Città sotto inchiesta

John Mills stars in "Town on Trial" from 1957, also starring Charles Coburn and Barbara Bates.

A sexy, flirtatious blond is the talk of an exclusive tennis club, with all the men drooling. However, she's found dead, and it's learned that she was two months pregnant.

The main suspect is Mark Roper (Derek Farr), a married man with whom she was having an affair and is apparently the child's father. Another is a young man (Alec McCowen) labeled schizophrenic by his doctor (Charles Coburn). The doctor himself later comes under scrutiny as well.

Meanwhile, his attractive niece (Bates) is interested in Superintendent Mike Halloran (Mills), the detective assigned to the case. Later, there is another murder of a woman, another flirtatious young woman.

The townspeople are no help, as they all seem to be keeping secrets.

Good movie, with lots of familiar faces: Fay Compton, Geoffrey Keen, Raymond Huntley, and Elizabeth Seal. Mills does a terrific job as a tough detective who doesn't mind ruffling feathers.

The ending is fantastic.

The main reason to watch this movie now, for me - and I guess most - is for John Mills, as the firm but fair Scotland Yard Inspector Detective, who has to solve a couple of murders of young women in a sleepy Home Counties town in England.

It's all about the rather sermonising 1950's "respectable" folk who wag their fingers at a local beauty - a Marilyn Monroe (sort of) lookalike who carries on with married men and flaunts her curvy figure at the local snobbish Sports Club, the elitism of which extends beyond their usual, especially as the membership secretary is a fan of hers....

One night, she is strangled and of course, a whole array of the obvious candidates spring up, some red herrings and some real. Charles Coburn as a disgraced GP and Derek Farr who has more business fingers in more pies than are reasonable are two of the more recognisable stars that come under the Inspector's radar.

The film is well enough made, the story complex enough to satisfy the average amateur sleuth and John Mills is sturdy, even if his 'romance' with one of the deceased young friends is both awkward and frankly, ridiculous. There's also a pretty meaty and suspenseful ending, that Hitchcock himself might have come up with.

When "Town on Trial" begins, you hear the voice of the murderer before he commits the crime! You see him looking at pretty Molly at the country club...and you hear him saying how she has it coming because she's one of THOSE sort of girls! Well, Molly certainly was pretty and liked to show off her figure...and the sicko thought this meant he was entitled to kill her!!

Police Superintendent Halloran (John Mills) is assigned to the case. And, unfortunately, it's not a quick and easy case to solve...and some of it is because the rich folks he questions sometimes have a strong sense of entitlement. In fact, the more he investigates, the more these folks put pressure on his superiors to take him off the case! What's to come of this?

This is a very good film. Sure, the story is good but the reason I liked it was the very fine acting of Mills. He was a heck of a good actor and made even average material well above average. Well worth your time.

Having been stuck in the house on a cold winter afternoon I switched on Channel 4 to view their afternoon film Town on Trial and am I glad I did This is a hidden gem of a movie. It will keep you guessing right up to the end who the murderer is. Try and spot Dandy Nichols in a bit part(this is what I love about these old fifties films,spotting actors who go on to greater things) If you can get a copy to rent you will not be disappointed. I give it nine out of ten

With its small town setting, use of a local 'roadhouse' and the casting of Charles Coburn and Barbara Bates it's fairly obvious the British-made crime melodrama "Town on Trial" had its eye on the American market, (even the title sounds more American than British). John Mills is the policeman investigating the murder of local good-time girl Molly, (Magda Miller), and the movie is told in flashback. All we know is that the killer is one of a group of men seen watching Molly bounce around on the tennis court in the opening sequence and director John Guillermin does a fine job of keeping us guessing as to which one it might be. All the performances, particularly Mills and Coburn, are excellent and as murder mysteries go this one is surprisingly intelligent and consistently enjoyable. One of Guillermin's better efforts.