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IMDbPro

It Always Rains on Sunday

  • 1947
  • Approved
  • 1h 32min
VALUTAZIONE IMDb
7,1/10
2618
LA TUA VALUTAZIONE
It Always Rains on Sunday (1947)
An escaped convict tries to hide out at his former lover's house, but she has since married and is reluctant to help him.
Riproduci trailer2:39
1 video
78 foto
CrimineDrammaRomanticismo

Aggiungi una trama nella tua linguaAn escaped convict tries to hide out at his former lover's house, but she has since married and is reluctant to help him.An escaped convict tries to hide out at his former lover's house, but she has since married and is reluctant to help him.An escaped convict tries to hide out at his former lover's house, but she has since married and is reluctant to help him.

  • Regia
    • Robert Hamer
  • Sceneggiatura
    • Arthur La Bern
    • Angus MacPhail
    • Robert Hamer
  • Star
    • Googie Withers
    • Jack Warner
    • John McCallum
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,1/10
    2618
    LA TUA VALUTAZIONE
    • Regia
      • Robert Hamer
    • Sceneggiatura
      • Arthur La Bern
      • Angus MacPhail
      • Robert Hamer
    • Star
      • Googie Withers
      • Jack Warner
      • John McCallum
    • 44Recensioni degli utenti
    • 37Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 1 candidatura in totale

    Video1

    Trailer
    Trailer 2:39
    Trailer

    Foto78

    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    + 72
    Visualizza poster

    Interpreti principali43

    Modifica
    Googie Withers
    Googie Withers
    • Rose Sandigate
    Jack Warner
    Jack Warner
    • Det. Sergt. Fothergill
    John McCallum
    John McCallum
    • Tommy Swann
    Edward Chapman
    Edward Chapman
    • George Sandigate
    Susan Shaw
    Susan Shaw
    • Vi Sandigate
    Patricia Plunkett
    Patricia Plunkett
    • Doris Sandigate
    David Liney
    • Alfie Sandigate
    • (as David Lines)
    Sydney Tafler
    Sydney Tafler
    • Morry Hyams
    Betty Ann Davies
    Betty Ann Davies
    • Sadie Hyams, his Wife
    John Slater
    John Slater
    • Lou Hyams, his Brother
    Jane Hylton
    Jane Hylton
    • Bessie Hyams, his Sister
    Meier Tzelniker
    • Solly Hyams, his Father
    Jimmy Hanley
    Jimmy Hanley
    • Whitey
    John Carol
    • Freddie
    Alfie Bass
    Alfie Bass
    • Dicey
    Frederick Piper
    • Det. Sergt. Leech
    Michael Howard
    • Slopey Collins
    Hermione Baddeley
    Hermione Baddeley
    • Mrs. Spry
    • Regia
      • Robert Hamer
    • Sceneggiatura
      • Arthur La Bern
      • Angus MacPhail
      • Robert Hamer
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti44

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    Recensioni in evidenza

    JoshsDad

    good solid drama

    i have to disagree with the other reviewer. this a good, solid drama that captures the mood of post war london expertly. the stories mesh together well and the performances, with one notable exception, are first rate. the atmospheric photgraphy adds to the overall feel of the piece and the climax is very exciting.
    8christopher-underwood

    Great dialogue

    A rather splendid 1947 b/w film from the Ealing Studios. I find a lot of these films a little too sentimental and the acting a bit too stagey but this is a real surprise. Great dialogue, convincingly conveyed and together with super cinematography combine to make this a truly enjoyable if nostalgic view. The locations are more Camden than the East End, except for glimpses of Whitechapel at the start but no matter, it all looks good and the views of the railway marshalling yard at the end quite stunning. There is a central story but is is intercut with others and the whole thing bounces along nicely. Even the kids are all right and the amusing bits still amusing. Really though this is a very believable view of London's East End just after the war. Bomb sites, rationing and everyone trying to make the most of what they had. Also there was a feeling that the cops and robbers weren't really that different from each other, just on different sides and the important thing was to survive. Well worth a watch.
    9Andy-140

    Bleak, desolate, but heart warming

    The film was made and set in the bleak environment of post-war east London and shows Robert Hamer to be an extremely talented and sophisticated film maker. Unlike Dearden and Relph, Hamer does not impose a moral framework on his characters. The film shows two sides of adultery between Googie Withers and the escaped convict and between her daughter and a Jewish shopkeeper. What makes this film stand out is its intentioned 'realism' and complex character portrayals. This little known classic is probably one of Ealing's finest films.
    7trpuk1968

