VALUTAZIONE IMDb
6,6/10
8197
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaProfessor Bernard Quatermass' manned rocket ship returns to Earth, but two of the astronauts are missing and the survivor seems ill and unable to communicate.Professor Bernard Quatermass' manned rocket ship returns to Earth, but two of the astronauts are missing and the survivor seems ill and unable to communicate.Professor Bernard Quatermass' manned rocket ship returns to Earth, but two of the astronauts are missing and the survivor seems ill and unable to communicate.
- Regia
- Sceneggiatura
- Star
Jane Aird
- Mrs. Lomax
- (non citato nei titoli originali)
Margaret Anderson
- Maggie
- (non citato nei titoli originali)
Jane Asher
- Little Girl
- (non citato nei titoli originali)
Harry Brunning
- Night Porter
- (non citato nei titoli originali)
Ken Buckle
- Police Driver
- (non citato nei titoli originali)
Eric Corrie
- Maggie's Boyfriend
- (non citato nei titoli originali)
Edward Dane
- Station Policeman
- (non citato nei titoli originali)
Gron Davies
- Charles Green
- (non citato nei titoli originali)
Recensioni in evidenza
Well written and terminally fascinating British sci-fi thriller from director Val Guest and writer Nigel Neale. It is a film of big ideas and planet-sized concepts that stares up into the unknown with a combination of wonderment and dread.
Originally a highly popular TV series, it spawned two excellent sequels and decades of creative Hollywood pilfering.
Brian Donlevy is wonderful as Quatermass, a scientist with the bullying manner of a military drill Sargent and a fierce, pragmatic streak. After a rocket that he sent into space crashes back to Earth, Quatermass and unofficial partner-in-crime Inspector Lomax (Jack Warner) uncover a bizarre alien conspiracy in which a surviving astronauts's body has been "borrowed" by extraterrestrials keen on relocating.
Director Guest gives the drama a no-nonsense, almost documentary feel. The special effects are perfectly acceptable for the period and the brooding sense of mid-century paranoia is well conveyed.
The hero is the script, though. The dialogue is fresh and colourful and writers Guest and Neale always keep the scientific jargon interesting. All the characters are believable and the performances are top notch.
Despite the fact that James Bernard's solid score is a little overbearing at times, this is a dashingly good science fiction film with a strong stench of horror.
Originally a highly popular TV series, it spawned two excellent sequels and decades of creative Hollywood pilfering.
Brian Donlevy is wonderful as Quatermass, a scientist with the bullying manner of a military drill Sargent and a fierce, pragmatic streak. After a rocket that he sent into space crashes back to Earth, Quatermass and unofficial partner-in-crime Inspector Lomax (Jack Warner) uncover a bizarre alien conspiracy in which a surviving astronauts's body has been "borrowed" by extraterrestrials keen on relocating.
Director Guest gives the drama a no-nonsense, almost documentary feel. The special effects are perfectly acceptable for the period and the brooding sense of mid-century paranoia is well conveyed.
The hero is the script, though. The dialogue is fresh and colourful and writers Guest and Neale always keep the scientific jargon interesting. All the characters are believable and the performances are top notch.
Despite the fact that James Bernard's solid score is a little overbearing at times, this is a dashingly good science fiction film with a strong stench of horror.
A British spaceship returns to Earth but instead of celebrating this first space shot, there is a lot of confusion, as two of the three crew members are missing. Additionally, the one who DID return just doesn't look or act right and he's kept under supervision and monitored as his body seems to be undergoing some sort of metamorphosis.
This isn't exactly your standard 1950s sci-fi/monster film, as the story itself is more tightly written and seems more credible than the typical "bug-eyed monster" film. Instead of the over the top acting and silly special effects, this is a more cerebral style film and the "monster" doesn't even make an appearance until near the very end. Instead, the story slowly unfolds and at the same time, simple makeup does the trick--no ping pong ball eyes, giant killer lobsters or any of the sort of tripe seen in the sillier examples of the genre. About the only negative was the whole subplot of the wife trying to kidnap her husband away from the hospital--this didn't make a lot of sense. Still, overall it's a dandy sci-fi film and worth a look.
