Trapezio

I remember seeing "Trapeze" as a youngster in the mid-1950's. But watching it recently, many decades later, I was surprised at how well it has held up.

Set in a circus in Paris, Mike Ribble (Burt Lancaster), a famous trapeze artist crippled in a fall, trains a promising young aerialist, Tino Orsini (Tony Curtis).

They form a strong bond and aim for Tino to complete a dangerous triple somersault. However, beautiful, ambitious Lola (Gina Lollobrigida) manipulates her way into the act, and the ensuing love triangle proves more dangerous than any somersault.

In the novel that the film was based on, "The Killing Frost" by Max Catto, Mike Ripple's feelings towards Tino Orsini are beyond mere friendship, and he resents the arrival of the woman not just because she is interrupting their training schedule. His jealously leads to murder at the end of the book. Now a gay theme was never going to get past the censor in a 1956 movie so the ending plays out differently, but there is an undercurrent.

It was shot for the most part in the Cirque d'Hiver in Paris. The director Carol Reed and Photographer Robert Krasner, who worked together on "The Third Man", caught the high-flying trapeze work just as brilliantly as they had captured Harry Lime scurrying down those Viennese sewers.

Burt Lancaster with his circus background did many of his own stunts, but Tony Curtis and Gina Lollobrigida also did some: climbing tricky rope ladders and swinging from the platform - enough for you to believe they are really up there.

Kate Buford in her book "Burt Lancaster: An American Life" relates how Burt Lancaster and Gina Lollobrigida did not get on, however it gave their performances bite. Lancaster looks amazing in this film; muscles, teeth and intensity. Curtis really was a star on the rise; he and Lancaster hit it off and starred together again in the brilliant "Sweet Smell of Success". But 'La Lollo' more than holds her own. She looks sensational with a full figure and a waist you could close your hands around.

If I have a criticism, it is with the Malcolm Arnold's score. Arnold scored many British films in the 50's and 60's, and most of them sounded the same - he didn't change gears much for this one.

Uninspired score aside, "Trapeze", with its powerhouse trio of stars and its authentic look, is a film I can happily revisit.

Almost a great circus movie, (if such a thing could exist), "Trapeze" comes closer than most to capturing the tawdry excitement of the milieu. While most circus pictures are aimed at kids this is aimed, if not quite at adults, then at least at older kids. It's sexy and it makes the whole business of being a trapeze artist seem like the sexiest, most exciting thing in the world.

It's about the rivalry that can develop, both professionally and romantically, between artists and the director, Carol Reed, gives the film a charge that his more famous and infinitely more civilized films don't have. As the trio of artists who are almost consumed by their passions Burt Lancaster, Tony Curtis and Gina Lolobrigida have an instinctive rapport. Lancaster and Curtis' performances here seem like a dry run for their work a year later in "Sweet Smell of Success" and Lolobrigida never looked or acted better. Although Lancaster wasn't young when he made this, he's like the biggest kid in the playground and seems to be having a hell of a time while Lolobrigida is a dynamic tease.

Burt Lancaster, Tony Curtis, and Gina Lollbrigida star in "Trapeze," which depicts the life of trapeze artists in a circus. Tony Curtis wants to be a great trapeze artist and thinks he's ready for it, except for one thing, the triple somersault. And, he needs Burt Lancaster to teach him. But, Burt has quit the spotlight since he tried the triple and fell. But, when he sees Tony and what he can do, he thinks Tony can do a triple. But, he won't tell him so, at first. Enter Gina. She has a wire act of her own, and she want to get in on the main attraction. And, of course, love enters the picture.

This may have a why should I care? feel to it, as it may not interest some people at all. But for those who will be watching for the stars, the rewards are many. This is a more personal and realistic (of course how should I know) story and treatment of what goes on beyond the high wire act than Cecil B. DeMille's "The Greatest Show on Earth." We are allowed to see beyond the glamorous lifestyle and see them as people who are trying to express themselves while existing here on this earth. This has a deep respect for its subject matter and its characters and shows how they have to work together in order for the act to work, and not just because of the obvious physical risks involved but because they are supposed to be a team and not looking out only for themselves.

Plus, Lancaster apparently had some experience in this and performed most of his stunts, and, after Tony and Gina practiced a lot, they did as much as they could. So you do get the real thing and some really good and sincere performances.

If you want less DeMille-like glitz and more substance, then this is the circus for you.

Enjoyed this great 1956 Classic film starring Burt Lancaster, (Mike Riddle) who gave an outstanding performance as an experienced trapeze artist. In real life, Burt left Northwestern University in Evanston, Illinois in his second year and decided to join a circus and traveled all around performing on the high wires. As Burt's movie career became successful, he had the opportunity to make this picture which he had longed to do for many years. Burt teams up with Tony Curtis, (Tino Orsini) who gave a great supporting role along with the beautiful Gina Lollobrigida, (Lola) who added her great charm to this picture and had two men fighting over her for her love. Thomas Gomez,(Bouglione) was the circus manager and gave an outstanding performance to his role as a man who ran his circus with an iron fist. This is a great picture with great veteran actors, enjoy.

Curtis was young...Lancaster was in his prime.....The trapeze performances were stunning and despite the predictability of the story, Trapeze was a wonderful movie. Though a little "hokey" at times, and dated perhaps today, the warmth, sincerity, and circus-realism makes this a mild classic!