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An Innocent Affair is one of those films that would not exist if the characters would only communicate. In this case it's husband and wife Fred MacMurray and Madeleine Carroll who start playing games to catch each other in a lie and when you do that you are inevitably successful.

This was the fourth of four films that MacMurray and Carroll did together, the first three were when both were contract players at Paramount. This film was an independent production released by United Artists.

MacMurray who is worried about his wife's jealousy is spending late nights negotiating with the widow of a tycoon to land his account for MacMurray's advertising firm. The widow is Louise Allbritton who at one time was engaged to MacMurray so he's concerned about Carroll's reaction. Truth be told Allbritton does have more than business on her mind.

So when Carroll hires some actor to flirt with her at a nightclub to make Fred jealous and mistakes southern cigarette tycoon Buddy Rogers for the hired actor all kinds of complications develop, the kind you would have found in screwball comedies before World War II.

Alan Mowbray also has a very droll performance as a man MacMurray hires to play Allbritton's husband. He just can't quite summon up the enthusiasm for the part and I'll leave it go at that.

An Innocent Affair has some good moments and it's in the hands of a pair of stars who've honed these parts to perfection.

The title card says "Don't Trust your Husband", but this one is listed on Turner Classics as "An Innocent Affair". Fred MacMurray and Madeleine Carroll are husband and wife, and it's the usual misunderstandings and antics as Vincent (MacMurray) entertains a client, who also happens to be his ex-girlfriend. Wife Paula is sure that Vincent is having an affair, so she tries to make him jealous with schemes of her own. Send in Buddy Rogers. The music helps add to the comedic theme here...similar to cartoon music. Music director Hans Salter was nominated for SIX Oscars! This might not have been as good as it is without MacMurray carrying the weight. He had been in the biz for YEARS by this time. Directed by Lloyd Bacon, who had worked for the greats, does a fine job directing. Pretty Good. Nothing earth-shattering, but entertaining.

From start to finish this little known throwback to the best mad-cap screwball comedies of the 1930s is guaranteed to tickle the most jaded funny bone. Vincent Doane, played by Fred MacMurray, is a successful advertising executive who has come under severe scrutiny by his wife of five years, Paula, played by the gorgeous Madeleine Carroll, for the simple reason that he has been keeping rather late nights trying to woo a rather wealthy client, a Mr. Fraser, into signing a lucrative contract. The problem is Paula has serious doubts about the veracity of her husband's story, thinking that Mr. Fraser is in reality, well, you guessed it. In order to cover up the real identity of his client--and it really is a client--Vincent goes to great lengths, entangling himself further and further into a hilarious web of lies and misadventures that, in the hands of a master comedian like Fred MacMurray, are simply unforgettable. The give-and-take between MacMurray and Carroll is in the best vein of their previous pairings, and despite the fact that this would be their fifth, and final film together, their marvelous on-screen chemistry shows no indication of flagging.

Screen legend Charles Buddy Rogers plays a somewhat befuddled tobacco tycoon who unwittingly gets caught up in Mrs. Doane's scheme to pay her husband back for his alleged infidelity, and in the process serves as a splendid foil to the frenetic shenanigans of the Doanes. Despite the fact that you just know how the film turns out, the fun, like in all classic screw-ball comedies, is in the getting there. When the dust has finally settled, this reviewer just couldn't help sighing that An Innocent Affair marked the end of one of filmdom's truly great comedic duos.

The title on the DVD I purchased of "An Innocent Affair" is different – "Don't Trust Your Husband." It's a good comedy about that subject – trust, in marriage. We have all seen various renditions of comedies on the subject. Cary Grant, has played in three or four different films himself. In this one, Fred MacMurray teams up with Madeleine Carroll as Vincent and Paula Doane. The story is a good one, with both stars on the end of jealousy and mistrust. They are both still deeply in love with one another after five years of marriage. But, Vince's job as an advertising executive sometimes takes him away from home at night. The problem starts when he tells a lie to cover up the real client he has been trying to sign for two weeks. He lies because he doesn't think Paula will trust or believe him because of whom that client is. It's all downhill from there, until the very end. But naturally, that's where we get most of the comedy.

It is a good film, but not much better than that. Several things seem askew, beginning with the script. It seems a little flat – not much life in it. The same can be said for the direction. And, while both the leads do well in their roles, there just isn't any chemistry between them. I think Carroll, as a rule, is a bit more reserved than most of the main line comedy actresses (Carol Lombard, Irene Dunne, Claudette Colbert, Ginger Rogers, Myrna Loy, etc.). She did well, and there seemed to be some chemistry with MacMurray in "Honeymoon in Bali." I haven't seen their other two comedy pairings ("Café Society" of 1939 and "One Night in Lisbon," 1941). Carroll was quite good with Dick Powell in "On the Avenue," but the few other comedies she made didn't fare very well. She is a much better actress in her more frequent roles in adventure films and dramas.

Two other performances in this movie helped lift it up to the six stars I give it. Rita Johnson is very good as Eve Lawrence – Vince's sister and Paula's good friend. And, Charles 'Buddy' Rogers is excellent as Claude Kimball, the tobacco king. He plays the southern gentleman perfectly with the shock and befuddled acceptance of what he sees as the most unusual marital arrangement between Vince and Paula. How he comes to that conclusion is all part of the humor of the film. This is a good comedy, and one with a more direct message than most about the relationship between honesty and trust. I could picture Cary Grant and Carol Lombard in the roles, or Irene Dunne with MacMurray. They would have raised the laughter bar a few notches.

Frankly, I was surprised to learn that the two stars of this obscure but engaging comedy – Fred MacMurray and Madeleine Carroll – had starred in four previous films together (all of which are, for that matter, even less well-known than this one and, curiously enough, directed by the same – here it comes again – little known director!). In fact, this was not only Carroll's fifth and final teaming with MacMurray but also her penultimate film; that said, the two stars display a nice chemistry throughout.

The plot itself recalls to a certain degree the classic THE AWFUL TRUTH (1937), where a married couple starts divorce proceedings (and new affairs) but then decide they're best suited for each other at the end. MacMurray is an advertising executive (a lot of comedies from this era were set in this milieu) and Carroll his somewhat neglected wife – he says that his constant delays at work involve business meetings, but she suspects the presence of another woman (being the type of comedy it is, she turns out to be right…and, to make matters worse, the girl – played by Louise Albritton – concerned is none other than an ex-flame of MacMurray's!). In order to make her husband jealous, she hires an actor through an agency to flirt with her at a restaurant – but a waiter's mistake lands her in the arms of a Southern tobacco tycoon (Charles "Buddy" Rogers)!

Anyway, the comic situations that ensue (typically, these usually involve misunderstanding and embarrassment) make for a pleasant and unassuming hour and a half; highlights include Rogers explaining to MacMurray how he applied logic to arrive at the name "Kim Zezyzle" for his brand of cigarettes, and Alan Mowbray – posing as Albritton's husband during a dinner engagement for MacMurray's benefit – constantly interrupting the sensitive conversation (even after Carroll has joined the table) to boorishly ask, "When do we eat?"