X contro il centro atomico

Sometimes these low-budget science fiction features are amusing for unintended reasons, but this one is enjoyable because it has an interesting story and because it is well-crafted for such a low-budget movie. Since its effectiveness comes mostly from the story and from the solid acting, even with a bigger budget it might not have been significantly better.

The menace of "X the Unknown" is based on a far-fetched but interesting concept, and the story gets good mileage out of the premise, without pushing it too far. There are a couple of plot holes, but not so bad that they pull it down, and in general the story has the kind of internal logic that holds it together as long as you grant the premise for the sake of a good story.

The cast does surprisingly well. The characters are not the kind of roles that are particularly difficult to play, but they are the kind of roles that are easy to overplay, and that often are overplayed. Here the actors make their characters lifelike without trying to grab the attention, and it works pretty well.

Dean Jagger has good presence as Professor Royston, yet he avoids the kinds of stereotypes that sometimes make such characters annoying. Some of his little habits and mannerisms help to make the professor more human. Leo McKern also turns in a good performance. Edward Chapman's character is quite one-dimensional, yet he does a creditable job with it. It's also rather fun to see a very young-looking Anthony Newley in a small but entertaining role.

All of the cast members do a good job with a script that is plain but workmanlike. The special effects are rudimentary in technique, but they are good enough, and it's certainly preferable to have plain-looking special effects and a good story than to have flashy visuals and a dreary, pointless story. As a whole, "X the Unknown" delivers good science fiction without frills or padding, and it's easily among the better of the 1950s low-budget sci-fi movies.

The plot: In the remote Scottish Highlands, a living radioactive mass seethes out of the depths of the earth and kills everyone in its path as it seeks fresh radioactive energy. Luckily an American scientist is about the place and kicks the 'thing' back down from whence it came.

X the Unknown, while not having the innate intelligence of the Quatermass movies, is a good example of 1950's British pulp science-fiction cinema. While most of its American counterparts visited fantastic worlds inhabited by outlandish monsters and gorgeous 'space-babes', X the Unknown was a truly British effort: our monster was dollop of mud out of a hole in the ground doing a slow crawl around a dingy moor.

It's effective though. It has the same austere, grim intensity which made the Quatermass movies so memorable. The film also benefits from moody, high-contrast black and white photography, a typically acerbic score from James Bernard, and a good cast; Leo Mckern turns in a very good, naturalistic performance, much like his turn in The Day The Earth Caught Fire.

I first saw this movie when I was about six and the extraordinarily graphic scene depicting the monster 'devouring' a hospital doctor gave me a few... err....sleepless nights (there's a particularly ruthless zoom-in to the poor guys hand as it expands and melts!). Perhaps I should have stuck to Bugs Bunny.

Overall, a decent chiller, well directed by Leslie Norman (late father of the superb British film critic Barry Norman).

One last memory of a six year-old's first viewing of this picture: I remember sitting there stunned and horrified as the end credits rolled; I was not looking forward to a good nights sleep. The statutorily paternal BBC announcer came on and cracked the following nervous joke: "Well, I'll never eat cheese on toast again" (see the film and you'll know what he meant). I laughed with relief and my childhood was thus saved a terrible trauma! Thanks Uncle Beeb.

X: The Unknown from Hammer Films was intended to be a sequel to the film, The Quatermass Xperiment. Objections from the writer Nigel Kneale meant that the plot of the film was reworked.

The original director was slated to be the noted American blacklisted Joseph Losey who started shooting the film but due to illness had to be replaced by Leslie Norman (Father of film critic Barry Norman.)

This is an unpretentious film dealing with issues with nuclear radiation very much in vogue in the 1950s in horror and sci-fi films. The films also predates The Blob by a few years which was more campy.

Soldiers in Scotland discover a bottomless crack in the ground with a mysterious source of radiation activity. An explosion kills a few of the soldiers from radiation burns. Soon several more people die of radiation burns.

American actor Dean Jagger plays Dr Royston from an Atomic Laboratory who hypothesized that a form of life from prehistory trapped in the crust of the Earth, tries to reach the surface every 50 years depending on the alignment of the sun and tidal waves in order to find food from radioactive sources.

As the entity, a glowing blob feeds on radiation its mass increases as it tries to make its way to nuclear plants to find more radiation.

The film has a mix of good special effects especially with people melting and some ropey ones as the blob moves taking over the town or with fire explosions that look like a match going off. A lot of the horror is off camera but the film maintain its thrills.

The acting from Dean Jagger and Leo McKern is straightforward. It has a fair amount of thrills such as a little girl being left behind in a church as the blob approaches or at the climax when a jeep gets stuck in the mud.

This early offering from the studio that would go on to become the greatest force horror would ever see lacks the vibrant colours and pseudo-Gothic style that would go on to epitomise their later output, but it retains the British charm and wit that Hammer became famous for. The film also succeeds in being entertaining, and that's what Hammer Horror has always done best. X the Unknown is your classic 50's B-movie, and it follows a seemingly bottomless crack that has opened up in the Earth. This is not all, as adding to the Earth's woes is the creatures that have come out of this pit; which are made of mud and feed on energy. For the time it was made, the effects certainly aren't bad and this was an obvious blueprint for several b-movie 'classics', including most notably; The Blob. Seeing the huge mud creature fumble over telephone lines and rooftops is very fun to watch, and is a good early indicator of the sort of film that Hammer studios would go on to mass-produce.

One thing that X the Unknown is notable for is the believability regarding the scientists researching the 'creature'. Too often in this sort of film, the scientists realise what is going on and everyone just accepts it, no matter how ridiculous it is; but here there's a bit of opposition and it's nice to see. The film remains interesting throughout thanks to the way that the plot is developed, and the fact that it doesn't go over the top with detail. It attacks the premise from lots of different angles, and seeing the army do it's best to thwart the creature is always amusing. The cast keeps the film afloat at all times, and the acting isn't bad at all; and certainly much better than I was expecting. Most of the cast are unknowns, but one standout is Hammer regular - Michael Ripper, who puts in a small appearance. X the Unknown isn't a brilliant film, and Hammer would go on to better this ten fold; but it's good for what it's worth, and I definitely recommend this movie to fans of classic 'B' cinema.

A really neat Sci-Fi/Horror item about a superheated blob creature that haunts the Scottish moors. Believably acted by a cast of veterans, and loaded with terrific suspense. Hammer Films once again demonstrates what can be done with a small budget and lots of imagination. Watch for this one!