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The Violent Years

  • 1956
  • Not Rated
  • 1h 5min
VALUTAZIONE IMDb
3,6/10
1911
LA TUA VALUTAZIONE
Jean Moorhead in The Violent Years (1956)
CrimineDrammaFilm noir

Aggiungi una trama nella tua linguaPaula Parkins is the teenage daughter of wealthy parents who can't seem to make time for her, so she looks for thrills as the leader of her all girl-gang who rob and rape young men.Paula Parkins is the teenage daughter of wealthy parents who can't seem to make time for her, so she looks for thrills as the leader of her all girl-gang who rob and rape young men.Paula Parkins is the teenage daughter of wealthy parents who can't seem to make time for her, so she looks for thrills as the leader of her all girl-gang who rob and rape young men.

  • Regia
    • William Morgan
  • Sceneggiatura
    • Edward D. Wood Jr.
  • Star
    • Jean Moorhead
    • Barbara Weeks
    • Art Millan
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    3,6/10
    1911
    LA TUA VALUTAZIONE
    • Regia
      • William Morgan
    • Sceneggiatura
      • Edward D. Wood Jr.
    • Star
      • Jean Moorhead
      • Barbara Weeks
      • Art Millan
    • 53Recensioni degli utenti
    • 26Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
  • Foto34

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    Interpreti principali13

    Modifica
    Jean Moorhead
    Jean Moorhead
    • Paula Parkins
    Barbara Weeks
    Barbara Weeks
    • Jane Parkins
    Art Millan
    • Carl Parkins
    • (as Arthur Millan)
    Theresa Hancock
    • Georgia
    Joanne Cangi
    • Geraldine
    Gloria Farr
    • Phyllis
    Glen Corbett
    • Barney Stetson
    Lee Constant
    • Sheila
    I. Stanford Jolley
    I. Stanford Jolley
    • Judge Clara
    Timothy Farrell
    • Lt. Holmes
    • (as Timothy Farell)
    Chandler McClure
    • Det. Artman
    • (as F. Chan McClure)
    Bruno Metsa
    • Manny
    Harry Keaton
    Harry Keaton
    • Doctor
    • (non citato nei titoli originali)
    • Regia
      • William Morgan
    • Sceneggiatura
      • Edward D. Wood Jr.
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti53

    3,61.9K
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    Recensioni in evidenza

    2Lechuguilla

    Ed Wood Strikes Again

    In what is yet another bad juvenile delinquent movie from the moralistic 1950s, four "teenage" girls rob a gas station, erase a classroom chalkboard, and do other vile things. The four females are all miscast. They're too old to be teenagers. The main "girl", Paula, is 18 years old. But the role is given to an "actress" who looks more like she's in her thirties.

    The film's sets are cheap looking. Dialogue is horrible. There's no subtext at all. Characters say exactly what they're thinking, which renders a production reminiscent of a high school play. Overall acting is amateurish. None of these people have any talent. They mouth the words without conviction or credibility. B&W lighting is conventional but tolerable.

    With speech after speech about right and wrong, the worst element of the film is the ending, as a judge hits us over the head with a moralistic sledgehammer. He starts out by blasting a teenager: "...this thrill seeking became the one great thing in your life, piling one thrill on another until, with ever increasing intensity, you became much like the drug addict, with his continual increases of dosage ..." As the actor playing the judge continually looks down at a paper, which is probably the film's script, he slogs on: "... to kill for the love of killing, to kill for a thrill". The judge's sermon to the teenager goes on for several more minutes.

    But the judge isn't through yet. Later, he gives another sermon, this time to the parents: "No child is inherently bad. He's made what he is by his upbringing and his surrounding. Adults create the world children live in". (I didn't know that! hehehehe) "And in this process, parents play the key role. When children grow up among adults who refuse to recognize anything that is fine and good or worthy of respect, it's no wonder that ..." Yawn! The film "credits" show that the infamous Ed Wood, Jr. was the scriptwriter. No wonder the script is horrible.

    There are unintentionally funnier films out there than "The Violent Years". But the film still provides a good lesson for young filmmakers about what to do, and especially what not to do, when making a cheap movie.
    3gizmomogwai

    Ed Wood sure can write 'em, can't he?

    Proving Ed Wood can write just as well as he can direct, his script The Violent Years is brought to life by another director, and the result is still not good. The Violent Years comes out of an age-old theme that people mistakenly think is recent- "Today's kids are out of control and it wasn't like that when I was that age!" Except, people have been saying that forever. Check the date of the film- 1956, remembered now as a golden, Leave It to Beaver age. Like the later A Clockwork Orange, this has a gang of four teens robbing and raping- intriguingly, these four are all girls, which makes it harder to sympathize for the man who is raped- this is more male fantasy than horror.

    The film starts with the girl's parents up in front of a judge, who speaks about how hard it is to try a good friend. This is indeed hard, because judges can't do it at all- they have to recuse themselves. And since when can bad parenting be punished by the law? Much of what follows is ham-handed exploration of the kind of parenting that breeds delinquency- a mom who says her daughter's issues can't be all that important. And, skipping your kid's birthdays causes crime. The girls attempting to be bad leads to leaden dialogue and acting and cheesy lines. One woman needs to be told by the man that the girls are pointing guns at them, at which point the girls compliment him for being observant. The worst the woman who gives the gang its jobs can call the girls is "jerks."

    Of course, it all ends with more "If only I had..." mourning from the parents, reflecting a morality play with all the subtlety of being hit over the head with a hammer.
    2planktonrules

    Subtle....like a 2x4 upside your head!!

