Aggiungi una trama nella tua linguaA man is turned into a "catlike" killer by means of a serum invented by a crazed scientist.A man is turned into a "catlike" killer by means of a serum invented by a crazed scientist.A man is turned into a "catlike" killer by means of a serum invented by a crazed scientist.
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John George
- Dwarf Waiter in Chinese Restaurant
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Stuart Holmes
- Medical Examiner
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Recensioni in evidenza
One of my sci-fi/horror/fantasy reviews written 50 years ago: Directed by Jean Yarborough; Executive Producer; Ben Pivar; Produced by Bernard Small for 20th Century-Fox release. Screenplay by Maurice Trombagel; Photography by George Robinson; Edited by Saul Goodkind; Music by Milton Rosen. Starring: Eduardo Cianelli, June Vincent, Onslow Stevens, Janis Wilson, Ralph Morgan, John Baragrey, Philip Ahn, Lottie Stein, Richard Lane, David Hoffman and Stuart Holmes.
Fairly uninteresting 1940s horror film with a typically mysterious creep creeping about in the shadows, and attempting to make everyone feel creepy.
Fairly uninteresting 1940s horror film with a typically mysterious creep creeping about in the shadows, and attempting to make everyone feel creepy.
The Creeper is a 1948 "B" film produced by Bernard Small's Reliance Pictures. Its an entertaining little chiller clocking in at a brisk 64 minutes, with a cast of generally familiar faces such as Onslow Stevens, Ralph Morgan, Eduardo Ciannelli, and June Vincent.Romantic lead John Baragrey would go on to have a successful career as a character actor in television. The female lead was eighteen year old Janis Wilson, who as a juvenile actress had featured roles in Now Voyager, Watch on the Rhine, and the Strange Love of Martha Ivers, among other films and seemed to be building a solid acting resume for herself. The Creeper would be her last film role,however, and she would retire from the screen to take up marriage and teaching music. Director Jean Yarbrough had a reputation for dependability and getting a film out on time and under budget. Ben Pivar was the executive producer. He was in charge of Universal Studios Horror Unit during the war on could do this kind of film in his sleep. The horror cycle had slowed down considerably since the end of the war but there was still a market for Saturday matinée scary pictures at the local neighborhood Bijou and the Creeper was made to fill that market. It helped sell a bunch of popcorn
The story concerns a monster who preys on a group of scientists and researchers whom themselves are trying to develop a mysterious serum that is derived from the body fluids of cats. One of the researchers tries to put a halt to the project for ethical concerns and is brutally murdered. After that other researchers are being killed by what evidence suggests is a huge cat like creature. The daughter of one of the murdered scientists acted as secretary to the project and holds the notes that are needed to continue the project but will not give them up. A young scientist from a next door lab has fallen for her and he is aware of the events taking place. He tries to aide and protect her at the risk of his own life. At the climax of the film the identity of the murderous monster is revealed and it is destroyed. Of course the young couple appear to move on to become the Cleaver family. The Creeper was filmed by Edward Coleman. Coleman and Yarbrough used The "Cat People approach to shooting the Creeper with shadows and dim lighting to cover the cheap sets and minimal special effects This technique works and gives the film a dark and brooding atmosphere. That veteran actors know the rote and do what they can with a weak script and sometimes confusing plot line. What does not work is Janis Wilson's performance. She is , quite frankly, terrible. Without Bette Davis or Barbara Stanwyck around to coach her she chews the scenery and emotes like a high school Juliet. If the Creeper had been a longer picture she would have shot the whole thing down. It's no wonder she decided to get out of the business.
As I said, The Creeper is entertaining and won't cause emotional damage to the more sensitive members of your viewing audience, however, if your are in The Ginger Snaps or Dog Solders school of were-animal appreciation, The Creeper isn't gonna do it for you. Saying that . however, for the average old horror flick fan there are a lot worse ways to spend an hour.
