La freccia nera

The Black Arrow casts Louis Hayward as the son of a noble family returned from the War Of The Roses where he's fought for the Yorkist side which has just gained the crown again at Tewksbury. But there's trouble at home where his greedy uncle George MacReady has obtained the estate of Lancastrian Paul Cavanaugh by most foul means including the stabbing death of Hayward's father Russell Hicks which we see in flashback.

Hayward has to take to the forest where legends of Robin Hood abound and he gathers his own group of merry men. In Cavanaugh's daughter Janet Blair, Hayward has his own Maid Marian whom MacReady wants to marry and solidify his hold on now both Hayward's and Cavanaugh's holdings. That would make him a most powerful baron indeed.

Of some interest here is MacReady's patron the Duke of Glouscester who as we know later became Richard III. He's played here by Lowell Gilmore, most ambiguously.

As for how this works out the ending was used again in MGM's far bigger budgeted production of Ivanhoe a few years later.

Hayward who played a variety of roles and well is most identified with the costume swashbuckler. Although he could be a charming heel in many films, he's a straight Black Arrow hero in this one. Those fond of the genre will have little reason for complaint.

THE BLACK ARROW, based on a historical novel by Robert Louis Stevenson, is an American-made swashbuckler that's set in England and tells a tale that's very reminiscent of the Robin Hood story. Set in the aftermath of the Wars of the Roses, it sees a soldier return home to find his father murdered, apparently by a rival, although he soon discovers that the murderers lay close at hand and that foul play was involved.

This is a light and breezy affair, with a fast pacing and plenty of action to recommend it. The swordfights are conducted in the classic manner with the opponents adopting fencing stances and a general old-fashioned feel to them. Louis Hayward, the erstwhile hero, is a guy I didn't find particularly charismatic, but the supporting cast of dastardlies and outlaw heroes is a well-chosen one.

Of course, never for a second does this film convince you that it's set in England, and the American accents of some of the cast members don't help much. Nonetheless it's an entertaining piece, with all of the jailbreaks, skullduggery, rescues and escapes you could hope for in an adventure movie. The ferocious jousting climax is a real highlight and surprisingly barbaric for its time.

Starkly made in classic black and white, this medieval adventure is set and in England at the end of the War of the Roses. The main character must cope with the death of his father, apparently at the hand of a once trusted neighbor. Naturally, a love interest is provided for him in the person of the daughter of his father's killer. The `Black Arrow' is the mysterious missive that keeps flying in, to suggest that things are not what they seem, and to motivate young Shelton to search for truth. Some good sword play, chase sequences, and a classic joust scene for the grand finale. A good film for a late afternoon unwind.

This 1948 swashbuckler set in the aftermath of the War of the Roses has three things that makes this mildly enjoyable programmer: the underrated Gordon Douglas directing, the menacing scene stealer George Macready, and the dashing Louis Hayward isn't Errol Flynn, which is a good thing, as Hayward has got his own unique style; he looks the part, acts really well as the son who returns to find his father murdered, and his sword fights are executed with cat-like agility.

The story - A young British nobleman comes back from fighting in the War of the Roses to discover that his father has been murdered by an old family friend who is now an outlaw. However, he becomes suspicious about the exact circumstances of his father's death and determines to find out exactly what happened.

As the storyline suggests, there's a little intrigue, especially with the black arrows left for Hayward's character to read. It implies that his uncle, Macready, is the real culprit. The first half moves slightly ponderously, but it's still captures your attention. There are sword fights, secret passages, rebellious bandits on the side of good, and an exciting jousting sequence. Enjoyable swashbuckler, though I wish it was in technicolour. Check out the brilliant Disney 1985 version of this Robert Louis Stevenson penned adaptation.

I regularely confound this movie in Gordon Douglas' filmography with ROGUES OF SHERWOOD FOREST, made two years later and speaking of a very close story, settings and atmosphere. Both features are obviously ROBIN HOOD films rip-offs, and excellent ones. In this medieval swashbuckler, Louis Hayward fights against...Guess who.... The main and unique villain of Columbia swashbucklers of the forties and fifties: George Mc Ready himself. Who else? Louis Haywad against George Mc Ready is like Errol Flynn vs Basil Rathbone. It was made in black and white, such a shame, but it was colorized. And guess what, for once, I appreciate a colorized film. And what a good surprise to see a Columbia Pictures swashbuckler not produced by the infamous Sam Katzman. Gordon douglas would have not survived to such a doomed situation.