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Schiavo della furia

Titolo originale: Raw Deal
  • 1948
  • Approved
  • 1h 19min
VALUTAZIONE IMDb
7,2/10
6005
LA TUA VALUTAZIONE
1 sheet, 27 x 41 in
Joe Sullivan has taken the rap for Rick who double-crosses him with a flawed escape plan and other means intended to get rid of him.
Riproduci trailer2:08
2 video
41 foto
Film noirGangsterCrimineDrammaThriller

Joe Sullivan si è preso la colpa per Rick che lo ha ingannato con un erroneo piano di fuga e altri mezzi per cercare di sbarazzarsi di lui.Joe Sullivan si è preso la colpa per Rick che lo ha ingannato con un erroneo piano di fuga e altri mezzi per cercare di sbarazzarsi di lui.Joe Sullivan si è preso la colpa per Rick che lo ha ingannato con un erroneo piano di fuga e altri mezzi per cercare di sbarazzarsi di lui.

  • Regia
    • Anthony Mann
  • Sceneggiatura
    • Leopold Atlas
    • John C. Higgins
    • Arnold B. Armstrong
  • Star
    • Dennis O'Keefe
    • Claire Trevor
    • Marsha Hunt
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,2/10
    6005
    LA TUA VALUTAZIONE
    • Regia
      • Anthony Mann
    • Sceneggiatura
      • Leopold Atlas
      • John C. Higgins
      • Arnold B. Armstrong
    • Star
      • Dennis O'Keefe
      • Claire Trevor
      • Marsha Hunt
    • 81Recensioni degli utenti
    • 44Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Video2

    Trailer
    Trailer 2:08
    Trailer
    Raw Deal: Before You're In This Too Deep
    Clip 2:57
    Raw Deal: Before You're In This Too Deep
    Raw Deal: Before You're In This Too Deep
    Clip 2:57
    Raw Deal: Before You're In This Too Deep

    Foto40

    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    + 35
    Visualizza poster

    Interpreti principali37

    Modifica
    Dennis O'Keefe
    Dennis O'Keefe
    • Joseph Emmett 'Joe' Sullivan
    Claire Trevor
    Claire Trevor
    • Pat Regan
    Marsha Hunt
    Marsha Hunt
    • Ann Martin
    John Ireland
    John Ireland
    • Fantail
    Raymond Burr
    Raymond Burr
    • Rick Coyle
    Curt Conway
    Curt Conway
    • Spider
    Chili Williams
    Chili Williams
    • Marcy
    Richard Fraser
    Richard Fraser
    • Fields
    Whit Bissell
    Whit Bissell
    • Murderer
    Cliff Clark
    • Gates
    Gregg Barton
    Gregg Barton
    • Car Owner
    • (non citato nei titoli originali)
    Robert Bice
    Robert Bice
    • Ship's Crewman
    • (non citato nei titoli originali)
    David Clarke
    David Clarke
    • Police Commanding Officer
    • (non citato nei titoli originali)
    Victor Cutler
    Victor Cutler
    • Sailor
    • (non citato nei titoli originali)
    John Daheim
    John Daheim
    • Motorcycle Cop
    • (non citato nei titoli originali)
    Alexis Davidoff
    • Waiter
    • (non citato nei titoli originali)
    Abe Dinovitch
    • Gas Station Mechanic
    • (non citato nei titoli originali)
    Lloyd Everett
    • Ranger
    • (non citato nei titoli originali)
    • Regia
      • Anthony Mann
    • Sceneggiatura
      • Leopold Atlas
      • John C. Higgins
      • Arnold B. Armstrong
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti81

    7,26K
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    Recensioni in evidenza

    7AAdaSC

    A final breath

    Pat (Claire Trevor) narrates the story of her involvement with boyfriend Joe (Dennis O'Keefe) from the night that he escapes from prison until she is arrested. The story follows them on the run with Ann (Marsha Hunt). Who does Joe really love? It is obvious to all concerned...

    This film has a dramatic tension created by two women fighting over one man while they all try and make an escape together. The cast are fine with a particular mention to Claire Trevor and Marsha Hunt who inject the emotion into the story as O'Keefe seems completely devoid of any. Raymond Burr who plays "Rick" and John Ireland who plays "Fantail" make a couple of good bad guys and there is one disturbing scene where Burr's character throws a dish which is on fire onto his girlfriend's face - we didn't really need that. It certainly is a raw deal for everyone in this film.