    Superb and spellbinding British Film Noir

    Film Noir defies definition, plenty disagree whether its a movement, genre, style. Perhaps its more usefully conceived as a sensibility, a world view, an attitude. In which case the words pessimism, determinism ie characters lacking choice their lives are predetermined, doom, gloom, the past coming back to affect the present all spring to mind. Its possible to see a cycle of films with remarkably consistent features in terms of visual style emerging in U.S primarily and to a lesser extent the U.K and France in the forties and fifties. While most noir films have a male as the central protagonist, a male who is invariably weak and flawed, a number of these films, such as Mildred Pierce, have a female protagonist. Noir manifested itself differently in Britain, combining with elements of what was to become known as kitchen sink or social realism and frequently concerned with social class.

    This film uses the claustrophobic interiors of the terraced house to great effect. The noir style of long shadows, oblique angles, becomes more evident in the final climax, not really needed early on since the interiors work effectively without lighting effects. Melancholia drips through this like the rain of the title, Googie Withers is terrific, her face a mask of dreams, desires pushed away, disappointment etched over her features through her hard make up. How different she is in appearance to the femmes fatales of the U.S movies, bustling round the kitchen in her pinafore, then later on the almost military smartness of her utility dress when she attends Tommy. As a character shes every bit as strong however as her American counterparts. Like Mildred Pierce, she's strong in a domestic setting, when the usual convention for women in noir is to take them out of the domestic, placing them typically as nightclub singers or gangsters molls. In details I ll acknowledge this is on occasions cheesy and dated. Scratch at the surface however and its a fascinating exploration of the social tensions emerging after World War Two. How were people to adjust to life in peacetime? Were they able to return to the rigidly prescribed roles they d had prior to the war? Ealing studios produced a number of films which now can be seen to share many affinities with American Film Noir, this is one of the most interesting and rewarding.
    8wrs10

    Location

    It is already listed but if you want to see the street where the family was "living" go to Hartland Road, just off Chalk Farm Road, just north of Camden Market. It is amazing how little has changed! (except the price of property!) It is odd to think that the street in which the film was set in such a period of shortages is now so close to such overt consumerism!

    Also nice to note that is the fact that "Rose"- Googie Withers and "lover boy" John McCallum married each other for real in the year that the film was made and are still alive and married to each other today!

    I wonder if films which are so "depressing" could be made today. Maybe the audience is just not there anymore. Conditions have improved since then and film-makers have to relate to their current audiences (usually under 25!)

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      Googie Withers, who played Rose Sandigate, and John McCallum, who played Tommy Swann, met on this movie and were married the next year. They were married for 62 years, until his death.
    • Blooper
      Tommy Swan is imprisoned and his girl, Rose marries George Sandigate so he wouldn't know where she lives when he escapes from prison.
    • Citazioni

      Joe: We don't cater to the criminal classes.

      Detective Sergeant Fothergill: Turned over a new leaf?

      Joe: There's such a thing as a law of libel.

      Detective Sergeant Fothergill: There's such a thing as ham, but there's none in this sandwich.

    • Connessioni
      Featured in Tuesday's Documentary: The Ealing Comedies or Kind Hearts and Overdrafts (1970)
    • Colonne sonore
      Theme Without Words
      Composed by Mischa Spoliansky

      Lyrics by Henry Cornelius (uncredited)

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    Domande frequenti18

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    Dettagli

    Modifica
    • Data di uscita
      • marzo 1948 (Paesi Bassi)
    • Paese di origine
      • Regno Unito
    • Lingue
      • Inglese
      • Yiddish
    • Celebre anche come
      • Piove sempre la domenica
    • Luoghi delle riprese
      • 64 Clarence Way, Camden, Londra, Inghilterra, Regno Unito(Exterior of the Sandigates' house)
    • Azienda produttrice
      • Ealing Studios
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Lordo Stati Uniti e Canada
      • 14.276 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 7177 USD
      • 9 mar 2008
    • Lordo in tutto il mondo
      • 38.313 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      • 1h 32min(92 min)
    • Colore
      • Black and White
    • Proporzioni
      • 1.33 : 1

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