Il buon samaritano

Oh, where to begin with "Good Sam" (1948). It is widely agreed, that the film broke Leo McCarey's 10+ year streak of masterful films. McCarey, who directed and produced the film while also contributing to the story, would never truly recover from this blow, and his subsequent filmography includes three debated entries and one successful re-make of an old McCarey classic. "Good Sam" is therefore an easy film to glance over, as it returned its maker back amidst the mortals. It is also unlike most American comedies of the time, which may have been the reason why the same critics who loved "Make Way for Tomorrow" (1937) and "Going My Way" (1944) did not warm up to the way similar themes are tossed around in "Sam".

Gary Cooper plays Sam Clayton, a clean-cut, post-war family man loved by his community. Sam is the kindest man you could find, always willing to help anybody in distress as best he can. In another Cooper film, a character like this would be viewed as the ideal that we should all emulate, but McCarey is here to show the other side. Sam's constant helping of others grows to be a strain on his family, who are unable to lead a normal life because of it. He borrows people money while his own family lacks the money to buy a proper house for themselves. He is constantly finding new "characters" who benefit from his good nature, much to the suffering of Sam's wife Lu, played by Ann Sheridan.

I think "Good Sam" is a fantastic premise, as the central dilemma is something that all people will - and should! - sometimes have to consider. Helping others is important, it is a central aspect of what defines us as human. But empathy is only good when the behavior of others mirrors it, otherwise a good man can end up being used. I like the fact that the film does not play all its cards immediately, but gives us different view points. Considering that the film is trying both to be funny and to be moving and frustrating, it reached these goals with me. I laughed, I was moved, and I definitely was frustrated...

Where does it fall flat then? It is hard to pinpoint really. The film starts off very comedic. Ann Sheridan gives a wonderful performance as the housewife pushed to the edge, and Cooper's buffoonish behavior and general inability to read his lady is certainly a fitting catalyst for Sheridan's wrath. The characters are well-established as they both get laughs and serve as each other's straight men. But as the film went on, I started to feel that the comedic nature of the main dilemma does not fit to the everyday realism of the narrative. McCarey has taken delightfully comedic characters and inserted them to a very serious film. And it is the mismatch of it all that breaks the experience. There is both serious comedy and funny melodrama here, and someday someone will call this a forgotten masterpiece, but for me the whole is shaky even if the parts work.

There is also individual elements that clash, the worst of which being the inclusion of a suicide subplot that gets treated as if killing yourself is not a big deal in the slightest. The woman in question (Joan Lorring) attempts to kill herself because she fell in love with a treacherous married man, and the film lets Sheridan shame her, while simultaneously suggesting, that the cure for this woman is to find a nice, unmarried man and get married. How very psychological indeed. Lorring also gives the film's worst performance, as she is way too polished for a suicidal woman.

"Good Sam" also resembles better films, and feels therefore worse than it is. Billy Wilder's "The Apartment" (1960) is a more famous serious comedy about a guy who gets taken advantage of, also including a more believable suicide-attempt narrative, treated with respect to the sore subject matter. Yet the film that "Good Sam" will bring to mind for most is Capra's "It's a Wonderful Life" (1946), another tale about an every-man who is always helping others but can't catch a break for himself. McCarey's film also finds its protagonist in a bar, on Christmas. Compared to George Bailey, Sam Clayton looks very two dimensional.

Even with all the negative sides addressed, "Good Sam" is easily worth a watch. McCarey is one of the all time greats and lack of perfection is not a crime. His film carries serious merit and is very ambitious, and although I mentioned two similar films, it actually does stand out from a crowd with its style and subject.

This movie is less than two hours long. I would have sworn it was almost three. It drags something awful. How could the same director who had just previously made "Going My Way" and the less inspired but still enjoyable "Bells of St. Mary's" have allowed his actors to deliver such leaden performances?

And who approved this script??? There isn't an ounce of humor in it. Gary Cooper's character is not nice so much as just plain dull and stupid. It's as if he wears a sign that says "Kick me" on his back and really means it.

Ann Sheridan's character, who should be the center of reason here, is presented as materialistic, more interested in shoes and dresses than her family. It makes it harder for us to sympathize with her.

Everything here falls flat. What previous reviewers who found this funny found to laugh at I honestly cannot guess.

If you want to watch a Leo McCarey films, there are some great ones to pick from. But avoid this. And if you do start it, don't tell yourself "It has to get better." It never does.

I recently had the opportunity to see this film after about 30 years and I think I enjoyed it more this time! What a wonderful film! This should be on the list of 'must sees' for any Gary Copper fan. The talented Cooper was able to play anything from a western to the wonderful, good hearted Sam. This is a light hearted look at the consequences that can occur when you extend yourself once too often. I never laughed so much at the comical situations that good ol' Sam gets himself into. The dead pan Ann Sheridan was the perfect choice for Sam's wife. She was really an untapped source as an actress, very underrated! If you have the chance to see this delightful film, please do, you won't be sorry!

What a let-down this film was. I can see why it was such a big flop when it was released. Leo McCarey was a great director and his two films prior to this, Going My Way and Bells of St. Mary's, are bona fide classics. Not to mention his great comedies from the 1930s. So the movie is competently filmed as it should be, but it's still terrible. It has two amazing lead actors (only one of which delivers here). But the story is the pits.

The plot is that Gary Cooper plays a family man who never says no to anyone. He will give the shirt off his back and let his family go hungry to help a complete stranger. Right off the bat we have a problem because there is no way possible I can see myself rooting for such a character with obviously skewed priorities. The writing is bad but the acting by Cooper isn't up to snuff either. We've all seen Cooper play down-to-earth good and decent guys before. His performances are usually grounded in a likable persona that makes him relatable. Here, he plays a character who cares more about helping strangers than his own family! His poor wife, wonderfully played by Ann Sheridan, put up with more than any reasonable person would. It was so infuriating watching Cooper's character be such a doormat. The only person he seemed able to say no to was his wife! The film tries to reconcile it all in the end with some of the people Cooper has helped out paying him back. This completely belies the entire fractured point of the film. It's clear the writers didn't even believe in their own premise. The problem with Sam is not that he helps people who don't pay him back. The problem is that he puts the welfare of others over his own loved ones. Whatever happened to "charity begins at home?" Ugh this is such a frustrating film to watch. I couldn't help but wonder at the end about Sheridan's character's future. She will have a life of perpetual debt and unhappiness because of this man and probably die of a stroke at 40. Sam, meanwhile, will become homeless and probably starve to death because every time he's got a crumb of food he'll give it away due to his obvious mental illness.

When you get right down to it, this is a depressing movie. The romance is non-existent as there is no chemistry between the leads. This is partly due to Cooper's lackluster effort, I'm sure. Plus it's really hard to root for a couple when you are actually hoping the wife divorces the worthless husband. There is no comedy here, either. There wasn't one funny moment in the whole film. I'll give it a 4 because of the competent production values and because of the star power involved, which I'm sure will help some swallow this pill of a movie.

One joke movie, the jest being that altruist Sam never met a schnorer he didn't like, whose endless variations on it become stale after about 30 min and downright dull after an hour, which is when I bailed. Some of Ken Englund's dialogue produces a chuckle but the dearth of physical humor is hard to understand from the director of "The Awful Truth" who cut his comedy teeth on Hal Roach two reelers. Plus Coop is even stiffer than usual and Anne Sheridan is given virtually nothing risible as the long suffering wife other than a couple sarcastic rejoinders. Give it a C.