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IMDbPro

Le avventure di Don Giovanni

Titolo originale: Adventures of Don Juan
  • 1948
  • T
  • 1h 50min
VALUTAZIONE IMDb
7,0/10
3744
LA TUA VALUTAZIONE
Errol Flynn and Viveca Lindfors in Le avventure di Don Giovanni (1948)
The great lover Don Juan comes to the assistance of his queen.
Riproduci trailer2:27
1 video
29 foto
AvventuraAzioneDrammi storiciEpica romanticaRomanticismoSwashbuckler

Aggiungi una trama nella tua linguaThe great lover Don Juan comes to the assistance of his queen.The great lover Don Juan comes to the assistance of his queen.The great lover Don Juan comes to the assistance of his queen.

  • Regia
    • Vincent Sherman
  • Sceneggiatura
    • Herbert Dalmas
    • George Oppenheimer
    • Harry Kurnitz
  • Star
    • Errol Flynn
    • Viveca Lindfors
    • Robert Douglas
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,0/10
    3744
    LA TUA VALUTAZIONE
    • Regia
      • Vincent Sherman
    • Sceneggiatura
      • Herbert Dalmas
      • George Oppenheimer
      • Harry Kurnitz
    • Star
      • Errol Flynn
      • Viveca Lindfors
      • Robert Douglas
    • 72Recensioni degli utenti
    • 20Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
    • Vincitore di 1 Oscar
      • 2 vittorie e 2 candidature totali

    Video1

    Official Trailer
    Trailer 2:27
    Official Trailer

    Foto29

    Visualizza poster
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    Visualizza poster
    Visualizza poster
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    Visualizza poster
    + 22
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    Interpreti principali73

    Modifica
    Errol Flynn
    Errol Flynn
    • Don Juan de Maraña
    Viveca Lindfors
    Viveca Lindfors
    • Queen Margaret
    Robert Douglas
    Robert Douglas
    • Duke de Lorca
    Alan Hale
    Alan Hale
    • Leporello
    Romney Brent
    Romney Brent
    • King Phillip III
    Ann Rutherford
    Ann Rutherford
    • Donna Elena
    Robert Warwick
    Robert Warwick
    • Don José - Count de Polan
    Jerry Austin
    Jerry Austin
    • Don Sebastian
    Douglas Kennedy
    Douglas Kennedy
    • Don Rodrigo
    Jean Shepherd
    • Donna Carlotta
    • (as Jeanne Shepherd)
    Mary Stuart
    Mary Stuart
    • Catherine
    Helen Westcott
    Helen Westcott
    • Lady Diana
    Fortunio Bonanova
    Fortunio Bonanova
    • Don Serafino Lopez
    Aubrey Mather
    Aubrey Mather
    • Lord Chalmers
    Una O'Connor
    Una O'Connor
    • Duenna
    Raymond Burr
    Raymond Burr
    • Captain Alvarez
    Abdullah Abbas
    • Townsman
    • (non citato nei titoli originali)
    Rama Bai
    Rama Bai
    • Girl at Inn
    • (non citato nei titoli originali)
    • Regia
      • Vincent Sherman
    • Sceneggiatura
      • Herbert Dalmas
      • George Oppenheimer
      • Harry Kurnitz
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti72

    7,03.7K
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    Recensioni in evidenza

    7Panamint

    OK swashbuckler

    Very good color filming, great costuming, a terrific music score are some plus factors for this swashbuckling movie. The highlight (pretty much the only one) is a magnificent sword fight- I can recommend the movie based on this highlight alone, as well all the sword work generally.

    The film is competently but not spectacularly directed by Vincent Sherman. The characters in this film are fairly routine, the script is average, and except for the climactic sword fight the action mostly consists of characters running around briskly.

