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IMDbPro

La luna sorge

Titolo originale: Moonrise
  • 1948
  • VM16
  • 1h 30min
VALUTAZIONE IMDb
7,0/10
3193
LA TUA VALUTAZIONE
Ethel Barrymore, Dane Clark, and Gail Russell in La luna sorge (1948)
Moonrise: You're Ripe For A Beating
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15 foto
CrimineDrammaFilm noirRomanticismoThriller

Aggiungi una trama nella tua linguaDanny is despised by his schoolmates because his father was accused of killing another man and sentenced to death.Danny is despised by his schoolmates because his father was accused of killing another man and sentenced to death.Danny is despised by his schoolmates because his father was accused of killing another man and sentenced to death.

  • Regia
    • Frank Borzage
  • Sceneggiatura
    • Charles F. Haas
    • Theodore Strauss
  • Star
    • Dane Clark
    • Gail Russell
    • Ethel Barrymore
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,0/10
    3193
    LA TUA VALUTAZIONE
    • Regia
      • Frank Borzage
    • Sceneggiatura
      • Charles F. Haas
      • Theodore Strauss
    • Star
      • Dane Clark
      • Gail Russell
      • Ethel Barrymore
    • 61Recensioni degli utenti
    • 44Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
    • Candidato a 1 Oscar
      • 1 candidatura in totale

    Video1

    Moonrise: You're Ripe For A Beating
    Clip 1:22
    Moonrise: You're Ripe For A Beating

    Foto14

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    Interpreti principali54

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    Dane Clark
    Dane Clark
    • Danny Hawkins
    Gail Russell
    Gail Russell
    • Gilly Johnson
    Ethel Barrymore
    Ethel Barrymore
    • Grandma
    Allyn Joslyn
    Allyn Joslyn
    • Sheriff Clem Otis
    Rex Ingram
    Rex Ingram
    • Mose
    Harry Morgan
    Harry Morgan
    • Billy Scripture
    • (as Henry Morgan)
    David Street
    David Street
    • Ken Williams
    Selena Royle
    Selena Royle
    • Aunt Jessie
    Harry Carey Jr.
    Harry Carey Jr.
    • Jimmy Biff
    Irving Bacon
    Irving Bacon
    • Judd Jenkins
    Lloyd Bridges
    Lloyd Bridges
    • Jerry Sykes
    Houseley Stevenson
    Houseley Stevenson
    • Uncle Joe Jingle
    Phil Brown
    Phil Brown
    • Elmer - Soda Jerk
    Harry Cheshire
    Harry Cheshire
    • J.B. Sykes
    • (as Harry V. Cheshire)
    Lila Leeds
    Lila Leeds
    • Julie
    Virginia Mullen
    Virginia Mullen
    • Miss Simpkins
    Oliver Blake
    Oliver Blake
    • Ed Conlon
    Tom Fadden
    Tom Fadden
    • Homer Blackstone
    • Regia
      • Frank Borzage
    • Sceneggiatura
      • Charles F. Haas
      • Theodore Strauss
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti61

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    Recensioni in evidenza

    8dbdumonteil

    The shadow on the cradle.

    During all his childhood ,Danny had only known ragging.Being the son of a hanged man was not easy when your school pals kept laughing at you.We can comprehend Danny's hate for Jerry Snykes ,the boy born silver spoon in hand ,whose father is a banker .

    The resentment had been building up for years.Not only Danny was an innocent victim ,but he also showed compassion for the half-wit,the town youth's punching bag.As grandma says,he is a good guy ,and so was his father,another unfortunate victim of fate .

    When Danny tries to join the human race,that is to say when he falls in love with Gilly ,it's too late: "why do you always take me far from the others?" she complains.The scene at the fair could be a respite : this is a place dear to Borzage;you may remember Margaret Sullavan on a carousel in "little man what now? " and there's a similar scene in "Liliom" .But the big wheel is also a trap.

    Filmed in black and white ,often in the dark,in a desperate atmosphere ,"Moonrise" is an extraordinary film noir.It nearly matched the brilliance of Borzage's precedent decade.
    9movingpicturegal

    Atmospheric, Bad Dreamlike, Emotional Mood Piece

    Really interesting photography and moody music sets the tone in this very stylish, excellent film noir about a troubled, bitter man who has a rather bad temper caused by the treatment he has received over the years based on the hanging of his father for murder. One youth who taunted him in childhood has now become a rival for a young lady he admires and in an act of violence and anger, he ends up killing this bully with a rock. But - during the crime he drops his pocket knife which is picked up by a local man who is deaf and mute.

    This film is very dark and atmospheric, full of facial close-ups, shadowy rooms, and an interestingly photographed ferris wheel ride with cop and panicky murderer in separate seats as the wheel goes round and round. Well done performances by all, I thought Dane Clark very convincing in his role - he really comes across as broody and bitter. Ethel Barrymore really good in her small, but effective part as his grandmother and Harry Morgan very memorable as the deaf-mute young man. I saw this film on the big screen and the print looked really great, with very sharp black and white contrast. A first-rate film.
    cairnsdavid

    An Astonishment

    MOONRISE shines. Borzage brings expressionist silent movie technique to bear on what is really more a melodrama than a film noir, a tale of guilt and redemption ultimately close to his romantic concerns. The difference is the degree of psychological angst we have to go through with the protagonist in order to reach it. Borzage's technique brings us into the hero's mind, from the stunning opening (flashbacks within flashbacks) to the hero's guilty visions. That opening is one of the finest I've ever seen, building up an unbelievable pressure in the first couple of minutes of the picture, leading to a thirst for revenge which the hero, and the audience, can spend the rest of the film regretting.
    8secondtake

    Amazing visuals, rich night scenes, a terrific psychological dilemma

    Moonrise (1948)

    A small rural town is the setting for a man struggling with an ambiguous crime he has committed. It's a psychologically loaded movie, and the clues start with the first abstract frames and last through every scene to the end. There is enough simplifying going on to keep it from being a classic or having the inventive flair of some contemporaries (or like "Night of the Hunter" a few years later), but I was impressed again in this second viewing.