    Please note: My score of 2 does NOT mean that this film isn't fun. In fact, THE VIOLENT YEARS is a wonderful film to watch. Just don't assume this makes it a good film or a picture made by competent film makers! No, its watchability is because it is so bad...so incredibly lacking in any subtlety that make it a must-see for bad movie fans. In other words, if you like laughing at films such as PLAN 9 FROM OUTER SPACE, then this film is definitely for you! The film begins with a judge lecturing two parents and basically saying that any time a teen goes bad it is because the parents are to blame! While this is true in some cases, the film pounds home this contention with all the subtlety and grace of a 2x4 being smacked repeatedly against your head!! As the judge is talking, the mother begins to think back about recent events and wonder if she DID have anything to do with her daughter becoming a menace to society.

    This daughter turns out to be like a Jekyll and Hyde sort of person--acting sweet in front of Mom and being an evil thrill-seeking idiot outside the home. For kicks, she and her three friends rob gas stations, destroy schools and rape men. Oddly, however, they are not caught for the longest time because you can only assume everyone in the town (especially the cops) are idiots! The girls leave lots of fingerprints and other evidence behind but the cops conclude at one point that it's the work of a gang of men from another town!! While the girls DID disguise themselves for one of the robberies, it's pretty obvious they weren't guys!!! And, when they raped a man and left him and his girlfriend as witnesses, don't you think they could have identified the girls?! And, later in the film, when one of the father's co-workers comes to the house and one of the girls' boyfriends pulls a knife and threatens the visitor, don't you think perhaps this MIGHT have clued somebody in to the fact that the girl and her friends were up to no good?! Regardless, the bad acting and silly script is very watchable in a salacious and laughable sort of way--particularly if you enjoy laughing at such films as REEFER MADNESS, SEX MADNESS or HIGH SCHOOL CONFIDENTIAL. Plus, it is just funny seeing the actors(?) having trouble with their lines (such as the judge who appears to be reading his lines as he talks to the parents) and the inconsistent and brainless writing (for which Ed Wood was responsible). I particularly loved it when two of the bad girls just told a crook that they shot a cop---and then this crook picks up the phone and tries to call the police! Didn't they just say they killed a policeman?! Didn't you think perhaps they might do the same if you made this phone call?! Duh.

    Overall, because the film is so earnestly stupid, it holds a near and dear place in the heart of every bad film fan--you know, the sort of people who enjoy laughing at horrible films as an exercise in self-torture. If you aren't the sort of person who likes to do this, then my advice is to steer clear!!
    2bkoganbing

    Girls Going Wild

    Never let it be said that Ed Wood was afraid to tackle some burning social issues and he does so again here with his usual skill. The Violent Years talks about female delinquency as wealthy, but bored Jean Moorhead gathers around her some followers and they form a girl gang. These chicks are out for action and with them being masked, the law thinks that it's after your typical male holdup gang as the girls start going through all the local filling stations.

    But these brazen harlots don't stop there. Unmasked they terrorize couples in a frequented lover's lane and tie up the women and then force men to their sexual wills. I don't know about you, but that's normally the kind of thing that is not best done under pressure at the point of a gun.

    In the end Moorhead is pregnant and commits murder and the wages of sin are exacted by the long arm of the law in the person of noted character actor I. Stanford Jolley who looks like he's needing some laxative as he intones the sentence and his views on parents who do not give good supervision and values to their kids. Poor Jolley who is the only person in this cast who has a decent resume probably fired his agent after he signed him up for this.

    Ed Wood, they'll never be another like you.
    4wilvram

    Trashy, entertaining, but too short

    Thoroughly entertaining for most of the time, this is the story of a bored, wealthy young woman who forms a gang with like-minded friends and has a whale of a time robbing gas stations, trashing schools and making men sexual offers they can't refuse. They are occasionally employed by Sheila, a splendid older gang moll in a tight sweater, whose appearance sadly only lasts a couple of minutes prior to her being gunned down. The plot runs from one absurdity to the next including two cop cars racing to a disturbance at a school and going in with all guns blazing, as if Bonnie and Clyde were in there. Unfortunately Mr Wood seemed to forget what the audience had paid to see, and devotes nearly a fifth of the running time to the patently phony moralizing required to justify everything else. This provides some fun in itself, with the veteran actor playing the judge clearly reading his interminable lines, while the distraught mother bemoans giving her errant daughter Paula 'a new dress instead of a caress'. In fact Paula, played by the glamorous Jean Moorhead, looks ravishing in the one-piece she wears at the pajama party, no doubt from 'Victor Most of California', who gets a credit. Pity the film was so short and the ending such a washout.

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      The four girls, who act like a violent gang of men, adopt male names: Paula is Paul, Geraldine is Gerry, Phyllis is Phil, and Georgia is George.
    • Blooper
      During the shootout from the classroom, it's nighttime. However, when the cops are shooting, it's daylight.
    • Citazioni

      Detective: These aren't kids. These are morons!

    • Versioni alternative
      Different versions of the film contain different opening credits. One opening has the credits play over a static shot of a city skyline, while in other prints the credits play over a nondescript background with the title card appearing over a cast photo.
    • Connessioni
      Edited into Sleazemania Strikes Back (1985)

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    Dettagli

    Modifica
    • Data di uscita
      • 1956 (Stati Uniti)
    • Paese di origine
      • Stati Uniti
    • Lingua
      • Inglese
    • Celebre anche come
      • Жестокие годы
    • Luoghi delle riprese
      • 500 N Larchmont Blvd, Hancock Park, Los Angeles, California, Stati Uniti(Rosewood Super Service Station robbery, demolished)
    • Azienda produttrice
      • Dél Productions
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      • 1h 5min(65 min)
    • Colore
      • Black and White
    • Mix di suoni
      • Mono
    • Proporzioni
      • 1.37 : 1

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