    The fictional tale of 16th Century Spain is unremarkable, but the acting is good. Viveca Lindfors is a beautiful leading lady portraying the Queen of Spain, but is mostly required to react, breathlessly and with restrained emotion, to Don Juan's romantic verbal (verbal only) approaches. It is really not much of a role for a fine actress. Robert Douglas is as good a villain as you might find in any swashbuckler and gives a great performance as the evil Count. At this point in his career, an exceedingly obese Raymond Burr is just OK as a standard thug palace guard. Movie perennial Robert Warwick gives one of his best performances as the good Ambassador and friend of Don Juan; he makes his role more human and less cardboard than some of the other roles in this movie.

    Errol Flynn is carefully filmed to appear strong and handsome, but heavy make-up and no shirtless scenes are some of the techniques used to disguise the sad fact that that Flynn was forty-ish and not physically well. He seems to realize that he is too debilitated for the part, and while his acting is good (he was a competent actor always), he is a more mature man than his once swashbuckling self. He clearly knows this fact and admirably tries to portray more "Don Juan" than "swashbuckler", and as a result he is utterly charming and watchable. Battling full blown alcoholism, serious heart problems, malaria and according to his then wife and others, a morphine issue, its remarkable that he is able to complete a film at this point in his life, although he did manage to keep his fading career limping along in increasingly poorer films for a few more years before dying at age 50.

    Viewing this film I wonder why someone felt it necessary to put it together at all, but I guess swashbucklers were popular then. It seems unnecessary and basically just a retread with a fading and ill star. It is beautiful and well made technically but offers nothing at all that you could say was original.
    7jpdoherty

    Don Flynn De Marana

    The most eagerly awaited Flynn movie has at last made it to DVD! Unavailable for some years except on a VHS tape and an obscure over priced Korean disc it, thankfully, is back in the Warner Bros. stable where it belongs. The wait was worth it for the disc is simply pluperfect! With rich vibrant three-strip Technicolor and sharply defined images it is a joy to behold! Flynn is terrific in the title role of the great lover and roue. Not withstanding perhaps a nod to the actor's own lifestyle the part was nevertheless taylor made for him. And although it was said at the time that he was slowing down and that he hit the booze while filming there is no evidence of it on screen. The great swashbuckler cuts a fine figure in his many fabulous costume changes throughout the picture. These costumes - designed by the great Travilla - won the 1948 Acadamy Award for best costume design.

    The supporting cast were well chosen too! Robert Douglas is great as Flynn's adversary - the evil Duke DeLorca. His dark eyes blackened even more to make him look that bit extra villainous. Alan Hale is once again Flynn's faithful sidekick but after 12 movies this was to be their final picture together. He died the following year. The female lead is taken by the beautiful Swedish actress Vivica Lindfors. Here she plays Margaret Queen of Spain and the one true love of Juan. Lindfors' final film was "Stargate" in 1994! She died in 1995 at the age of 75.

    "The Adventures of Don Juan" is well directed by Vincent Sherman and is probably his best remembered movie. The atmosphere, the colour and the sets in the court scenes are really very impressive. But now and then the film gets a little bogged down with some palace intrigue until the picture's famous set piece - the brilliantly staged sword-fight on the magnificent palace staircase. It ranks as one of the cinema's finest duels and Flynn will always be remembered for it even though that amazing leap with the knife was performed by stuntman and B picture actor Jock Mahoney.

    Then, of course there is the music by Max Steiner - one of his very best scores! Particularly splendid is his music for Juan's Parade into London with its masterful use of bells and chimes. Also the wistful Ballade which accompanies Juan on his many and various balcony climbings, the driving action music for the fight in the palace and the gorgeous love theme for the scenes with Juan and the Queen especially for the sequence near the end. Here the theme is heard in full bloom as the lovers say farewell to each other forever ("I shall be the only one who knew, for just a little while, that there was no Queen"). Interestingly Flynn's usual swashbuckling composer Erich Wolfgang Korngold - who had served him brilliantly on past successes such as "Captain Blood", "The Adventures Of Robin Hood" and "The Sea Hawk" -was originally slated to score "The Adventures Of Don Juan" as far back as 1945, but by the time the picture went into production the esteemed composer had left Hollywood and returned to his birthplace Vienna. As brilliant a composer as Korngold was it's difficult to imagine he would have topped Steiner's exceptional score. But alas we will never know!

