La donna senza amore

In this cute but slightly kookie comedy, The Mating of Millie feature Evelyn Keyes as a career woman with zero romantic experience. She may notice her good-looking neighbor, but she knows he'll never look at her in a hundred years. Glenn Ford is a bus driver who randomly decides to quit his job; Evelyn admires his gumption and gives him her business card so she might find a job for him. Also randomly, another of her neighbors is a neglectful mother who prefers to spend her nights partying rather than taking care of her adorable son, Jimmy Hunt. Evelyn absolutely adores Jimmy and enjoys taking care of him whenever he's left alone. After his mother dies, Jimmy is sent to an orphanage. Evelyn tries to adopt him but is told that as a single woman, she's ineligible. So goes her search for a husband, and the rest of the movie! Will she rope Glenn into a wedding ring, or her neighbor, or the orphanage director?

Yes, the screenplay is a bit uneven, but overall it was a cute movie. Evelyn is a poor man's Deborah Kerr, and she does her best with a transformation from librarian to party girl. Glenn is pretty cute as a playboy, and as always, his comic timing is great. I'm a hard sell when it comes to kids, but Jimmy won me over. I would fight to adopt him if I were in Evelyn's shoes, too!

After giving Evelyn Keyes the star treatment in JOLSON STORY, her studio failed to promote her in anything but some innocuous follow-up films with the exception of one or two films. This is one of the better ones.

THE MATING OF MILLIE is a frolic that was probably turned down by Rita Hayworth and given to GLENN FORD and EVELYN KEYES. Whatever, it ignites real sparks as a comedy, telling a story about a woman who must find a husband if she wants to adopt a little boy. The screenwriters find a number of amusing situations for Glenn and Evelyn and they make the most of their rather offbeat roles.

It's their flair for comedy that makes the simple plot so enjoyable. WILLARD PARKER is excellent as a bachelor friend who never notices Keyes until she gets some "warm-up" advice from Ford about how to catch a man. Before you know it, he's on her doorstep asking to borrow a cup of sugar.

RON RANDELL is the head of an orphanage who also has designs on Keyes but is a realist about the situation. The predictable happy ending is in sight long before it actually happens, but it's given a charming treatment. Movie buffs will recognize MABEL PAIGE as Keyes' friendly elderly neighbor.

As predictable as it is, it's still a charmer.

A simple story admirable presented. A young woman, married with her job, a bus driver at the end of his patience, a kid changing their life and a noble cause served by many small events. The basic virtue of film - to give all the flavors of old fashion cinema, from the smart construction of story to the delicate humor and romance . Short, delightful.

Pleasant romantic comedy stars the beautiful and charming Evelyn Keyes as a businesswoman who wants to adopt the son of a recently deceased neighbor. But to do this she needs a husband. Her first choice is Glenn Ford, but he's not the marrying kind. So he agrees to help her find a mate. You can pretty much guess where it's going to go from here but there are some funny and touching moments along the way. Keyes is terrific and we get some early Ford here, showing some of his lighter side. Later on he would become typecast as a gruff serious type in his western and film noir roles. He was excellent in those but it's nice to see some of his range here.

One scene I want to talk about in particular. It's a cute bit where Ford sneaks a peek through Keyes' diary, only to find it's all blank. He then breaks the fourth wall by looking at the camera and saying "nothing ever happened to her." It's a funny scene and a different type of comedy than the rest of the movie, which is more traditional. One has to wonder if they had thrown in more novelties like that if the movie would be more well-remembered today.

It's like "Auntie Mame" (1958), if Mame were a straightlaced business woman instead of a partier. It's like Mame with less comedy and more schmaltz.

F "Auntie Mame" were a black and white film, in which Mame was required to find a husband and be a career woman before Patrick could come live with her, this would be it. And I love "Auntie Mame", so naturally I like this.

Best part: the Alaska synchronicity, which shows destiny is always at work in our lives, even when we think it's just us.

Worst part: that weird kiss thing the kid does! Just a simple peck on the check would have sufficed- little guy!

Overall though, good movie!