Annie Was a Wonder

An MGM JOHN NESBITT'S PASSING PARADE Short Subject

Our Swedish hired girl ANNIE WAS A WONDER in those long ago days before the First World War.

This Oscar-nominated gem is a tribute to the European women who came to America looking for work - $15 a month, 84 hours a week, 14 hours a day - in the years preceding World War One. Warmhearted & utterly charming, it is also a showcase for character actress Kathleen Freeman (1919-2001), starring as Annie Swenson. A talented performer of stage, screen and television, Miss Freeman continued to entertain audiences right up until her death at age 82.

Often overlooked or neglected today, the one and two-reel short subjects were useful to the Studios as important training grounds for new or burgeoning talents, both in front & behind the camera. The dynamics for creating a successful short subject was completely different from that of a feature length film, something akin to writing a topnotch short story rather than a novel. Economical to produce in terms of both budget & schedule and capable of portraying a wide range of material, short subjects were the perfect complement to the Studios' feature films.

Annie Was a Wonder (1949)

** (out of 4)

Oscar-nominated short from John Nesbitt's Passing Parade series. Nesbitt narrates the story of Annie (Kathleen Freeman), a Swedish woman who came to American to work as a maid. She's almost fired on her first day but the father of the family falls in love with her cooking and keeps her on. This here leads to a close relationship between the family and their maid. This is a decent short but there's really nothing here to make it worth seeking out, although if you've got ten minutes to kill and spot it on Turner Classic Movies then you mind find it as mild entertainment. Freeman gives a pretty good performance but the film never really allows her to take shape and deliver what we need and that was some sort of character movement. The narration is decent but there's just not enough here to keep it going even through its short running time.

This one reel short subject was the debut of beloved character actress Kathleen Freeman in which she plays Swedish immigrant Annie, who hires out as domestic help for what we would consider really pittance wages of $15.00 a week. For that she put in an 84 hour work week. It's bad enough, but you also have to remember she's live in help as well and her room and board are free.

As Annie, all the brassiness that characterized Kathleen Freeman's screen persona is all there. The charm is there too as she wins her place in the affections of the family that hired her. Her good Swedish cooking helps in that department.

Kathleen Freeman worked steady on the big and small screen from this point on right up to her death in 2001. I'm not sure she ever starred in anything other than this short subject from John Nesbitt's Passing Parade Series. Yet this particular short was an Oscar winner in 1948 and the reason for it is Kathleen Freeman.

She went places and we the audience are all the better for it.

I quite enjoyed this jolly depiction of the narrator's young life with Swedish housekeeper Annie (Kathleen Freeman). Right from day one, she isn't about to be played pranks upon by the brothers, but by joining in their hosepipe game risks a swift termination of her fortnight's trial. Luckily, she came top of the class at her cookery school and anyone who has ever tasted Swedish cuisine will know that when it is done well it is certainly not one for the calorie counter. Studying for her citizenship qualification and befriending the local delivery man she spends the next few years gradually becoming an integral part of a family that worked her to the bone, but clearly cared a lot for her too. Freeman is clearly enjoying her role here and though perhaps the Nesbitt's might genuinely want to feel some guilt for their exploitation for $15 a month, it's one of the cheerier stories of the American dream working out for someone conflicted between her homeland of old and her new land of opportunity.

Kathleen Freeman plays Anna, a Swedish immigrant who worked as a housekeeper for John Nesbitt's family in the long ago days. It's from the last year of MGM THE PASSING PARADE, a series that Nesbitt had been performing, on radio, in the movies, and later on television, since the middle of the 1930s.

It's a story of America, with the foreigner of today becoming the solid American several decades later.

It's a rebuke to the know-nothing, anti-Foreign impulse that so often afflicts people. I speak from experience. My paternal grandparents came from Europe about a century ago, finding work as, respectively, a hat maker and a scrub woman.