Devi essere felice

I think this movie is charming. It is part farce and part whimsy. It is not a great comedy, and I don't think it was ever intended to be. It has a few stereotypical characters, but that can be fun. I have seen the movie several times. It is pure escapism.

This movie is certainly not a deep or memorable movie. In fact, I just saw it again for the second time and I had forgotten so much of it--even though I saw if for the first time only a couple years ago.

Jimmy Stewart is the owner of a very tiny freight airline. During a stopover, he is accidentally united with Joan Fontaine who is running from a brand new marriage she hasn't yet consummated to a man she didn't love. It doesn't take a genius to figure out that sooner or later, Stewart and Fontaine will be a couple, though the rest of the movie consists of a series of wacky adventures until the ultimate conclusion.

So why give the movie only an 8? Well, first, Fontaine's character is rather annoying and highly reminiscent of Julie Roberts' character in RUNAWAY BRIDE. Someone that ditsy and self-centered, for me, is a little hard to really care about and you aren't really pulling for the leading man to take this shallow woman. Secondly, and more importantly, the movie has way too many contrived and "wacky" subplots--a guy running off with his company's funds, the chimpanzee who loved Fontaine and smokes cigars, the Southern-fried humor supplied by the young couple from Georgia, etc. It just seemed REALLY, REALLY contrived. Plus, the dialog itself was rather forced.

So, overall it's just an adequate film--best enjoyed by old movie and Jimmy Stewart buffs.

Real-life airman James Stewart is enjoyed here in the first of his pilot roles. Eddie Albert, who would somehow not enjoy outdoing himself five years later in Roman Holiday, is well cast. Joan Fontaine lifted my already high opinion of her by delightfully playing an heiress whose charm and beauty are only matched by her extraordinary wealth.

You Gotta Stay Happy is one of Stewart's more rarely seen pictures despite my high rating. Fans of the aforementioned actors should consider it recommended.

At first I thought You Gotta Stay Happy was just going to be a version of Runaway Bride (decades before that movie came out) and I was not at all excited about that. However, that's not the story being told here. Joan Fontaine isn't playing a woman who is frightened of commitment, instead she's simply a woman who hasn't found the right person. It's a subtle difference, but I appreciated that, and it made the romance click for me. I absolutely loved the early scenes with all the mix-ups in the hotel room. It was charming, and I am always entertained by what was considered scandalous behavior back in the 40s and 50s. If there was any problem with those early scenes it is how quickly the husband is written out of the story, and he doesn't even seem to put any effort into finding his own spouse.

Of course, I wasn't interested in watching a love triangle film, so in the long run I like that James Stewart and Joan Fontaine get so much time alone together (although sometimes with a monkey or Eddie Albert.) Their romance was convincing and I thought they had a nice chemistry with one another. The silly stuff that goes on with their flight is humorous, and I liked how it all snowballed from no passengers to a whole handful of people on board. It was kind of weird that we didn't see all those people hanging around all the time, but they needed to create alone time for the 2 leads. Now, every good rom-com has to have a conflict, and that's the biggest struggle with You Gotta Stay Happy. The things that upset James Stewart's character are kind of ridiculous for anyone to take as offensive or disappointing. I took it all in stride because it was matching the tropes I expect from this genre, but with some different choices I would have loved the film more.

Though "You Gotta Stay Happy" came after the heyday of screwball comedies, it follows the recipe well enough: take one zany heiress, mix up with earnest hero, add wise-cracking best friend, toss in some comic stereotypes for support, add a dash of innocent deception to get the plot rolling, then a pinch of mistaken identity (or something like it) to keep things stirred up, and top off with some chaste romance. Bake (or half-bake) for a little over an hour and a half, garnish with a cigar-smoking chimpanzee, and... voilà! Enjoyable light entertainment. You may be hungry an hour later, but it's fun while it lasts.

Jimmy Stewart's Marvin Payne is a variation on the actor's patented good-guy persona: a decent if sometimes cranky pilot, he's trying to keep his ramshackle airline *and* his carefully crafted life-plan running smoothly. Joan Fontaine, proving surprisingly proficient at comedy, plays indecisive rich girl Dee-Dee Dillwood, whose antics seem calculated to throw Marvin off schedule in both arenas. And Eddie Albert, as "Bullets" Baker, shines in an early and excellent incarnation of what would become his trademark 1950s character-- the lovable sidekick.

It's hard to outline the plot without giving it all away-- partly because all the pieces are intertwined, and partly because there aren't all that many pieces-- but I'll try. Fontaine's running from the altar, and Stewart, not fully aware of her circumstances, is somehow persuaded to let her aboard his cargo plane. Meanwhile, co-pilot Albert has enterprisingly sold seats to a few other unauthorized personnel. Will our intrepid fly-boys manage to steer their two-engine plane through stormy weather to complete all deliveries and stave off bankruptcy, or will they be too distracted by the fact that the police seem to be looking for one of their illicit passengers? And how about Stewart's heart, which seems to be flip-flopping for Fontaine a full six years ahead of schedule (he's penciled in "love" for 1954)? Will he be relieved or upset, if and when he learns her full story? It'd be too much to say that "the plane lifts off and hilarity ensues," but I was both amused by the proceedings and invested enough in the leads to care whether they got their happy ending. A warning: some of the aforementioned comic stereotypes-- naive Native Americans, women content to stay in their place-- haven't aged as well as others, so put on your 1940s hat before popping in the DVD.