This isn't exactly your standard 1950s sci-fi/monster film, as the story itself is more tightly written and seems more credible than the typical "bug-eyed monster" film. Instead of the over the top acting and silly special effects, this is a more cerebral style film and the "monster" doesn't even make an appearance until near the very end. Instead, the story slowly unfolds and at the same time, simple makeup does the trick--no ping pong ball eyes, giant killer lobsters or any of the sort of tripe seen in the sillier examples of the genre. About the only negative was the whole subplot of the wife trying to kidnap her husband away from the hospital--this didn't make a lot of sense. Still, overall it's a dandy sci-fi film and worth a look.
POSSIBLE SPOILERS Government scientist Professor Bernard Quatermass (BRIAN DONLEVY) sends a rocket into space containing three astronauts. Radio contact is lost and later it crash lands in the English countryside. Two of the crew members are missing, but the survivor, Victor Carroon (RICHARD WORDSWORTH) is slowly being taken over by an alien fungus that feeds on the blood of animals and human-beings.
In a bid to win audiences away from their TV sets (something that was a real threat to cinemas at the time), Hammer elected to film the popular BBC serial THE QUATERMASS EXPERIMENT (the E was replaced with X in order to emphasise it's X certificate), which was the creation of writer Nigel Kneale. The gamble payed off and Hammer had a box office hit on their hands in 1955.
Seen today, THE QUATERMASS XPERIMENT is obviously very tame in comparison to modern day sci-fi and horror films, most of it's shock sequences occur off screen with the camera cutting away and harping back on reaction shots. Yet it is a milestone in the development of British horror cinema and along with the company's THE CURSE OF FRANKENSTEIN, it spawned this country's horror boom of the 1950's and 60's. Richard Wordsworth's Carroon is one of the most sympathetic monsters in British horror and there is a classic scene at the London docks where the former is hiding out in an abandoned boat and is awakened by a little girl who is having a pretend picnic with her dolly. Unaware of the true horror that's going on, the little girl naively asks Carroon if he wants to join them. One can see that Carroon is fully aware of what would happen if the girl touches him and runs away accidentally breaking her dolly.
Wordsworth is brilliant as Carroon and so is Brian Donlevy as Quatermass while director Val Guest's documentary approach gives the picture a sense of conviction.
In a bid to win audiences away from their TV sets (something that was a real threat to cinemas at the time), Hammer elected to film the popular BBC serial THE QUATERMASS EXPERIMENT (the E was replaced with X in order to emphasise it's X certificate), which was the creation of writer Nigel Kneale. The gamble payed off and Hammer had a box office hit on their hands in 1955.
Seen today, THE QUATERMASS XPERIMENT is obviously very tame in comparison to modern day sci-fi and horror films, most of it's shock sequences occur off screen with the camera cutting away and harping back on reaction shots. Yet it is a milestone in the development of British horror cinema and along with the company's THE CURSE OF FRANKENSTEIN, it spawned this country's horror boom of the 1950's and 60's. Richard Wordsworth's Carroon is one of the most sympathetic monsters in British horror and there is a classic scene at the London docks where the former is hiding out in an abandoned boat and is awakened by a little girl who is having a pretend picnic with her dolly. Unaware of the true horror that's going on, the little girl naively asks Carroon if he wants to join them. One can see that Carroon is fully aware of what would happen if the girl touches him and runs away accidentally breaking her dolly.
Wordsworth is brilliant as Carroon and so is Brian Donlevy as Quatermass while director Val Guest's documentary approach gives the picture a sense of conviction.
Unfortunately Nigel Kneal had absolutely no input into the film version of THE QUATERMASS EXPERIMENT . Out goes the philosophy and long discussions of the human condition and in comes the more formuliac and streamlined plotting of a hostile alien endangering the human race , but to be fair to Richard Landau he also jettisoned many underdeveloped subplots from the serial ( When episode one of TQE was broadcast on television Kneale was still writing episode 5 so some subplots were abandoned by Kneale in order to meet the deadline ) and - unlike film viewers in 2002 - the oft used premise of an alien entity coming back to Earth from a spaceship would still be very new to cinema audiences in the mid 50s. I might even be right in saying this is the first time this idea had appeared in cinema .
