Infedelmente tua

It is rare when a film is so funny that it will give me fits of belly laughter, and Unfaithfully Yours is one of them. Rex Harrison stars as an English aristocrat and eminent conductor who, despite being madly in love with his wife (played by Linda Darnell) realizes as a result of several misunderstandings that she may be cheating on him. While he is conducting a symphony concert he comes up with three different scenarios in his head of how to deal with her alleged duplicity. Actually carrying out these plans turns out to be an entirely different matter.

Preston Sturges is always an excellent writer and director, but his quick wit and double entendres are a revelation in this film. One almost has to watch it two or three times to get every comment uttered and facial expression portrayed by our protagonist (Harrison). His delivery is superb, sometimes almost funnier than the words he is saying. Darnell and the supporting cast provide excellent straight and slapstick moments. Dudley Moore starred in a remake of this film in the 80's which was also enjoyable, but having now seen this film, I highly recommend the original over the remake. It is an hour and a half of pure delight.

--Shelly

This film brings us Rex Harrison already foreshadowing Professor Higgins. He tries out the arrogant, picayune, verbally acute role and is absolutely successful. The seed is planted and we, who know what is to come twenty years hence, rub our hands gleefully in anticipation of Higgins. But Linda Darnell is no Eliza. Instead, she is a loving, docile, trusting wife, already dressed as though she will be meeting the Queen and looking beautiful and so very desirable.

The dialog crackles and moves fast. Only Rex Harrison and perhaps Cary Grant could have have delivered with the wit and brio that Sturges deserved.

There are two extended slapstick scenes that should have been cut shorter.

Edgar Kennedy as a Private Eye has a couple of great scenes when he turns out to be a classical music devotee and is knowledgeably enthusiastic about Harrison's conducting.

A digression: Harrison tosses a couple of tickets to the Philharmonic concert, they are orchestra tickets a few rows from the front row. Price $3.80, designated as "Patron"' seats.

Noted film critic Leonard Maltin comments "oozing with sophistication" and he's absolutely right.It's a brilliant film for grown-ups (or, at least, grown ups of the 40's).It would probably frighten or confuse todays audiences because the dialogue is so rich it would send them running to the dictionary every other minute.The casting is perfect with many of Sturges' favorite supporting players delivering beautifully.If you're over 50 (and/or have a college degree) you'll love this film.If you're into rock and roll and four letter words this film would be your worst nightmare.

Rex Harrison is a temperamental conductor and Linda Darnell his younger, adoring wife in "Unfaithfully Yours," also starring Lionel Stander, Rudy Vallee, and Kurt Krueger. Harrison and his wife are so much in love, it's sickening. But thanks to interference from his brother-in-law (a subdued Rudy Vallee), Harrison begins to believe that while he was out of town, his beautiful wife (Darnell) was consorting with his secretary, Tony, played by blond, handsome Kurt Krueger. As he conducts the orchestra in concert that evening, Harrison imagines several scenarios - one in which he kills his wife and cleverly frames Tony for the murder; one in which he pays her off; and one where he challenges Tony to a game of Russian roulette. Of course, when he actually tries to carry them out, things don't go as he imagined.

This is a hilarious movie, with Harrison absolutely magnificent - and I might add, totally unlikable. One wonders if Darnell will stay with him once the bloom is off the rose. Lanky and sure of himself, though not particularly handsome, Harrison has a certain magnetism, not to mention a snappy way with a line. "Will I see you tonight at the concert?" Vallee asks him. "Yes!" Harrison yells. "I'm generally there on the nights when I conduct!" His last scene alone in the apartment is a scream, mainly because Harrison doesn't go for laughs but takes the whole thing very seriously and in character. Darnell is beautiful and appropriately cloying. Edgar Kennedy, as a classical music loving detective, has a wonderful scene with Harrison.

I haven't seen the remake, but I noticed its voting average is lower than the original's. I can imagine Dudley Moore being quite funny, but this role, with its arch egotism, was tailor-made for Harrison.

I was surprised to see only one comment on this film in your files. It's been one of my all-time favorites since I was a youngster about the time it was made. Now that I'm reminded by looking it up here that it was a Preston Sturges film I can see why that's so. His classic comedies were unique. It must be also one of Rex Harrison's greatest films. Being a professional musician myself I can especially appreciate the symphonic ambience in which it takes place. I can also appreciate the possible parody Sturges might have had in mind of the great British conductor of those days, Sir Thomas Beecham. The greatest and most memorable visual effect of the movie (I've certainly remembered it all these years most vividly) happened when the Harrison character has to look up the directions for using the recording machine on which he was going to fake the evidence of his wife's still being alive. Onto the screen flashes the most outrageously complex electrical diagram comprehensible only to a professional electrician. This symbolized the inability of modern man to cope with advanced technology. One of the most hilarious moments in film I've ever seen. More viewers should catch up with this one.