    There are some nicely filmed scenes, eg, when Pat and Joe are on the boat minutes from departing to a new country and we focus on Pat's profile until she finally breaks the tension by calling out Ann's name. Overall, it's an entertaining film even if the outcome is obvious.
    7bkoganbing

    More of a bad deal

    Dennis O'Keefe stars in this crackerjack noir film directed by Anthony Mann. O'Keefe plays a man who took a rap for gangster kingpin Raymond Burr and now he's thinking he's gotten the bad end of a Raw Deal. He wants out of prison and Burr arranges an escape hoping he'll be killed in the attempted breakout.

    If you recognize the plot think back to Angels With Dirty Faces where James Cagney takes the rap for Humphrey Bogart and George Bancroft and now wants back in on the rackets they've built up and the other two don't want to cut him in. As dark as that classic was, Raw Deal is a good deal darker as O'Keefe's world is getting smaller and smaller due to the bad choices he made in life.

    With cops and Burr looking for him, Dennis also has himself involved with two women, steady streetwise Claire Trevor and the secretary of his lawyer Marsha Hunt. Both are carrying a big torch for O'Keefe, but Trevor is the jealous sort.

    Watching Raw Deal reminded me of a Eugene O'Neill play Strange Interlude where the characters voice over narration tells you their real feelings. That device is used for O'Keefe, Trevor, and Hunt as they express their emotions in the narration. And like any classic O'Neill play there is an inevitability about these people especially O'Keefe.

    Before Anthony Mann moved on to westerns and bigger budgets he did some good noir work in the Forties and Raw Deal is a fine example.
    bob the moo

    Solid thriller with punchy pace and tough edge

    Joe Sullivan is in jail having taken the rap for criminal Rick, who owes him $50,000 for it. Knowing he is looking to escape, Rick greases some wheels to help Joe's girlfriend Pat to organize an escape – all with the knowledge that once he is out he will be certainly caught in the resulting police dragnet and either killed or sent back to prison for even longer; either way he'll be out of Rick's hair.

    I have watched a few noirs recently and the last couple in particular were a lot slower than I would have liked, so part of the appeal of Raw Deal was the short running time, which suggested that it wouldn't be taking too long over anything. This didn't mean it would be good of course, but it was a sign I wouldn't have the problems I'd had with the last few. As it turned out, although not as engaging as I had hoped, this is a solidly enjoyable crime thriller with a tough edge and a good pace to it that means the toughness has an urgency to it. The plot does have love interest within it but rather than be the distraction it can be, it provides a duality to the character of Joe since the two women he is traveling with sort of represent either side of his character and the battle between them.

    O'Keefe does a good job in the lead, tough but not inhuman and is likable. Burr is not quite as good as the villain but I think this is more to do with me than him since I always struggle to see him outside of the Perry Mason roles. Both Hunt and Trevor play their roles well and there is a nice tension between them throughout the film. Direction is good – it is fluid and makes the most of each scene, never once being stagey or stiff as some of the recent films from the period I have seen have been.

    Overall Raw Deal is not a brilliant film but it is a very effective one. It is short, punchy and has an enjoyably tough edge to all of it. The duality of the lead character is well played out and the violence is nicely stated.
    filmnoirman

    Underrated, but sublime Film Noir!

    What a perfect film for insomniacs. This is wonderful to watch with the lights out. With that said, let's look at this underrated work by director Anthony Mann. First the obvious...John Alton is a genius. The lighting, or lack thereof, is visually striking. What this man could do with a $10 budget was simply amazing. Secondly, let's note the unusual commentary/narration by Academy Award winner(she won the award that same year for her role in "Key Largo"), Claire Trevor. I can count only a couple of film noir in which the voice-over is done by a doomed (in love)woman. Her sense of entrapment perfectly encapsulate's the mood of this film. Now, let's also note the odd use of a theremin for the bulk of the music used in this film. Check it out...very creepy. But one of the most overlooked components in this film has to be the hulking visage of Raymond Burr. This guy had to be in just about every film made between 1944 and 1960. In this particular film he is a sado-masochistic pyromaniac. In just about every scene he is torching somebody, whether it be by using his lighter, or throwing a flaming flambeaus at some poor unsuspecting party-going girl or by just burning down his own apartment. He's a nutcase...but a joy to watch on the screen.