Director Val Guest treats THE QUATERMASS EXPERIMENT as SF film noir and brings in a heavy dose of mood and atmosphere especially during the night time zoo sequence. Unlike QUATERMASS 2 there`s no feeling that the night scenes were achieved by sticking a dark filter over the camera . Guest is less successful with his cast . Donlevy is relatively good at playing double crossing mobsters in the likes of THE BIG COMBO but he`s utterly unconvincing as a rocket scientist and it doesn`t help that he keeps pronouncing his name as " Qittermiss ", Margia Dean is utterly appalling as Judith Carroon , but Richard Wordsworth is outstanding as Victor Carroon even if he doesn`t have a single line of dialogue.
The BBC serial of THE QUATERMASS EXPERIMENT shocked the viewers of Britain when it was broadcast and in its own way the film version is almost as groundbreaking , it was a big hit at the UK box office which led to Hammer Films to concentrate solely on horror films something they would excell at for the next 10-15 years .
Trivia point 1 - The montage scenes of soldiers searching for Carroon at night time are actually culled from another British SF flick - SEVEN DAYS TO NOON
Trivia point 2- The last four episodes of the BBC serial were shown live on television but because of an industrial dispute they weren`t - unlike the first two episodes - recorded onto film which means no one will ever see the complete BBC QUATERMASS EXPERIMENT
Director Val Guest treats THE QUATERMASS EXPERIMENT as SF film noir and brings in a heavy dose of mood and atmosphere especially during the night time zoo sequence. Unlike QUATERMASS 2 there`s no feeling that the night scenes were achieved by sticking a dark filter over the camera . Guest is less successful with his cast . Donlevy is relatively good at playing double crossing mobsters in the likes of THE BIG COMBO but he`s utterly unconvincing as a rocket scientist and it doesn`t help that he keeps pronouncing his name as " Qittermiss ", Margia Dean is utterly appalling as Judith Carroon , but Richard Wordsworth is outstanding as Victor Carroon even if he doesn`t have a single line of dialogue.
The BBC serial of THE QUATERMASS EXPERIMENT shocked the viewers of Britain when it was broadcast and in its own way the film version is almost as groundbreaking , it was a big hit at the UK box office which led to Hammer Films to concentrate solely on horror films something they would excell at for the next 10-15 years .
Trivia point 1 - The montage scenes of soldiers searching for Carroon at night time are actually culled from another British SF flick - SEVEN DAYS TO NOON
Trivia point 2- The last four episodes of the BBC serial were shown live on television but because of an industrial dispute they weren`t - unlike the first two episodes - recorded onto film which means no one will ever see the complete BBC QUATERMASS EXPERIMENT
Vintage British sci-fi movie with a fascinating Brian Donlevy as Quatermass from original BBC production that kept millions glued to their TV screens in a serial formed by six episodes of 30 minutes starred by Reginald Tate and directed by Rudolph Cartier . The picture concerns about the events occur when a space aircraft falls on Oakley Green . There arrive Quatermass (Brian Donlevy) , a police official(Jack Warner) and an obstinate scientific . But one astronaut (Richard Wordsworth who brings abominable terror and helplessness to his character) carrying an alien infestation from outer space from destroying Earth . The former pilot is now possessed by a strange malignant force . Not long after a terrible thing stalks the street of the town .The plot is developed for continuous discovery leading a spooky and astounding finale set at Westminster Abbey.
This chiller is an outstanding adaptation of TV serial exhibited in BBC (1953) by Nigel Kneagle . An elderly and bleak Brian Donlevy is very good as Quatermass, he gives a tremendously powerful acting as rough scientist . Extraordinary performance of Richard Wordsworth , he gives an eerie atmosphere , an air of foreboding, an evil that hangs over his amazing role who causes him to turn into a disgusting monster. This bears remarkable resemblance to Frankestein monster , even appears with a little girl played by Jane Asher , future Hammer-star and starring of ¨The masque of red death¨. The great climax film is ,of course, the ending confrontation between the protagonists and the weird entity.