    One of the strengths here is certainly the mood created by all the richly blackened night scenes, both in the town and in the woods. The camera moves with unusual elegance and boldness through the scenes, or you might say through the shadows. The heightened angles and lack of faces in the first few shots is a sign of the atmosphere to come.

    The little known leading actor, Dane Clark, is almost perfect in his role, partly for doing a great job and partly for letting his awkwardness bleed through into the character's. You come to feel his circumstance as an utterly ordinary guy. The sheriff is a restrained character and the man's girlfriend has a wonderful simple presence as well.

    The real meat of it all is the trauma this man goes through bearing the guilt of his actions. He isn't so much pursued as just haunted by the thought of being caught. It's like the secret we all have had at some point and we get away with it for awhile, but it wears you out from inside until something has to give. One of his solutions finally it to run for it, and he has one last turning point near the end with his grandmother played by Ethel Barrymore. The folksy philosophy gets a little thick, I suppose, but by this point you go along with it because it's true. And it's not what you might think.

    If you don't like old movies this will feel clumsy at times. But if you do already have a hankering for film noir and other crime dramas, even ones with mostly unknown actors, give this a try. And keep your eyes open for some great photography by John Russell, who is as important as anyone in this production. On some level it's truly great stuff.
    7hitchcockthelegend

    What I did was resign from the human race.

    Directed by Frank Borzage and adapted from the novel by Theodore Strauss, Moonrise sees Dane Clark playing Danny Hawkins, the son of a man who was hanged for his crimes. Tormented by his father's past and bullied about it as a child, Hawkins grows into a confused and resentful man. Striking out at anyone foolish enough to cross his fractured state of mind, tragedy is quick to strike, sending Hawkins deep into the Southern mire. Can solace come in the form of Gilly Johnson? (Gail Russell) or is it simply too late to rejoin the human race?

    We open with a hazy reflection that merges into the feet of walking men, men walking to the gallows as Danny Hawkins' father is hanged. The mood is well and truly set for Borzage's dreamy film noir. It's something of an oddity in many ways for it most assuredly is film noir, certainly in texture and on the technical issues it is, yet an overtly poetic heart and a distinctly less than broody ending almost steer it to being fanciful fluff. Borzage and his cinematographer, John L. Russell (in one of his first prominent assignments), do wonders with the atmosphere of the piece. Set in the steamy South, shadows and darkness are a constant and rewarding part of proceedings, while swinging lights and conversations filmed at midriffs further enhance the skew whiff state of Dane Clark's protagonist. Also of note is that some scenes showcase why Borzage was rightly held in high regard back in the day, a Ferris Wheel, a car crash and a Racoon tree top sequence (that upset and engrossed me simultaneously) are just some of the reasons why this is a must see for Borzage enthusiasts.

    Coming as it does out of the Republic Pictures house of "B" moviedom, it's natural to expect some low budgetary issues. However, this is a splendid production belying its "B" movie worth. The cast are fine, with Clark particularly doing well as his character battles with anger and warmth issues, and the sets and location work are effective and benefit the story greatly. Thankfully, and even though it has no restoration, the picture quality is very good, the sound mix is a bit down at times, but by and large this one has transfered well to prints being shown on British TV. With a support cast containing Ethel Barrymore, Allyn Joslyn (excellent), Henry Morgan, Harry Carey Jr and a brief Lloyd Bridges, this is a recommended film of course. But I can't, and will not, vouch for the ending appeasing all comers. 7/10

    Trama

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    Lo sapevi?

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    • Quiz
      A scene in which a group of children tar-and-feather another child was excluded from the final print at the request of the PCA.
    • Blooper
      The doctor said he had a corpus delicti in his office, meaning a dead body. Corpus delicti are the elements that make up a crime. The dead body of a victim could be the corpus delicti, but a doctor would never say "I have a corpus delicti down there..." implying that "corpus delicti" is synonymous to a victim's corpse.
    • Citazioni

      Sheriff Clem Otis: Sure is remarkable how dying can make a saint of a man.

    • Connessioni
      Referenced in Moving Pictures (2016)
    • Colonne sonore
      The Moonrise Song (It Just Dawned On Me)
      Lyrics by Harry Tobias

      Music by William Lava

      Performed by David Street

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    Dettagli

    Modifica
    • Data di uscita
      • 1 ottobre 1948 (Stati Uniti)
    • Paese di origine
      • Stati Uniti
    • Lingua
      • Inglese
    • Celebre anche come
      • Moonrise
    • Luoghi delle riprese
      • Republic Studios, Hollywood, Los Angeles, California, Stati Uniti(Studio)
    • Aziende produttrici
      • Chas. K. Feldman Group Productions Inc.
      • Marshall Grant
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

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    • Budget
      • 849.452 USD (previsto)
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      1 ora 30 minuti
    • Colore
      • Black and White
    • Proporzioni
      • 1.33 : 1

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