Uniti(Studio)
    • Azienda produttrice
      • Twentieth Century Fox
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      1 ora 32 minuti
    • Colore
      • Black and White
    • Proporzioni
      • 1.37 : 1

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