Il figlio della tempesta

With the exception of the Hollywood sound stage segments, exteriors for this movie were shot on location in Vinalhaven, ME.

Some of the locals were also used as extras in the background.

My father "temped" for 20th Century Fox during the production. He drove a equipment truck to the different set locations on the island.

The equipment had to come by barge as the local ferry was way too small to handle all the equipment needed by the studio.

I don't believe this movie has been out of the vault for many years. It used to play on late night TV back in the 60's. As I remember it, there's really no reason to bring it back.

Dana Andrews is "Hod" - a professional architect who much prefers his life as a lobster fisherman. This causes a bit of hassle with his fiancée "Ann" (Jean Peters), who is worried about the dangers of this maritime career. She is a social worker, and when she brings the young orphan "Donny" (Dean Stockwell) to hopefully find a permanent home in their small Maine town, the boy and "Hod" - and his colleague "Joe" (Cesar Romero) become fast friends. Henry King has created a good framework for this well paced and engaging story that takes a sensitive look at a young boy looking for roots, whilst offering us a gently simmering, lively, romance with some characterful performances - including the usually reliable Anne Revere ("Mary"). The last ten minutes are quite an exciting watch - the back-shot storm sequence is quite well integrated into the action, and folks gets well and truly soaked!

Originally filmed in sepiatone, its big feature is the Maine photography. A somewhat simplistic, yet touching story of an orphan (Stockwell), who gets into trouble, but the town old maid (Revere) comes to the rescue, along with the help of a pair of on/off lovers (Andrews/Peters. A very nice resolution, low key, except for a storm sequence. The music is terrific. Century

Ruth Moore's best-selling novel SPOONHANDLE was renamed DEEP WATERS for this 1948 film. Straightforward story about an orphaned boy and the lives of several people he changes.

Jean Peters plays a young, idealistic social worker in coastal Maine. She is afraid of the sea and its power, especially its dangers for the lobstermen and the heartache of those left behind when the sea claims them. Dana Andrews plays a lobsterman who loves Peters but also loves his job. Dean Stockwell is a troubled boy whose father was a fisherman. Peters tries to keep the boy away from the sea but it's in his blood. She places the orphan with a crotchety old lady (Anne Revere) who is tough but fair on the boy. The boy runs away and gets into trouble.

Something must change, but these Mainers are all stubborn. Finally, one last incident changes all their lives forever.

Andrews is excellent as the lobsterman, and Peters is quite believable as the over-protective social worker. Stockwell turns in a great performance as does Revere as the rock-solid old lady. Cesar Romero plays Andrews' fishing partner. Ed Begley plays an influential friend. Raymond Greenleaf is the wise old judge, and Mae Marsh is the grieving widow. In small parts, Harry Tyler and Will Geer are recognizable.

The exteriors were filmed on Vinalhaven and in Rockland and Belfast. The ocean scenes are terrific as is the big storm which won an Oscar nomination for special effects. The location shooting just screamed out for color.

Dana Andrews is a Maine lobsterman in partnership with esar Romero. He's also in love with Jean Peters, but she knows the tolls of the sea, and wants him to quit before she'll marry him..... and when he finally agrees, she knows it will make him miserable to have a land job, and eventually her. So she continues with her job with the state welfare board, and he continues lobstering, and they yearn a lot. Along comes orphan Dean Stockwell; everyone knew his father, and his uncle, both of whom were lost at sea. He's staying with Ann Revere, but the only person he feels a connection with is Andrews.

It's a small-town story, so with Henry King in charge, you know you're going to get some good characters; there's Ed Begley as an amiable local politician, Raymond Greenleaf as a judge, and other old-time performers like Mae Marsh to make this tale of a boy who just needs some understanding to make me weep to myself.

There are also some grand special effects of a ship in a storm. This was nominated for the special effects Oscar, and well-deserved it.