    So quite a wonderful disc all round with good extras consisting of a commentary by director the late Vincent Sherman and Flynn authority Rudy Behlmer, a trailer and some instantly forgettable old fashioned shorts but the movie is all, so enjoy. En Garde!
    cariart

    Errol Flynn Shines As Legendary Lover!

    THE ADVENTURES OF DON JUAN was intended as something of a 'comeback' film for Warner Bros. resident 'bad boy', combining the heroic elements of 'ROBIN HOOD' and 'THE SEA HAWK' with Errol Flynn's well-established (by 1948) reputation as a hell-raising womanizer. Unfortunately, the color production, Flynn's first swashbuckler in nearly a decade, was not a box office hit, but the comic adventure is today embraced by his many fans as one of his best roles!

    It was not an easy film to make, as Flynn's carousing and disappearances (officially called 'sicknesses') stretched the filming, and forced frequent reshooting. Director Vincent Sherman, cinematographer Elwood Bredell, and editor Alan Crosland often had to 'cut-and-paste' snippets of many takes to achieve a decent performance from the star, and careful lighting had to be used to play down the increasingly obvious effects of the star's hedonistic lifestyle. (The closing scene, featuring then wife Nora Eddington, was shot nearly a year before the remainder of the film, and the change in the Flynn's physical appearance is clearly evident.) At 38, the star, who always hated being called a 'pretty boy' (to the extent that his home had few mirrors) was aging rapidly.

    All this being said, Flynn tried to give the film the best he could. It had been a landmark film for his friend/mentor John Barrymore, in the first Warners' film with sound, employed for music and special effects only, in 1926 (THE JAZZ SINGER would introduce 'talkies' a year later). It reunited him with friend and frequent costar Alan Hale, who, at 56, was still a popular character actor, and whose son, Alan Jr., was starting to make his mark around town (he would eventually be best known as the Skipper in 'Gilligan's Island'). The script for DON JUAN, in development since 1939, passed through many hands, including uncredited help by William Faulkner and Robert Florey, with the end result being marvelously tongue-in-cheek. The score, by the legendary Max Steiner, became an instant classic, and would be reused, years later, in George Hamilton's ZORRO, THE GAY BLADE. This was a film which, despite Errol Flynn's self-destructive lifestyle, had enough talent involved to still stand up as one of the better films of the 1940s.

    The plot involves roué Don Juan, tossed out of England after breaking up a 'diplomatic' wedding (a VERY funny scene), returning home to Spain to find evil Duke de Lorca (the sublimely nasty Robert Douglas) controlling weak King Phillip, and taxing the population to near starvation, with only the beautiful Queen Margaret standing in his way. Flynn quickly dispatches a de Lorca press gang, earning the Count's hatred, and the Queen's attention...and Don Juan finds himself truly falling in love, for the first time, with the youthful monarch (played by the radiant Viveca Lindfors). Assigned as a fencing master at the Academy, the legendary lover draws the ire of the Queen by stating his feelings for her, then is manipulated into another disastrous diplomatic blunder, involving, of course, another woman. On the run, he discovers de Lorca's ultimate scheme (manipulating the Crown into war), and with the help of the students of the Academy, he must save the King and Queen.

    Featuring a great early appearance by Raymond Burr (as a de Lorca henchman), and a stirring final duel between Flynn and Douglas (expanded from the 1926 version, and featuring an astonishing climactic stairway jump, performed by stuntman and future 'Tarzan' Jock Mahoney), THE ADVENTURES OF DON JUAN is a gloriously adventuresome romp. Sadly, it didn't save Flynn's flagging career, but it certainly has earned a place among his classic films!
    Doylenf

    A fitting final Warner swashbuckler for Flynn...

