Dick Barton: Special Agent

Based on the popular B.B.C. radio serial, this first film in Hammer's Dick Barton series is a real disappointment, failing to capture the spirit of the character, the formula ruined by too much dumb humour and a script that relies on coincidence to drive the plot. It also suffers from terrible direction and clumsy editing, director Alfred J. Goulding's previous experience in quickie shorts and slapstick comedy not suited to the action/adventure genre.

The plot sees Barton (Don Stannard) and his sidekick Snowey White (George Ford) travelling to the fishing village of Echo Bay where they come up against Nazis who are planning to introduce deadly bacteria into the UK's water supplies. With very broad performances from both the baddies and Barton's companions from the outset, this is all way too silly to be genuinely exciting, and the script's contrivances only make things even harder to take seriously. The accidental delivery of lobsters to Barton and friends is possibly the worst offender - the discovery of valuables inside the shellfish conveniently tipping off the special agent that something is very wrong in Echo Bay - but there are plenty of other daft moments to spoil the film, including several lame attempts on Barton's life by a pair of bumbling henchman (who use a poison tipped dart - of the type found in pubs).

2.5/10, generously rounded up to 3 for this unintentionally amusing line uttered by the film's token babe Jean Hunter (Gillian Maude): "It's no use, Betsy... I can't stand this any longer. I'm going out to look for Dick."

The premiss for this is quite good - a disparate gang of Nazi spies plotting to poison the London water supply. Only the eponymous special agent (Don Stannard) can track down the conspirators and thwart their plan... Well, aside from the instantly recognisable John Bath theme tune, this is really just a series of radio sketches with a camera in front of the actors. Indeed, all that is actually missing is the sound effects man with the coconut shells and the washboard. It flows like glue, and lumpy glue at that - and although the story itself is actually quite good, the execution here is really unremarkable. The last ten minutes redeem it slightly, at least things are happening, but otherwise it's a film to watch only if you are really bored.

Based on the classic British Radio series this clunker of a movie is a series of bad choices (which they corrected for the next two movies), and one of the worst films Hammer Studios ever produced.

The plot of this film has to do with smuggling and Nazi spies in and around a small English Village. The villain is a German agent posing, as a Swedish scientist, complete with German accent. He has secret tunnels and hideouts in the village and is plotting great evil. He is aided by various people in the village all of whom are suspicious looking in the extreme. Good guy Dick Barton is sent to the town by his bosses, under cover of taking a vacation, to the village to find out whats going on.

This movie is bad, really bad. The film was aimed at kids and they dumb the whole movie down with over the top performances and really bad humor. Frankly this is more a misfiring comedy rather than the exciting action adventure of the radio. The direction is at best stiff with the actors not so much directed as arranged in tableaux, upon which the camera locks. It reminded me of a movie from the advent of the movies.

I'm dumb founded at this films awfulness.

I've given the movie a 2 instead of a 1 because there a few fleeting moments where the movie actually works, but they are high points in a very low movie and nothing you need concern yourself with. It would probably be best if you just skipped this movie and watched either of the other two Dick Barton films that followed.

In preparation for the "House of Hammer" podcast, which is covering the complete "Dick Barton" trilogy that Hammer produced in the late 1940's. Slightly confusingly for me, I watched "Dick Barton: Strikes Back" first, not believing that this was available, but then finding a copy on YouTube. Having enjoyed the sequel, I found this disappointing.

With his friends as cover, Dick Barton (Don Stannard) heads to the small coastal town of Echo Bay and disrupts a smuggling ring there. Though seemingly small fry for a Detective of Barton's renown, the smugglers have a link to a foreign scientist, going by the name of Dr Casper (Geoffrey Wincott) whose scheme is more malevolent than merely importing contraband.

Despite only being made a year later, "Dick Barton Strikes Back" is a much more accomplished film, in virtually every regard. Here, at least on the version I saw, the editing is a lot less capable. The fight scenes are hilariously amateurish but most strikingly the performances are terrible. Even Don Stannard isn't as comfortable as he is next time out. Farnham Baxter's character Roscoe is a very unusual creation. I don't know what accent he's doing but to describe is as odd is an understatement. The foley work is poor, and some of the dialogue crudely pasted into certain scenes.

You have the early use of the trope of a villain who doesn't just kill the hero, when he has him dead to rights, instead choosing to trap him and assume that his elaborate scheme will work. It's a proud tradition started in the serials and continuing right through to the Batman TV show.

Nothing like as accomplished as it's sequel.

The maiden episode of a short-lived trio of Dick Barton movies made by Hammer is a jaunty period piece from the days when the dastardly villains were still nazis rather than commies.

It's amateurish technique, period detail and use of actual locations today gains it considerable interest viewed purely as a documentary.