La vita oltre la vita

A Colorado housewife is hypnotized at a party. During her session it becomes clear that she is something special when it comes to hypnotism; while under she recalls past lives! The party-goers split, with some finding the phenomenon interesting and some demanding it stop. The hypnotist is swept up by his new finding and decides to ask to keep hypnotizing her so he can document the case. He has to fight the powers that be and shore up backers every step of the way. This flick is based on the best-selling book by Morey Bernstein, which is in turn based on the real-life story of Virginia Tighe Morrow, a Pueblo, Colorado homemaker. This is an interesting enough movie and Theresa Wright always draws the attention. The rest of the cast not so much. The whole thing is rickety in its 50s rigidity. When you put the two together, the hinky cast and the 1950s condescension toward women, it can try a nerve or two, but, nonetheless, I find the movie interesting.

At the time of release of this film from the book, The Search for Bridey Murphy (1956), the concept of reincarnation was virtually unknown to the masses in the Western World. Today, some 56 years later, it has become fact to many scholars and researchers in this part of the world. Internationally known physicians, specializing in psychiatry, now spend their lives in its research and work in its further exploration. The real miracle of this little, low budget film is that it was made at all at a time of fear and ignorance of one of the basic keystones of ontology.

The book itself is rather shallow as the film but this is probably due to the lack of comprehension of not just the subject of reincarnation but hypnosis itself, which was then not a widely practiced form of psychotherapy. At that time, religionists and their authoritarian scripture heavily controlled the subject of human consciousness much as it is in the Middle East today.

At this writing, schools teach self-hypnosis. It is understood to be a method of focusing and nothing fearful, reprehensible or a dangerous practice of some mysterious Rasputin. In addition, it is known that regression itself is a simple guided focusing and not some bizarre scheme of being controlled by someone else. No one can control anyone else through hypnosis. They can only suggest and persuade. It is up to the subject to accept or reject the persuasion.

Edgar Cayce, who is briefly mentioned in this film, is now honored for his life's work and anyone can join the internationally important Association of Research and Enlightenment in Virginia Beach, Virginia to study his life and work as well as research into consciousness.

The movie barely introduces the subject but it does so in a very believable way and with a lot of courage.

The Search for Bridey Murphy (1956)

This isn't quite a normal narrative movie but a re-enactment of some true events surrounding hypnosis and supposed past life regression. And it's quite fascinating on some level, for the facts and the possibilities, and it's quite dull on another level, filled with narration and some repetitive scenes and a slow pace. In fact, as good as it is in some ways, it might have made a brilliant half hour short.

Not to take away from the singular performance of Teresa Wright. She's the subject and object all at once, and she makes a lot out of nothing (lying down on the couch most of the time). She makes the subtleties of "reading" have meaning, with slight differences of accent, and a tone of voice that is really convincing. The rest of the cast? Serviceable. There wasn't a huge effort put into making this movie, or making it interesting.

The one inventive aspect is some slightly cheesy cloudy scenes that are meant to be transporting the viewer through the subject's thoughts. It works fine. When it gets to the cosmos (stars), you do wish there had been some attempt to keep up with the audience. It's a congenial movie, and everyone has a terrific upper middle class attitude, which is pleasant.

Some research after the book was published and after the movie as well, has shown some problems with the facts, and some alternate reasons why the subject would be able to invent (or recall) in great detail (including the dance). A better movie might have layered some of the doubts into the apparent wonder and marvel of the actual hypnotic events.

So, actually, this isn't really recommended as a movie experience, but as a way to learn about the subject. It's certainly clear and plain speaking.

Odd structured film has Louis Hayward start out talking to the viewing audience as though he's introducing a TV play, but then he walks onto the set of the story, a cocktail party in 1956 Pueblo, Colorado.

Morey Bernstein (Hayward) is at a boring party where a visiting blowhard is doing parlor tricks by hypnotizing guests. Bernstein thinks it's stupid but his interest in piqued and he investigates hypnosis after being told the stories about Edgar Cayce.

He learns how to do it and starts investigating the phenomenon of hypnosis. One night Ruth Simmons (Teresa Wright) is at a party and lets him put her under. The room is stunned when Ruth seems to regress to a past life where she was the young Bridey Murphy in 1800s Ireland.

Bernstein tapes the session as Wright tells stories full of specific detail about places she's never been to. In a series of taped sessions, Wrights elaborates on the story of Bridey and even talks about her life after death, spooking everyone.

The film uses transcripts of the actual tapes from the real-life sessions Bernstein taped with the real-life Ruth (Virginia Tighe) in Pueblo. His resulting book was a sensation although it was condemned by several churches as it seemed to "prove" the ideas of reincarnation and post-death experiences.

The film basically presents the facts of the sessions and lets the viewer draw his own conclusions.

Wright gives a superb performance, but Hayward is very hammy and rather obnoxious. Co-stars include Nancy Gates as the wife, Kenneth Tobey as the husband, Richard Anderson as a doctor, and in the regression scenes, silent stars James Kirkwood, Hallene Hill, and Anne Cornwall.

Very interesting.

This film is modestly budgeted, and was no doubt hastily made. But it is nonetheless a fascinating cultural artifact, a portrait of a time when the idea of reincarnation was a radical concept in America. The director had a genuine interest in the subject, and the always appealing Teresa Wright does a lovely job dancing the "Morning Jig." In many ways, this film is a lot more forthright and a lot less hokey than "The Three Faces of Eve," which would make an interesting pairing with "Bridey" on a double bill. I have to give it an unweighted 8, and pray that Shirley MacLaine never decides to remake it.