    Errol Flynn, at 38, was not exactly as dashingly handsome as he was in his earliest triumph ('The Adventures of Robin Hood') for his life style had begun taking a physical toll on his health. But he looks in good shape (for the most part, except for some tell-tale closeups) and carries off the role with his usual zest, good humor and athletic grace.

    He still has a good sidekick in Alan Hale who gets some witty banter with Flynn throughout the fast-moving film. Victor Sherman directs the tongue-in-cheek adventure tale with great style. All of the court intrigue and swashbuckling derring-do is photographed in gorgeous technicolor and accented by a lush pseudo-Spanish Max Steiner score. Fine bits of villainy supplied by Robert Douglas and Raymond Burr and some high spirited romance from women like Viveca Lindfors (at the peak of her physical beauty) and Ann Rutherford.

    For fans of Flynn films, this is one of his best. None of it can be taken seriously, but that's part of the fun. From the wry opening to the sly closing scene, this is a pure delight if you're seeking escapist adventure photographed in some of the best color cinematography ever seen.
    9orsino44

    Superb Flynn Swashbuckler

    They truly don't make 'em like this anymore (more's the pity). Errol Flynn plays the role he spent his whole life "training" for -- Don Juan -- in this spectacular Warner Brothers adventure film. There is so much to recommend this film; it's a shame American audiences didn't respond to it the way European audiences did at its initial release. Flynn does his best work in years as Don Juan, ably supported by perennial sidekick Alan Hale and Robert Douglas as the evil Duke De Lorca. The costumes are amazing, the sets splendid, the Technicolor never looked better -- but to top it all off, the swordplay, choreographed by the legendary maestro Fred Cavens (Adventures of Robin Hood, The Mark of Zorro) is second to none. From the brief duels with jealous husbands to the scenes in the fencing academy to the final rapier and dagger brawl (capped by a spectacular leap performed by stuntman Jock Mahoney) the sword work here is awesome. (btw, historical fencing fans should note the use of Thibaults' Mysterious Circle on the wall of the fencing school, completely appropriate since this is the Spanish school of rapier play). Future Perry Mason Raymond Burr has a memorable role as one of the villains in this court intrigue adventure, and Viveca Lindfors is excellent as the Queen, but it is Flynn, with his wit, panache and blade skill, who dominates, just as it should be. For terrific entertainment in the classic Hollywood tradition, take a look at The Adventures of Don Juan! UPDATE 2/9/07 This film will soon be available on a new DVD in the second Errol Flynn collection box set, along with another good Flynn film, The Dawn Patrol.

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    Trama

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    Lo sapevi?

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    • Quiz
      The dramatic leap which Don Juan did from the 17th step of the grand staircase during the climactic sword fight with Robert Douglas was done by stuntman/actor Jock Mahoney, the only stuntman who would agree to do it. Mahoney was paid $350 for the stunt.
    • Blooper
      There are several references to the city of St. Petersburg, Russia, in this film set during the reign of Queen Elizabeth I. The said city was not founded until a century AFTER that queen's death in 1603.
    • Citazioni

      [last lines]

      Leporello: Juan! No more romance, huh?

      Don Juan: My dear friend, there's a little bit of Don Juan in every man, and since I am Don Juan, there must be more of it in me!

    • Connessioni
      Edited from La leggenda di Robin Hood (1938)

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    Dettagli

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    • Data di uscita
      • 28 aprile 1949 (Italia)
    • Paese di origine
      • Stati Uniti
    • Lingue
      • Inglese
      • Spagnolo
    • Celebre anche come
      • Adventures of Don Juan
    • Luoghi delle riprese
      • Stage 14, Warner Brothers Burbank Studios - 4000 Warner Boulevard, Burbank, California, Stati Uniti
    • Azienda produttrice
      • Warner Bros.
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

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    • Budget
      • 3.500.000 USD (previsto)
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      • 1h 50min(110 min)
    • Colore
      • Color
    • Proporzioni
      • 1.37 : 1

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