Il sipario di ferro

Excellent film dealing with Soviet spies operating in Canada during World War 11 and afterward.

The spying was done out of the Soviet embassy in Canada. There were plenty of non-Canadians involved in the spy ring as well.

This film was a true story. Dana Andrews gives a subdued performance as a Soviet decoder who comes to appreciate democracy. He is soon joined in Canada by his wife who is played by Gene Tierney. She brings a simplicity to the role as the Soviet wife who also comes to respect a democratic way of life.

There is an excellent performance by Eduard Franz, who plays an disenchanted alcoholic Soviet official, whose disdain for Soviet life will lead him back to the Soviet Union.

The film is exciting since it shows how no one wanted to listen to Andrews unraveling of the spy ring.

The embellished story of Soviet defector Igor Gouzenko is told here in the documentary style that 20th Century Fox popularized in the post World War II period with such other films as The House On 92nd Street, The Street With No Name and 13 Rue Madeleine. Gouzenko is played here in tightlipped fashion for an uptight man by Dana Andrews with Mrs. Gouzenko played by frequent Andrews co-star Gene Tierney.

Gouzenko was a security code clerk at the Soviet Embassy in Ottawa and was an important conduit for top secret information both in and out of official diplomatic channels. During the Cold War it was a standard practice for the Soviets to use their embassies as places of espionage as well as diplomacy as did we. But this started during World War II when both sides were ostensibly allies.

Canada had its own role in World War II as an ally, an important supplier of troops and even more important guardian of the North Atlantic sea lanes for supplies. Their scientists worked on the Manhattan Project and the development of a super weapon certainly piqued Soviet interest. Just what were allies America and the United Kingdom working on?

When we meet Gouzenko he's a pretty firm true believer in the evangelizing mission of the Soviet state. But what was presented satirically in films like Ninotchka and Comrade X is done seriously here. The material prosperity of the west is something Andrews pretends not to notice, but Tierney isn't quite as self controlled.

The friendliness of neighbor Edna Best to Tierney and her infant son proves to be invaluable in the end. No wonder the Soviets tell Andrews to stand aloof from the ordinary Canadians. Random acts of kindness can sometimes really pay off.

A good cast of villainous types play various Soviet embassy and intelligence officials. Two should be singled out, a female seductress played by June Havoc who tests Andrews discretion and loyalty and comes up short. And Eduard Franz who plays another embassy official who becomes disillusioned with Communism and isn't so discreet about it.

For a Cold War era anti-Communist film, The Iron Curtain holds up well over 60 years later. How convenient of Winston Churchill to provide a title for this film with a famous speech in 1948.

The defection of Igor Gouzenko from the Soviet Embassy in Ottawa, Canada, in 1946, was one of the most electrifying events of the Cold War. The documents and information which he brought with him, gained from his work as a top-secret cipher clerk, resulted in the destruction of the main Soviet spy ring in Canada, which included a Member of Parliament and a nuclear scientist who was working on the atomic bomb. This film, with all the locations shot in Ottawa, and its details drawn from the official reports of a Royal Commission, is a fascinating depiction of the true story of Gouzenko from the moment of his arrival in Canada, his first time outside the Soviet Union, till his defection with his wife and child. William Wellmann directed the film in a low-key style, with some documentary linking narration from time to time. Dana Andrews was never so subdued and soft-spoken as Gouzenko in this film, and Gene Tierney is remarkably self-effacing as the devoted wife and mother of an infant. She has no particularly interesting scenes. The really powerful performances in this film are by Berry Kroeger, in his first film appearance, as an insidious, swaggering and menacing mastermind of a Soviet espionage ring, and Eduard Franz as a Soviet major who 'just cannot take it any more' and turns into a drunk. The film is tense and gripping, and follows closely the real life events of this notorious story. June Havoc is effective in a minor role as the resident Soviet honeypot who tests the new staff with alcohol and seduction to see if they are indiscreet. The world inside the Soviet Embassy is convincingly and eerily depicted, a demi-monde and a half-life of people serving Stalin and the Party like grim automatons with dark faces and all humanity stripped out of them. This film gives a nice lesson in the realities of sordid power, and the hollowness of institutionalised betrayal. There are none so low as those who slither.

This little cold war story tells the tale of an ordinary man caught up in the intrigue of the atomic spy scandal of the 1940's in Canada. Working as a code clerk in the Soviet embassy in Canada Igor Gouzenko learns that atomic secrets are being forwarded to Stalin through his office. The problem for the Soviet Union is that while in Canada Gouzenko begins to realize that the government he works for and fought for is more of a threat to its people than a protector. He also realizes that the Canadians around him are decent people and no threat to his people. Then the action begins, he steals copies of the information being stolen and tries to go to the Canadian Government and press and gets nowhere. Finally, when the NKVD police from the embassy show up at his apartment and they cause such a ruckus the neighbors call the local Canadian Police the nature of the documents are revealed. One of those immortal lines is uttered by the Cop when told the papers are property of the Soviet Union;"All Stolen Property must be Identified at the Police Station". This is followed by a look by the Cop equivilent to "Go ahead,Make my day". Some might try to say this film is an anachronism and too "hawkish" but the facts are true and the fall of the Soviet Union has backed it up. The acting is by a group of "journeymen and women",the direction is as simple as that of "The Longest Day",to tell an incredible tale that no fiction writer could dream up.

Dana Andrews is Igor Gouzenko, a Russian spy in Canada in "The Iron Curtain," a 1948 film based on a true story. Andrews plays a Russian during and after World War II who is sent to work as a code clerk for a ring in Canada; once the bomb is dropped on Hiroshima, the Communists become particularly interested in documents pertaining to it. Eventually his wife (Gene Tierney) joins him and tells him that she is pregnant. With the birth of his son, and the disillusionment of one of the ring (Eduard Franz), whose father was a great leader, Gouzenko slowly begins to realize that he's on the wrong side and decides that he and his family will not return to Russia. He steals important documents from his office with the idea of handing them over to the Department of Justice before his bosses realize what has happened, but fate plays against him. It becomes a race against time to get the documents into the right hands as well as save his family, even if he can't save himself.

Done in semi-documentary style, this is a pretty good propaganda drama with fine performances from an always attractive couple, Andrews and Tierney, and a great performance by Eduard Franz in a showy role. Andrews is one of the few leading men under contract at 20th Century Fox who was served well, particularly once Fox's biggest star, Tyrone Power, went to war; the hard-bitten roles Andrews played in many film noirs have given him a place in film history. Like both Power and John Payne, he was versatile, appearing in every type of film. Not realizing he was trained as an opera singer, the studio dubbed him in "State Fair" - they'd thrown so many non-singers into musicals, it never occurred to them he actually might be one. Alcoholism cut his star years short though he continued to work and speak on behalf of facing up to alcoholism. Tierney's career had its ups and downs due to her personal life as well, but in three films, they made a wonderful couple.

Toward the end, "The Iron Curtain" becomes quite intense and exciting. Well directed by William Wellman, it's worth watching though some may not like its definite propaganda bent.