Johnny Belinda

Am 79 years old. Saw it at age 23. Saw it again on TV tonight.It is still a stunning film, the black and white cinematography could not be achieved by many of today's a.s.c. people. Anybody can shoot color.

She was poignant in every scene. The northern California coast doubles nicely for Nova Scotia from whence my maternal ancestors emigrated.

I have difficult time seeing Lew Ayers not in a German soldiers uniform but he was wonderful in this as he was in "All Quiet..." Bickford is always Bickford but in this he is truly in character. And who can deny Moorehead? Direction is flawless as is the casting. The score is gripping.

I had always written Jane Wyman off as just the ex-wife of Ronald Reagan and the matriarch of the Falcon Crest clan, but this movie really changed my mind about her. I was completely blown away by her performance as a deaf-mute. It is very easy to fall into stereotypes when playing physically challenged roles (especially in 1948), but Wyman underplays her part with great skill. She rises above the melodrama of the film without saying a single word and everything can be seen in her eyes. This film is truly a shining moment in her career.

Outstanding and forgotten masterpiece from the late-1940s that led the way in 1948 with a dozen Oscar nominations, but somehow lost most of its steam as the Academy Awards were handed out. The titled character (Jane Wyman in a well-deserved Oscar-winning part) is a beautiful young lady who sadly happens to be deaf and mute. She is treated as an outcast by those within her Nova Scotia village's landscape. Her father (Oscar-nominee Charles Bickford) and aunt (Oscar-nominee Agnes Moorehead) love her very much, but become easily frustrated when they have trouble communicating with the youth on their small farm. When kind doctor Lew Ayres (yet another Oscar-nominee) comes to town he begins to teach Wyman how to read, teach her sign language and teaches her about life and love. Naturally those within the community despise the new outsider (they have never cared for Wyman and her family either). Jan Sterling comes to hate the doctor as she is turned down by Ayers and town bully Stephen McNally commits a horrific act by raping Wyman one night in her father's barn. A pregnancy occurs and the townspeople believe that Ayers is the culprit. Now those unfriendly people in the community wish to take Wyman's new-born child for their own, believing that Wyman is not fit to be a mother. Jean Negulesco (Oscar-nominated for direction) was a film-maker that never got too cute. He let his performers dominate the action and "Johnny Belinda" is no exception here. His subtle direction just adds to everyone else in the film. "Johnny Belinda" sometimes plays more like a stage play than an actual motion picture (this is a compliment by the way) and that just adds to the emotions and realism that are displayed throughout this fine movie. 5 stars out of 5.

This was an unusually atmospheric melodrama with four powerful performances from Jane Wyman, Lew Ayres, Agnes Moorehead and Charles Bickford--not to mention two supporting players, Stephen McNally and Jan Sterling who shine in their roles. McNally is the town bully who rapes Belinda, a mute girl being coached to understand sign language by resident doctor, Lew Ayres. The plot thickens when Belinda's father (Charles Bickford) finds out and the story spins toward a taut, melodramatic climax. All of it is raised to a higher level by the quality of the writing, acting and direction. Other top female performances that year (1948)included Olivia de Havilland (for 'The Snake Pit') and Barbara Stanwyck ('Sorry, Wrong Number'). That Wyman won over such competition is a testimony to her brilliant performance. A moving melodrama, absorbing and extremely well acted by the entire cast. A TV version was done more recently but, like most remakes, it paled in comparison.

"Johnny Belinda" is a triumphant story on several levels. The first is obvious - a beautiful but edgy story for 1948 about a deaf mute (Jane Wyman), the ignorance of many around her, and the discrimination against her when she has a child out of wedlock. The child is the result of rape, but no one knows that.

The second is the incredible acting by the entire cast: Jane Wyman (who at 31 looks like a teenager), Lew Ayres, Charles Bickford, Agnes Moorhead, Steven McNally and Jan Sterling. They are each in their own way very powerful.

The third is the fantastic direction by Jean Negulesco, who really seemed to have his heart and soul into this.

The fourth is the vindication of Lew Ayres, whose career was over when he became a conscientious objector in World War II. He was MGM's Dr. Kildare but the series quickly became Dr. Gillespie. People understood conscientious objectors better in the Vietnam era; during World War II, it wasn't understood. Ayres did serve as a medic in World War II. When he came back, Warner Brothers cast him in this, and he won an Oscar.

The story of a lonely young woman living on a farm in the desolate Cape Breton and the doctor who takes an interest in her, teaching her sign language, is a beautiful one. The screenplay by Irma Von Cube and Allen Vincent is stunning. This film swept the 1948 Oscars, and with good reason. Highly recommended.