Aggiungi una trama nella tua linguaThe Falcon is hired by an insurance company to recover two stolen paintings, a job that takes him across the country and then across the Atlantic to Italy. Before he knows it, his investigat... Leggi tuttoThe Falcon is hired by an insurance company to recover two stolen paintings, a job that takes him across the country and then across the Atlantic to Italy. Before he knows it, his investigation leads him into a world of double-crosses and big-time art fraud.The Falcon is hired by an insurance company to recover two stolen paintings, a job that takes him across the country and then across the Atlantic to Italy. Before he knows it, his investigation leads him into a world of double-crosses and big-time art fraud.
- Regia
- Sceneggiatura
- Star
- Mario Farello
- (as Carlos Schipa)
- Senora Rosa - Italian Woman
- (as Ann Demetrio)
- Policeman
- (non citato nei titoli originali)
- Johnny - Hotel Clerk
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- 1st Thug
- (non citato nei titoli originali)
- Detective
- (non citato nei titoli originali)
- Customs Officer
- (non citato nei titoli originali)
Recensioni in evidenza
It's a nicely tangled mystery that leads him to Catherine Craig, a gallery owner and art authenticator in Los Angeles, and cross and double cross. Every time Calvert seems to have been swindled, he gets out of it with such nonchalant ease that all suspense is drained out of the movie: demonstrating that it takes more than a pencil-thin mustache, an erratic Ronald Colman imitation, and the writers on your side to make a movie star.
When the story begins, Michael Waring ('the Falcon') is in Italy. He's there investigating some forged and stolen paintings. When it appears he has everything wrapped up, someone tries to burglarize his room AND they also kill the forger and ransack his flat. Waring then heads back to the States and continues his investigations.
This is not a bad film but after seeing and hearing the very smooth brothers play the Falcon in other films, the much more ordinary Calvert is a huge letdown. It's not that Calvert is bad....but Sanders and Conway were much more memorable and sophisticated. You can't help but compare the actors if you've seen any of the previous films. Plus, the writers had Calvert involved in far more fighting than the previous two...and he punches and gets punched a lot in "Appointment with Murder". Overall, a modestly interesting film...one that is not up to the standards of the earlier Falcon films.
*Calvert only made a baker's dozen films. His main claim to fame was as a magician...one of the more famous ones of the 20th century.
What I got was a murky little potboiler with a few neat action sequences to recommend it, but a film which is overall let down by a convoluted plot line and a poor choice of hero. The pockmarked John Calvert has a face that is permanently contorted into a sneer, so he ends up looking more like a villainous henchman than the hero of the piece. By contrast one of this movie's chief villains looks like a cuddly teddy bear so you can't take him seriously as a menacing figure.
The plot is about the hunt for a couple of stolen and priceless paintings but it doesn't really amount to much apart from lots of back and forth sort of stuff with the authorities and some tacked-on romance type material. You have to laugh at the way the police don't bother getting involved in the proceedings and corpses are left laying around at various intervals. I didn't mind the brief fight scenes but overall APPOINTMENT WITH MURDER is a letdown.
Lo sapevi?
- QuizThe second of John Calvert's three "The Falcon" features, shot August 1948 and released November 24.
- Citazioni
[repeated line]
Giuseppe Donatti: My word of honor.
- ConnessioniFollowed by Search for Danger (1949)
I più visti
Dettagli
- Tempo di esecuzione
- 1h 7min(67 min)
- Colore
- Proporzioni
- 1.37 : 1