Luna park

At only 93 black and white minutes, ARE YOU WITH IT? (released by Universal International - not famous for its musicals - on 20 March 1948) is undoubtedly a minor effort but, considering its provenance, it's a delightful entry well worth a look on a number of levels.

The property started out on Broadway at the New Century Theatre up on Columbus Circle the season after Sigmund Romberg's UP IN CENTRAL PARK (another Universal International film in 1948 with its choreographer recreating the stage dances on film) appropriately opened there and ARE YOU... was a moderate 264 performance hit, playing out the season (11/10/1945 - 4/27/1946) before moving to the more centrally located Shubert Theatre for the final two spring/summer months (4/30/1946 - 6/29/1946) of its run.

The show, centered on the interaction of an insurance executive with circus performers, very nearly didn't happen at all with memories still fresh of the tragic and nationally publicized July 6, 1944 fire (around 168 of the 6,800 people seated under the paraffin coated - for waterproofing - "big top" died) at a performance of the Ringling Brothers and Barnum & Bailey Circus in the insurance capitol, Hartford, Connecticut, but rewrites to remove ARE YOU WITH IT? from the big top to a smaller "carnival" and the presence of such stars as Joan Roberts, Lew Parker and Dolores Gray overcame the untoward connections and allowed the simple fun if the incongruous associations to shine through.

When Universal-International picked the show up, it did the (then) usual Hollywood hack job of "improving" it by replacing most if not all of the original score with pleasant but unmemorable numbers - mostly for the dancing Donald O'Connor in one of his best but most unheralded performances - but retaining the plot and the lead comedian, Lew Parker (who would go on to a major television career as a "second banana" - probably most famously as "Lou Marie," Ann's father on THAT GIRL), as the fast talking shill who ropes the disgraced insurance numbers man (Donald O'Connor, who had misplaced a decimal point in the latest rate calculations) into carnie work and skills he in turn winds up taking back to his insurance company to everyone's benefit.

While the rest of the Broadway cast didn't transfer, the film boasts two excellent leading ladies in Broadway stalwart (PAINT YOUR WAGON) and wife of Edmund O'Brien, Olga San Juan (she would follow up ARE YOU WITH IT the same year with the second female lead in another Broadway transfer, ONE TOUCH OF VENUS - if she'd been at a better studio, she might have had a major musical film career) and Martha Stewart (no, not *that* Martha Stewart, an earlier one) who also needed a better studio to truly shine.

Even with the ersatz score, the legitimate pleasures of ARE YOU WITH IT? in O'Connor's dancing and the clever plot make it a real shame that the movie hasn't followed Universal-International's UP IN CENTRAL PARK and ONE TOUCH OF VENUS into video release. All three deserve good DVD releases to please a new generation of Broadway and film musical fans.

The dancing is impressive, and it is quite witty and funny. I had never heard of this film, but if you are a fan of Donald O, you will love it!

I am a huge Donald O'Connor fan, and own about 33 of the 54 films he made. People tend to critize this film, however, in reality, this movie lived up to all it was supposed to be. This is one of the many 1940s B-musicals Donald did in his career, and I think that these films showcase some of Donald's best work. The story isn't much, and there are few song and dance numbers, but Donald O'Connor's talent and charm can make you forget all about that. Even in a character as different as this one is for him, he manages to still shine on screen. My favorite sequence, is the bar scene where Donald explains dancing using mathematics. It shows his incredible versitility as a dancer as he leaps and taps on every object imaginable. It shows the loveable hoofer doing what he did best. If you are looking for a big splashy MGM size musical this is not for you. However, if you love old musicals that are charming and fun, without big extravagent numbers, this is a great movie to see.

As far as I can tell, today in 2017, the only way to watch this very pleasant musical comedy is on YouTube. The image quality of the version there is horrible, obviously sourced from an old worn out videotape. Usually I wouldn't put up with the washed out, ultra-low resolution picture, but found myself watching the whole thing and enjoying it.

The big surprise was the very witty dialog, delivered skillfully by O'Connor and the obscure Lew Parker. Of course Donald shines in several comparatively modest dance numbers (this wasn't MGM after all). But Parker, who looks to be in his late 50's, but according to his IMDb bio was about 41, is a surprisingly agile in vaudeville style dancing. And Parker really scores as a fast talking flim-flam man, delivering comic patter with aplomb.

The songs are well crafted but forgettable. For some reason Olga San Juan, a good vocalist, is given almost no singing to do, and her comic skills are underutilized. The production with it's carnival setting would have benefited from color, but it's in B&W.

A treat for those old enough to have grown up with the 1950's TV show, The Adventures of Superman, Lois Lane aka Noel Nell, is a supporting player in this film. She proves herself to be a capable dancer, charming, charismatic, and very pretty too. Too bad she didn't have more of a film career.

Actuary Donald O'Connor misplaces a decimal point and doesn't get the promotion at the insurance firm. He wanders the parks of Hartford. Lew Parker waylays him and impressed by his ability to predict when slot machines will pay off and how to dance -- all done by mathematics, of course -- he takes him back to Walter Catlett's carnival, where he becomes a hit.

Parker was in the Broadway show, but nothing else. They even used all-new musical numbers, despite some sprightly Harry Revel tunes. The loose and simple plot is an opportunity stage dance numbers choreographed by Louis Da Pron (who plays a dancing bartender in the first number). The movie version's songs aren't much to write home about, but O'Connor's confident hoofing, Parker's fast-talking patter, and the charms of Olga San Juan, Martha Stewart -- not that one! -- and Patricia Dane help to make this a very pleasant musical.