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Aggiungi una trama nella tua linguaThe friendship between a fisherman and an orphan boy disturbs others because of the dangers at sea.The friendship between a fisherman and an orphan boy disturbs others because of the dangers at sea.The friendship between a fisherman and an orphan boy disturbs others because of the dangers at sea.
- Candidato a 1 Oscar
- 1 candidatura in totale
Harry Cooke
- Bus Station Operator
- (non citato nei titoli originali)
Raymond Greenleaf
- Judge Tate
- (non citato nei titoli originali)
Eleanor Moore
- Secretary
- (non citato nei titoli originali)
Recensioni in evidenza
Director Henry King continues to impress me. Having recently watched films of his as diverse as THE BRAVADOS, CAROUSEL, REMEMBER THE DAY, in DEEP WATERS I found yet another specimen of the director's versatility and expertise.
Shot in lovely B&W off the Maine seashore, DEEP WATERS contains some very realistic footage of action at sea, further enhanced by Dana Andrews and Romero looking very professional and knowledgeable as they handle boats, lobsters, and bad weather with consummate ease.
In fact, Andrews was at the top of his powers here, and this seems like a small film for such a great actor, but he goes about it manfully and wholeheartedly, and delivers a superb performance that brims with honesty.
Romero also does well as his Portuguese help who wants to turn to farming, or to mink or rabbit rearing, instead. In contrast, young Roddy McDowall likes the sea like his late father and uncle. However, he is under the charge of beautiful Jean Peters, who does not want the youngster to go to sea because of the dangers therein. Another spanner in the works is that the film opens with Peters and Andrews breaking off their engagement but clearly still feeling deeply for each other... and the wonderful Anne Revere as the no-nonsense boy's foster carer - a truly great short role.
Wonderful cinematography and editing. Well worth a watch. 7/10.
Shot in lovely B&W off the Maine seashore, DEEP WATERS contains some very realistic footage of action at sea, further enhanced by Dana Andrews and Romero looking very professional and knowledgeable as they handle boats, lobsters, and bad weather with consummate ease.
In fact, Andrews was at the top of his powers here, and this seems like a small film for such a great actor, but he goes about it manfully and wholeheartedly, and delivers a superb performance that brims with honesty.
Romero also does well as his Portuguese help who wants to turn to farming, or to mink or rabbit rearing, instead. In contrast, young Roddy McDowall likes the sea like his late father and uncle. However, he is under the charge of beautiful Jean Peters, who does not want the youngster to go to sea because of the dangers therein. Another spanner in the works is that the film opens with Peters and Andrews breaking off their engagement but clearly still feeling deeply for each other... and the wonderful Anne Revere as the no-nonsense boy's foster carer - a truly great short role.
Wonderful cinematography and editing. Well worth a watch. 7/10.
With the exception of the Hollywood sound stage segments, exteriors for this movie were shot on location in Vinalhaven, ME.
Some of the locals were also used as extras in the background.
My father "temped" for 20th Century Fox during the production. He drove a equipment truck to the different set locations on the island.
The equipment had to come by barge as the local ferry was way too small to handle all the equipment needed by the studio.
I don't believe this movie has been out of the vault for many years. It used to play on late night TV back in the 60's. As I remember it, there's really no reason to bring it back.
Some of the locals were also used as extras in the background.
My father "temped" for 20th Century Fox during the production. He drove a equipment truck to the different set locations on the island.
The equipment had to come by barge as the local ferry was way too small to handle all the equipment needed by the studio.
I don't believe this movie has been out of the vault for many years. It used to play on late night TV back in the 60's. As I remember it, there's really no reason to bring it back.
Originally filmed in sepiatone, its big feature is the Maine photography. A somewhat simplistic, yet touching story of an orphan (Stockwell), who gets into trouble, but the town old maid (Revere) comes to the rescue, along with the help of a pair of on/off lovers (Andrews/Peters. A very nice resolution, low key, except for a storm sequence. The music is terrific. Century
Pert Jean Peters is in charge of an orphan boy (played by Dean Stockwell). Dana Andrews is a fisherman in a small town in Maine. He is highly attracted to Peters (who can blame him). However, when the orphan boy shows a distinct passion for the sea, Peters and Andrews find themselves at odds. Cesar Romero and Anne Revere co-star in this un-pretentious flick about romance, adventure and a boy's love for the sea. It's worth seeing at least once, but Fox does not offer it in VHS. Try looking for it in one of the movie classic cable channels. The Maine locations are quite impressive and the acting is fine.
Deep Waters which stars Dana Andrews and Jean Peters is a modest story with some special effects that earned the film an Oscar nomination. But for that the film would probably be forgotten today save for its one surviving cast member Dean Stockwell.
Peters is a social worker who comes from a Maine lobster fishing family who lost her father at sea. Stockwell is an orphan who lost his father and uncle at sea. Dana Andrews is a lobster fisherman who takes a liking to the troubled kid.
For reasons having to do with her own issues on the subject Peters places Stockwell in foster care in places that are nowhere near the sea. Running out of them she places him with Anne Revere as a foster mother. Still Stockwell wants to go to sea, it's in his blood and when he doesn't get his way he acts out in ways that will send him to reform school.
I don't think you need a road map to see where this film is going. The special effects of the storm at sea where Andrews and partner Cesar Romero rescue Stockwell are nice and the film's exteriors are done on the Maine coast. Cesar Romero had an interesting character in the Portugese fishing partner of Andrews, shades of Captains Courageous. I wish we had more of him in the film.
Deep Waters is a modest film that kids may like, but can be safely passed over by adults if they're not fans of any of the cast.
Peters is a social worker who comes from a Maine lobster fishing family who lost her father at sea. Stockwell is an orphan who lost his father and uncle at sea. Dana Andrews is a lobster fisherman who takes a liking to the troubled kid.
For reasons having to do with her own issues on the subject Peters places Stockwell in foster care in places that are nowhere near the sea. Running out of them she places him with Anne Revere as a foster mother. Still Stockwell wants to go to sea, it's in his blood and when he doesn't get his way he acts out in ways that will send him to reform school.
I don't think you need a road map to see where this film is going. The special effects of the storm at sea where Andrews and partner Cesar Romero rescue Stockwell are nice and the film's exteriors are done on the Maine coast. Cesar Romero had an interesting character in the Portugese fishing partner of Andrews, shades of Captains Courageous. I wish we had more of him in the film.
Deep Waters is a modest film that kids may like, but can be safely passed over by adults if they're not fans of any of the cast.
Lo sapevi?
- QuizWhile filming, Jean Peters was met by a fan several times, who bombarded her with marriage proposals. Peters turned him down every time, but the man did not quit proposing until she informed him that marrying her would mean taking care of her family.
- Citazioni
Hod Stillwell: Takes patience with a kid like that.
Mary McKay: Patience ain't my long suit!
- ConnessioniReferenced in Let's Go to the Movies (1949)
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Dettagli
- Tempo di esecuzione
- 1h 25min(85 min)
- Colore
- Proporzioni
- 1.37 : 1
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