The story concerns a monster who preys on a group of scientists and researchers whom themselves are trying to develop a mysterious serum that is derived from the body fluids of cats. One of the researchers tries to put a halt to the project for ethical concerns and is brutally murdered. After that other researchers are being killed by what evidence suggests is a huge cat like creature. The daughter of one of the murdered scientists acted as secretary to the project and holds the notes that are needed to continue the project but will not give them up. A young scientist from a next door lab has fallen for her and he is aware of the events taking place. He tries to aide and protect her at the risk of his own life. At the climax of the film the identity of the murderous monster is revealed and it is destroyed. Of course the young couple appear to move on to become the Cleaver family. The Creeper was filmed by Edward Coleman. Coleman and Yarbrough used The "Cat People approach to shooting the Creeper with shadows and dim lighting to cover the cheap sets and minimal special effects This technique works and gives the film a dark and brooding atmosphere. That veteran actors know the rote and do what they can with a weak script and sometimes confusing plot line. What does not work is Janis Wilson's performance. She is , quite frankly, terrible. Without Bette Davis or Barbara Stanwyck around to coach her she chews the scenery and emotes like a high school Juliet. If the Creeper had been a longer picture she would have shot the whole thing down. It's no wonder she decided to get out of the business.
As I said, The Creeper is entertaining and won't cause emotional damage to the more sensitive members of your viewing audience, however, if your are in The Ginger Snaps or Dog Solders school of were-animal appreciation, The Creeper isn't gonna do it for you. Saying that . however, for the average old horror flick fan there are a lot worse ways to spend an hour.
The Creeper is The Best Old Horror Movie that I can Think of. It is Perfect. I even Believe it Inspired Classics such as "The Fly". Of Course, the Movie is Rather Old and the Special Effects are not Something to brag about. But, All in All we Have a Classic Horror Movie which I Think should be More Famous than it is. 10 out of 10. Also Recommended: Return of the Fly.
Although the film's director and actor Onslow Stevens have done similar work for Universal, this film is more reminiscient of Val Lewton's horror thrillers for RKO. The film title itself refers to a black cat and many of the key scenes take place in dark, shadowy environments. Also, like Lewton, you don't see the monster until the very end. Interestingly, CREEPER features dream sequences that reminds me of RKO's noir films. CREEPER is from 20th Century-Fox. However, the story is typical of mid-40s Universal horror flicks while the mood is characteristic of Lewton's CAT PEOPLE films.
Neurotic Nora (Janis Wilson) is deathly afraid of felines and suffers from recurring nightmares of a menacing cat's paw coming through her bedroom window or emerging from beneath her bed. After her scientist father (played by Ralph 'The Wizard of Oz' Morgan) is killed, clawed to death in the first of several murders, Nora finds herself targeted by the killer, who has been using an experimental serum to transform his hand into a large cat's claw.
The Creeper (which has nothing at all to do with Rondo 'The Creeper' Hatton) is a weak B-movie horror that does very little of interest for the majority of the sixty-four minute run time, with the killer's claw mostly shown as a shadow on a wall. Only in the closing moment does the villain reveal his deadly claw to terrified Nora (his hand transforming via a series of shoddy dissolves), and it looks every bit as daft as it sounds. John Baragrey plays scientist Dr. John Reade, who saves Nora in the nick of time.
Even at just over an hour long, this one is hard to remain engaged with, the dull dialogue and stilted performances making it a laborious watch. The premise is wonderfully loopy, but the execution is mundane. 2.5/10, rounded up to 3 for IMDb.
The Creeper (which has nothing at all to do with Rondo 'The Creeper' Hatton) is a weak B-movie horror that does very little of interest for the majority of the sixty-four minute run time, with the killer's claw mostly shown as a shadow on a wall. Only in the closing moment does the villain reveal his deadly claw to terrified Nora (his hand transforming via a series of shoddy dissolves), and it looks every bit as daft as it sounds. John Baragrey plays scientist Dr. John Reade, who saves Nora in the nick of time.
Even at just over an hour long, this one is hard to remain engaged with, the dull dialogue and stilted performances making it a laborious watch. The premise is wonderfully loopy, but the execution is mundane. 2.5/10, rounded up to 3 for IMDb.
Lo sapevi?
- QuizDespite the title, there is no connection with Universal's "The Creeper" series in which Rondo Hatton played the title character.
- ConnessioniFeatured in The Doldrum: The Creeper (1954)
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Dettagli
- Tempo di esecuzione
- 1h 4min(64 min)
- Colore
- Proporzioni
- 1.37 : 1
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