As turns up the Irish Brian Donlevy as starring who repeats role in ¨Quatermass II¨ both directed by Val Guest, the third part is titled ¨Quatermass and the pit¨, this is one of the best science fiction films of the history with Andrew Keir and directed by Roy Ward Baker ; besides John Mills starred the final chapter titled the ¨Conclusion Quatermass¨ directed by Piers Haggard . In the picture appears the usual Hammer technicians, as cameraman Elder Willis creating a riveting cinematography ; Les Bowie who makes some competent special effects , sensational makeup by Philip Leakey ; an awesome production design and musical conductor by James Bernard composing a tense and thrilling score . This successful movie owes a lot to prestigious artist and technician team that encourage its studio Hammer to continue to become Europe's foremost purveyor of terror and mystery . This nail-biting film is well produced by Anthony Hinds and compellingly directed by Val Guest. The movie was firstly exhibited in 1955 in London Pavilion and tiled ¨Quatermass Xperimet¨ and in US titled ¨The creeping unknown¨. The flick will appeal to science fiction movies enthusiasts and Hammer fans .Rating : Above average and well worth watching . Essential and indispensable seeing .
This chiller is an outstanding adaptation of TV serial exhibited in BBC (1953) by Nigel Kneagle . An elderly and bleak Brian Donlevy is very good as Quatermass, he gives a tremendously powerful acting as rough scientist . Extraordinary performance of Richard Wordsworth , he gives an eerie atmosphere , an air of foreboding, an evil that hangs over his amazing role who causes him to turn into a disgusting monster. This bears remarkable resemblance to Frankestein monster , even appears with a little girl played by Jane Asher , future Hammer-star and starring of ¨The masque of red death¨. The great climax film is ,of course, the ending confrontation between the protagonists and the weird entity.
As turns up the Irish Brian Donlevy as starring who repeats role in ¨Quatermass II¨ both directed by Val Guest, the third part is titled ¨Quatermass and the pit¨, this is one of the best science fiction films of the history with Andrew Keir and directed by Roy Ward Baker ; besides John Mills starred the final chapter titled the ¨Conclusion Quatermass¨ directed by Piers Haggard . In the picture appears the usual Hammer technicians, as cameraman Elder Willis creating a riveting cinematography ; Les Bowie who makes some competent special effects , sensational makeup by Philip Leakey ; an awesome production design and musical conductor by James Bernard composing a tense and thrilling score . This successful movie owes a lot to prestigious artist and technician team that encourage its studio Hammer to continue to become Europe's foremost purveyor of terror and mystery . This nail-biting film is well produced by Anthony Hinds and compellingly directed by Val Guest. The movie was firstly exhibited in 1955 in London Pavilion and tiled ¨Quatermass Xperimet¨ and in US titled ¨The creeping unknown¨. The flick will appeal to science fiction movies enthusiasts and Hammer fans .Rating : Above average and well worth watching . Essential and indispensable seeing .
Lo sapevi?
- BlooperVolkswagen Bus en route to the crash site is not the same Volkswagen Bus that arrives through the gate at the crash site. VW badge is larger, chrome trim is missing and license plate is different.
- Citazioni
Prof. Bernard Quatermass: There's no room for personal feelings in science, Judith!
- Versioni alternativeThe original 1955 "Quatermass Xperiment" print has the closing caption "The End"; the reissued version (with a still bearing the new title "The Quatermass Experiment" inserted into the opening credits) replaces this with "A Hammer Production Produced at Bray Studios".
- ConnessioniFeatured in Frances Farmer Presents: The Creeping Unknown (1959)
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Dettagli
Botteghino
- Budget
- 45.000 £ (previsto)
- Tempo di esecuzione
- 1h 22min(82 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.37 : 1(original/negative aspect ratio, alternative theatrical ratio)
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