VALUTAZIONE IMDb
6,6/10
1196
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA press agent brings a dead actress home for burial. To promote her one film, he asks churches to ring bells for 3 days, hoping to get the studio head to release it.A press agent brings a dead actress home for burial. To promote her one film, he asks churches to ring bells for 3 days, hoping to get the studio head to release it.A press agent brings a dead actress home for burial. To promote her one film, he asks churches to ring bells for 3 days, hoping to get the studio head to release it.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 vittorie totali
Alida Valli
- Olga
- (as Valli)
Lee J. Cobb
- Marcus Harris
- (as Lee Cobb)
James Nolan
- Tod Jones
- (as Jim Nolan)
Robert Bacon
- Soldier in 'Joan of Arc'
- (non citato nei titoli originali)
Walter Bacon
- Townsman
- (non citato nei titoli originali)
Sam Bagley
- Crew Member
- (non citato nei titoli originali)
Bobby Barber
- Man
- (non citato nei titoli originali)
Brooks Benedict
- Drunken Man
- (non citato nei titoli originali)
Sedal Bennett
- Woman
- (non citato nei titoli originali)
Oliver Blake
- Slenka
- (non citato nei titoli originali)
Recensioni in evidenza
MIRACLE OF THE BELLS is often thought of as a Christmas movie because of a memorable Christmas Eve scene that occurs early in the film and because of the religious and spiritual themes present throughout. Not your standard Yuletide chestnut by any means, MIRACLE is a film of seriousness and substance that just occasionally feels weighted down by its earnest intentions. Alida Valli plays a young actress who rises from humble beginnings in a Pennsylvania coal mining town to become a sort of messiah-like figure for "her people" (her health is also doomed from having inhaled coal dust as a child). Fred MacMurray is the Hollywood Press agent who gives her a boost on the ladder of success in and falls in love with her in the process.
MacMurray is his genial and likable best, and the Italian-born Valli (THE THIRD MAN) is luminous. The film is worth seeing alone to see Frank Sinatra play a priest. He is surprisingly effective in the role. We often forget that in the early part of his career Sinatra had an angelic innocence about him, totally different from the Ratpack/swinger persona he would later cultivate. I make it a point to watch any movie with Lee J. Cobb in it, as he always had such a tremendous presence in films. He gives a fine performance as the movie mogul.
An occasional bit of levity would have been welcome in this very earnest film; but it nonetheless maintains an impressive, almost bleak post-war atmosphere - especially early on with Fred MacMurray's elegiac voice-overs recalling his dead sweetheart Alida Valli, and his dealings with a cynical funeral parlor director. The movie is refreshingly free from stereotypical '40's "schmaltz."
Despite being a little overlong, MIRACLE OF THE BELLS is a handsome film and one well worth seeing this Christmas season – or any other season, for that matter. I particularly recommend this movie if you happen to be Catholic.
MacMurray is his genial and likable best, and the Italian-born Valli (THE THIRD MAN) is luminous. The film is worth seeing alone to see Frank Sinatra play a priest. He is surprisingly effective in the role. We often forget that in the early part of his career Sinatra had an angelic innocence about him, totally different from the Ratpack/swinger persona he would later cultivate. I make it a point to watch any movie with Lee J. Cobb in it, as he always had such a tremendous presence in films. He gives a fine performance as the movie mogul.
An occasional bit of levity would have been welcome in this very earnest film; but it nonetheless maintains an impressive, almost bleak post-war atmosphere - especially early on with Fred MacMurray's elegiac voice-overs recalling his dead sweetheart Alida Valli, and his dealings with a cynical funeral parlor director. The movie is refreshingly free from stereotypical '40's "schmaltz."
Despite being a little overlong, MIRACLE OF THE BELLS is a handsome film and one well worth seeing this Christmas season – or any other season, for that matter. I particularly recommend this movie if you happen to be Catholic.
What a sweet and well-meaning movie this is. It's about love and respect for family and background and wanting to make a lasting mark on the shifting sands of our world.
The movie is not perfect, of course, it could have been shorter and not suffered much for it. The points seem belabored during the last half hour. Fred MacMurray saying "baby" all the time to Olga, the female lead was a little off-putting. Not so much for the word itself, it just seemed un-natural to hear him say it.
All that said, I will reiterate that this is a sweet movie. There is a great Christmas scene that will forever make me think of this as a "Christmas Movie". Philip Ahn as the Chinese retaurateur was a beam of light and gentleness in this movie. His role was a stand-out.
Frank Sinatra was to have better roles in later years and his acting technique would develop. He is slightly lost in the role here. But that is no big sleight in this movie.
Recommended. Religious but not preachy, sweet but not sickly sweet. A nice movie for cold Christmas eves.
The movie is not perfect, of course, it could have been shorter and not suffered much for it. The points seem belabored during the last half hour. Fred MacMurray saying "baby" all the time to Olga, the female lead was a little off-putting. Not so much for the word itself, it just seemed un-natural to hear him say it.
All that said, I will reiterate that this is a sweet movie. There is a great Christmas scene that will forever make me think of this as a "Christmas Movie". Philip Ahn as the Chinese retaurateur was a beam of light and gentleness in this movie. His role was a stand-out.
Frank Sinatra was to have better roles in later years and his acting technique would develop. He is slightly lost in the role here. But that is no big sleight in this movie.
Recommended. Religious but not preachy, sweet but not sickly sweet. A nice movie for cold Christmas eves.
