Gianni e Pinotto contro i gangsters

"The Noose Hangs High" is one of the better of the Abbott and Costello films. The plot isn't particularly original, but the screenplay has a number of diversions. These provide opportunities for the boys to do some of their vaudeville skits. And, another player acts as a shill for some of Lou's jokes.

The script is peppered with occasional extra funny lines, outside of routines. All of that adds up to more laughs and a more entertaining film. The supporting cast in this film all are very good. Cathy Downs does a nice job in the female lead as Carol Blair. Leon Errol is a hoot as J.C. (and Julius Caesar) McBride. Mike Mazurki is Chuck. He is one of the best actors at playing a doofus thug.

An early window-washing scene is reminiscent of the Hollywood comedy of the silent film era. Harold Lloyd and Buster Keaton did some daredevil stuff on the heights of buildings. Bud and Lou and company will have one laughing a lot in this funny flick.

Very funny Abbott & Costello comedy that has the boys crossing a bookie (Joseph Calleia) and trying to find a way to pay him back $50,000 of his money they lost. Nicely paced with one great routine after another. I don't think there were any clunkers here. Sometimes the boys used bits that felt stale like they were dusted off vaudeville routines from twenty years before, but not here. Even the reworked gags feel fresh. Bud and Lou are in top form in this one. They had me in stitches. Great support from Calleia, Leon Errol, Mike Mazurki, and Alvin Hammer as a racetrack tout in one of the more subtly funny scenes. It's one of my favorite A&C comedies that didn't have monsters or the supernatural as part of the plot.

The Noose Hangs High marks Abbott&Costello's only film for the short lived Eagle-Lion Productions. This was an effort by J. Arthur Rank over across the pond to break into the American film market with his own production and distribution company.

Bud&Lou are a pair of window washers who are mistaken for messengers that are employed by bookie Joseph Calleia. It seems as though he's been taken to the cleaners by one of his bettors and though it hurts he has to pay off. The messengers are to get the money from Ben Welden and deliver it to Calleia.

Of course Welden has ideas of having the boys held up and stealing the money for himself. Costello actually eludes the crooks, but sends the money to Cathy Downs by mistake. Now he and Bud have 48 hours to come up with the money or ELSE.

Leon Errol is along for the ride as his usual drunken playboy and he subs for Abbott as Lou's straight-man a couple of times. Though in those routines I can't tell who's the one really getting the laughs.

What always gets me about The Noose Hangs High is Calleia and how he could be that dumb to mistake these two for good help. What's that say about him. Proof of that is a routine where both Abbott and Costello make a monkey out of big dumb leg breaker Mike Mazurki.

The Noose Hangs High is a remake of the Universal film For Love Or Money. I haven't seen the original, but the material was definitely rewritten to suit Bud&Lou. It becomes nothing more than a vehicle for the boys to do several of their burlesque routines. Which for their fans is more than enough.

The Noose Hangs High contains what I consider one of the funniest scenes ever in a A&C movie. Very early on Lou's toothache brings him to Dr.Richards the "painless dentist". The minute they walk into the office the patient from the next room lets out a scream and Lou is up and leaving. Abbot pulls him back and a woman exits the office with a bandage wrapped around her face. Lou gets up again and Abbott pulls him back again. Then the crazy doctor appears signaling for Lou. The next 5 minutes inside the office are amazing. The timing, sound effects, EVERYTHING is just incredible. These 5 minutes alone are worth the price of admission. Whenever I watch this scene time stops for me. This is what makes Lou Costello so enjoyable. Pure humor! The rest of the movie is classic A&C at their best. Trust me!!

As window washers the boys get mixed up with crooks and a missing $50,000 they're on the hook for.

Sub-par A&C, at best. The 80 minutes are practically wall-to-wall routines, some of which work, but too many of which are either too thin or over-long. That dinner table routine goes on too long, but it is classic A&C with the expert timing and word gags. Speaking of word gags and semantics, Lou out-witting tough guy Mazurki is a little gem of the unexpected. I also like the sidewalk routine that trades too on the unexpected. However, the plot is scattered and lacks the usual tight situations that heighten the fun. It's almost like the boys strung together a number of routines and then made up the plot as they went along.

It's also A&C's first feature apart from the resources of Universal studios and frankly it shows. Except for the window washing high above the street, the sets are dull to look at, while the action never leaves the sound stage lot. Lou also took on the big role of the film's producer, at the same time IMDb lists his mother Lolly Cristillo as a co-producer! Apparently, the boys weren't too happy with the results since they quickly signed a new contract with Universal and returned to the fold. From there, they went on to make some of their best comedies by meeting up with Universal's stable of classic monsters—Frankenstein, the Invisible Man, etc. So unless you're a die-hard A&C fan like me, skip this one since there are so many better ones.