Quel meraviglioso desiderio

There's nothing so dangerous as a woman on a mission of revenge, and that's what journalist "Tom" (Tyrone Power) discovers when his serialisation of the profligate life of heiress "Sara" (Gene Tierney) in the newspaper earns her enmity. She's a clever woman, and so manages to come up with an unique way of visiting her vengeance on her new prey. She decides to tell the world that they are married! That's just one truth too many for his editor so now out of a job and without many friends, he has to get her to address the situation before he sinks without trace. How, though? She's still pretty livid and no shrinking violet. Of course, the underplay here is all pretty obvious, as is a denouement helped along amiably by Gene Lockhart, but it's really the enjoyable tit-for-tat banter between Power and Tierney that keeps this entertaining battle of the sexes moving along quickly and sometimes quite wittily. It's probably not a film you will recall for long afterwards, but it does it's job fine for eighty minutes.

Robert Sinclair does not feature in my gallery of preferred directors, and after watching the supposedly screwball comedy that THAT WONDERFUL URGE was publicized as, I doubt I will be looking for his works.

That said, cinematography rates more than just competent, especially on the snowy slopes where tabloid reporter Tyrone has an accident that somehow sees him (allegedly) married to lovely rich heiress Tierney, who donates him $1 million to boot.

Talk about fairy tales, hey? Of course, only US spectators emerging from the losses and hardships of WW II would pay to watch a film resting on such a skiddy and far-fetched script. In Italy, where day to day survival proved dire, neorealism reigned.

What saves it is the star power and chemistry between two beauty-endowed humans, Tyrone and Gene, who apparently did not just act, but privately took their attraction to more physical and emotional levels. In the process, equally lovely Arleen Whelan is just jettisoned after Tyrone tries to marry her so he can prove that Tierney has been lying about her marital status. That is one detail tough to explain: Tyrone is so high-minded that he does not want the $1 million and rejects marriage to Tierney, yet he just uses poor Whelan like garbage.

As for Gardiner, in the role of leaching European aristocrat, it is just impossible to believe that Tierney would take the slightest interest in him, let alone even jokingly take his ring.

As planktonrules points out, the original (LOVE IS NEWS, 1937) is a better film. Still, Tyrone and Gene deserve my 7/10.

Just because a performer is attractive, talented and has star power and charm it does not mean they have comedic skills. This farce has few chuckles, let alone belly laughs. It would have been better with comedic actors but not great.

It is worth seeing. Power and Tierney are both attractive and charming. They even gave chemistry. They just aren't funny.

I found this movie entertaining and humorous although the ending was abrupt. I couldn't help thinking how topical it was with the tabloids and celebs in the news these days and even the President being asked about a reality show personality when he was on The View. I don't think this movie would have been suitable during WWII but in the relief of the postwar era a light comedy might have filled the bill, and tabloids were flourishing along with fan magazines and interest in the privileged, whether heiress or royal. (The 1947 wedding of Elizabeth and Philip was a big seller, too.) I hope some day to see the original to compare and contrast but as a stand alone, this movie was pleasant with some good lines, a few laughs, and kept me awake longer than I had intended so I could see the end. If you don't have anything better to do, you might enjoy it as a diversion.

This is an odd film--not because it is a remake but because both the original (LOVE IS NEWS) and the remake star Tyrone Power. It's rare to see a star do this, as the studios often remade films but hardly ever used the same actors. In addition, both films are bundled together on one DVD so you can compare them. After seeing both, I would definitely recommend you see LOVE IS NEWS, as it's superior in every way.

The film is about newspaper man (Power) harassing a rich heiress (Gene Tierney) in order to make headlines. It really didn't seem to matter if his articles were true and when Gene finds out that Tyrone is NOT the man he claims to be but a reporter, she is furious. However, instead of blowing her top, she decides to give him a taste of her own medicine by announcing to all the newspapers that she and Power are married--as she knows that the papers will now make Power's life miserable as well. Oddly, in the original film, the heiress announces they are engaged--here she claims they are married--though this hardly improves the quality of the film (though it does provide a bit of sexual innuendo the original didn't have).

The acting is decent enough, though I really think Loretta Young did a better job in the original--probably because she seemed to have a better gift for comedy. Also, while Tyrone tries, he just doesn't seem to have quite the charm he did in the original. Part of this is naturally because it's a remake and part of this is because the supporting characters weren't nearly as strong. In particular, the Justice of the Peace was a big weak point here, as instead of coming off as comical, he's a sadist and pretty much ignores the law--surefire comedy killers! My advice is see the original. Then, if you insist, see the remake. BUT, don't see the remake first--it just doesn't stack up well and might convince you not to bother with the first film and that would be a big mistake.