    Okay, so the story itself isn't the most original. But with everything else this film has going for it, I HIGHLY recommend anyone even slightly interested, to go buy it NOW! It's one of my absolute favorite film noir's. Oh...I almost forgot. Check out Marsha Hunt in this film. She's stunning.
    7claudio_carvalho

    Good Film Noir

    Joseph Emmett "Joe" Sullivan (Dennis O'Keefe) is in the State Prison for taken the blame for the gangster Rick Coyle (Raymond Burr) that owes him US$ 50,000.00. Joe is visited by the young Ann Martin (Marsha Hunt) that works at the law firm that is defending him and she tells that after three years, Joe will certainly be on probation. However his lover Pat Cameron (Claire Trevor) also visits him and tells that Rick has plotted an escape for him during the night. What they do not know is that the sadistic Rick wants to get rid off Joe and expects that Joe will be murdered or caught during the prison break.

    Joe is well-succeeded in the escape and Pat drives the runaway car. However the car is shot in the tank by the police officers and they run out fuel. Joe brings Pat to Ann's house expecting to have a hideout for a couple of days, but Ann calls the police believing that she would help Joe. They escape in Ann's car and head to Crescent City, where Joe expects to meet Rick to receive his money and travel to South America with Pat. But Rick sends a hit-man to kill Joe while Pat feels that she is losing Joe to Ann that has fallen in love with him. Will Pat and Joe have the chance to travel together to South America?

    "Raw Deal" is a film-noir with a triangle of love between an ambiguous criminal that wants to be a good man, his experienced lover and a naive young woman that also falls in love for him. Raymond Burr performs a scary gangster. The plot is full of action and has an unusual narration in off by Pat Cameron. The cinematography in black and white is very beautiful and the conclusion is dark. My vote is seven.

    Title (Brazil): "Entre Dois Fogos" ("Between Two Fires")

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    Interessi correlati

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    Film noir
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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      In Harlan Ellison's post-apocalyptic novella on which Apocalypse 2024 - Un ragazzo, un cane, due inseparabili amici (1975) is based, the main character goes to one of the few surviving movie theaters and watches Schiavo della furia (1948). He lives in a world dominated by gangs and describes the movie: "Gangsters, mobs, a lot of punching and fighting. Real good."
    • Blooper
      The on-screen end credits list Claire Trevor's character as "Pat Regan". However, she is referred to as "Pat Cameron" by other characters, including the prison guard at the beginning of the film and by both Spider and Rick Coyle near the end.
    • Citazioni

      Joe Sullivan: What do you know about anything? You probably had your bread buttered on both sides since the day you were born. Safe. Safe on first, second, third, and home.

      Ann Martin: That's what you think? Just because I own a car and a tailored suit and my nails are clean, you think I've never had to fight? I got an education, sure. I suppose that means I was born with a silver spoon, doesn't it? My father was a schoolteacher. He died in the war of The Depression. Only he didn't get any medals. Or any bands. Or any bonus. He left three children. You think *you* had to fight? The only way you know how to fight is that stupid way with a gun. Well, there's another way you probably never even heard of. It's the daily fight that everyone has. To get food and an education, to land a job and keep it. And some self-respect. 'Safe'? I never asked for anything safe. All I want is... just a little decency, that's all.

    • Connessioni
      Featured in Century of Cinema: Un secolo di cinema - Viaggio nel cinema americano di Martin Scorsese (1995)

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    Dettagli

    Modifica
    • Data di uscita
      • 15 maggio 1952 (Italia)
    • Paese di origine
      • Stati Uniti
    • Lingua
      • Inglese
    • Celebre anche come
      • Pasiones de fuego
    • Luoghi delle riprese
      • San Quentin State Prison, San Quentin, California, Stati Uniti(prison exteriors, opening scenes)
    • Aziende produttrici
      • Edward Small Productions
      • Reliance Pictures
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      • 1h 19min(79 min)
    • Colore
      • Black and White
    • Proporzioni
      • 1.33 : 1

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