Looking back to favorite movies, I never realized what a fan I was of Fred MacMurray. This is another film of his I liked alot. Comedy, action, or drama, Fred gets the job done.
It gets 'laid on' pretty thick in this drama, schmaultzy comes to mind, but it's one to see. There were a string of 'miracle' movies made around this time, but 'Miracle of the Bells' lets you decide for yourself about this miracle, and there is more than just the obvious one.
You will get to see a movie in a movie, the reformation of MacMurray's publicist character, and even Frank Sinatra as a priest. I can think of worse ways to spend a lazy afternoon. See it if you can....
It gets 'laid on' pretty thick in this drama, schmaultzy comes to mind, but it's one to see. There were a string of 'miracle' movies made around this time, but 'Miracle of the Bells' lets you decide for yourself about this miracle, and there is more than just the obvious one.
You will get to see a movie in a movie, the reformation of MacMurray's publicist character, and even Frank Sinatra as a priest. I can think of worse ways to spend a lazy afternoon. See it if you can....
Maltin's "guide", which should be called a "MIS-Guide", oh so generously bestows this film with a whopping star and a half. The truth is this is a fine piece of film-making, a tad unwieldy at times and perhaps 20 minutes overlong, but made with a high level of care and craft. There are many moving, poignant scenes, particularly one set early on at Christmas time. MacMurray and Valli unexpectedly run into each other and proceed to share a relaxed and blissfully unrehearsed Christmas Eve dinner at a Chinese restaurant that they have all to themselves (not unlike in the more recent A Christmas Story). The chemistry between the two and the restaurant's benevolent Asian owner is nearly heavenly.
The film has that irresistible Citizen Kane-ish structure where a character is gradually revealed and only truly understood AFTER their death. It also is refreshing in its positive depiction of religion and the important role it plays in so many people's lives. And it does so without insulting those in the audience who may not happen to be a member of that faith (Catholicism) or suggest that because they are not, that they're going to hell. If only more of today's film-makers had such courage and insight.
Performance-wise I was most impressed with Fred MacMurray who clearly invested a lot emotionally in his character. Valli is fine as the angelic aspiring actress and Lee J. Cobb is commanding as always as a studio mogul with more integrity than one might expect. Frank Sinatra as a devout small town priest? He's not bad but he hadn't yet been influenced by Montgomery Clift's method acting style in From Here To Eternity, and he comes across as a mite green for the part.
Quality work. Maltin's off by a star or two once again.
The film has that irresistible Citizen Kane-ish structure where a character is gradually revealed and only truly understood AFTER their death. It also is refreshing in its positive depiction of religion and the important role it plays in so many people's lives. And it does so without insulting those in the audience who may not happen to be a member of that faith (Catholicism) or suggest that because they are not, that they're going to hell. If only more of today's film-makers had such courage and insight.
Performance-wise I was most impressed with Fred MacMurray who clearly invested a lot emotionally in his character. Valli is fine as the angelic aspiring actress and Lee J. Cobb is commanding as always as a studio mogul with more integrity than one might expect. Frank Sinatra as a devout small town priest? He's not bad but he hadn't yet been influenced by Montgomery Clift's method acting style in From Here To Eternity, and he comes across as a mite green for the part.
Quality work. Maltin's off by a star or two once again.
BEWARE OF BOGUS REVIEWS & REVIEWERS. SOME REVIEWERS HAVE ONLY ONE REVIEW. WHEN ITS A POSITIVE REVIEW THAT TELLS ME THEY WERE INVOLVED WITH THE PRODUCTION & THAT IS WHAT IS GOING ON HERE FOR THIS FILM! NOW I HAVE REVIEWED OVER 300 Christmas MOVIES. I HAVE NO AGENDA. I AM FARE
In this film a publicity man is escorting a woman body back to her hometown. In flashbacks we see who this woman was. In a nutshell she is an actress who just finished her 1st starring role. The day after the film is completed she passes away. The man escorting her body however is very sad. See not only did he never tell her how he felt about her he found out the studio is going to not release film. They are going to remake it.
The film today is dated. Most people will get hired of hearing Fred MacMurray ending almost every sentence with "Baby". Putting that aside the film is still very good. It is a winner!
In this film a publicity man is escorting a woman body back to her hometown. In flashbacks we see who this woman was. In a nutshell she is an actress who just finished her 1st starring role. The day after the film is completed she passes away. The man escorting her body however is very sad. See not only did he never tell her how he felt about her he found out the studio is going to not release film. They are going to remake it.
The film today is dated. Most people will get hired of hearing Fred MacMurray ending almost every sentence with "Baby". Putting that aside the film is still very good. It is a winner!
Lo sapevi?
- QuizProducer Jesse L. Lasky sought approval from the Catholic Church of Frank Sinatra before casting him as Father Paul. The church had no objections.
- BlooperIn the street scene toward the end of the movie, there are shadows of those walking in the foreground and no shadows of those in the distance. Obviously created by scene lighting, and not natural sunlight.
- Citazioni
Olga: Bill, how can I ever repay you?
Bill Dunnigan: By knocking 'em dead!
- Curiosità sui creditiOpening credits are listed in the pages of a book with a front cover 'Russell Janney's The Miracle of the Bells'.
- ConnessioniFeatured in From the Journals of Jean Seberg (1995)
- Colonne sonorePowrot
(uncredited)
Polish folk song written by Kasimierz Lubomirski
Sung a cappella by Alida Valli in Polish
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Dettagli
- Tempo di esecuzione
- 2h(120 min)
- Colore
- Proporzioni
- 1.37 : 1
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