VALUTAZIONE IMDb
6,6/10
8019
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaProfessor Bernard Quatermass' manned rocket ship returns to Earth, but two of the astronauts are missing and the survivor seems ill and unable to communicate.Professor Bernard Quatermass' manned rocket ship returns to Earth, but two of the astronauts are missing and the survivor seems ill and unable to communicate.Professor Bernard Quatermass' manned rocket ship returns to Earth, but two of the astronauts are missing and the survivor seems ill and unable to communicate.
- Regia
- Sceneggiatura
- Star
Jane Aird
- Mrs. Lomax
- (non citato nei titoli originali)
Margaret Anderson
- Maggie
- (non citato nei titoli originali)
Jane Asher
- Little Girl
- (non citato nei titoli originali)
Harry Brunning
- Night Porter
- (non citato nei titoli originali)
Ken Buckle
- Police Driver
- (non citato nei titoli originali)
Eric Corrie
- Maggie's Boyfriend
- (non citato nei titoli originali)
Edward Dane
- Station Policeman
- (non citato nei titoli originali)
Gron Davies
- Charles Green
- (non citato nei titoli originali)
Recensioni in evidenza
Well written and terminally fascinating British sci-fi thriller from director Val Guest and writer Nigel Neale. It is a film of big ideas and planet-sized concepts that stares up into the unknown with a combination of wonderment and dread.
Originally a highly popular TV series, it spawned two excellent sequels and decades of creative Hollywood pilfering.
Brian Donlevy is wonderful as Quatermass, a scientist with the bullying manner of a military drill Sargent and a fierce, pragmatic streak. After a rocket that he sent into space crashes back to Earth, Quatermass and unofficial partner-in-crime Inspector Lomax (Jack Warner) uncover a bizarre alien conspiracy in which a surviving astronauts's body has been "borrowed" by extraterrestrials keen on relocating.
Director Guest gives the drama a no-nonsense, almost documentary feel. The special effects are perfectly acceptable for the period and the brooding sense of mid-century paranoia is well conveyed.
The hero is the script, though. The dialogue is fresh and colourful and writers Guest and Neale always keep the scientific jargon interesting. All the characters are believable and the performances are top notch.
Despite the fact that James Bernard's solid score is a little overbearing at times, this is a dashingly good science fiction film with a strong stench of horror.
Originally a highly popular TV series, it spawned two excellent sequels and decades of creative Hollywood pilfering.
Brian Donlevy is wonderful as Quatermass, a scientist with the bullying manner of a military drill Sargent and a fierce, pragmatic streak. After a rocket that he sent into space crashes back to Earth, Quatermass and unofficial partner-in-crime Inspector Lomax (Jack Warner) uncover a bizarre alien conspiracy in which a surviving astronauts's body has been "borrowed" by extraterrestrials keen on relocating.
Director Guest gives the drama a no-nonsense, almost documentary feel. The special effects are perfectly acceptable for the period and the brooding sense of mid-century paranoia is well conveyed.
The hero is the script, though. The dialogue is fresh and colourful and writers Guest and Neale always keep the scientific jargon interesting. All the characters are believable and the performances are top notch.
Despite the fact that James Bernard's solid score is a little overbearing at times, this is a dashingly good science fiction film with a strong stench of horror.
You can't even begin to describe how essential (and quintessential) this legendary Hammer-movie in fact is! It was the unexpected success of this movie that single-handedly caused the horror-boom all over Europe! If this adaptation from Nigel Kneale's play hadn't been so popular, Hammer Studios probably never would have started with re-telling other famous franchises, such as "Frankenstein", "Dracula" or "The Mummy". It was "The Quatermass Xperiment" that all of a sudden showed that the audience's hunger for morbid Sci-Fi and fantasy tales is insatiable and Hammer cleverly exploited this given bit by bit. The film itself is about 50 years old now, but it definitely still stands as one of the uncanniest and mesmerizing Sci-Fi films ever made. With its uniquely tense atmosphere, the astonishing performance by Richard Wordsworth and the intelligent script, this movie is an experience that'll keep you on the edge of your seat the whole time. Quatermass is the name of a brilliant (but slightly obnoxious) scientist who apparently without permission of the legal authorities launched a rocket with a 3-headed crew into space, to travel distances no other space-mission ever reached. The movie opens when a catastrophe already took place and the rocket crashes just outside London. Two crew members seemly vanished into thin air while the other (Wordsworth) is "possessed" with something. The unfortunate astronaut inexplicably turns into a monster that threatens to extinguish the entire world
The premise of alien-intelligence invading earth through an unfortunate space-mission is extremely stereotyped by today's standards, but "The Quatermass Xperiment" is one of the only oldies in the genre that still feels genuine and original. A form of criticism I often encountered while browsing through other users' comments is that this production supposedly hasn't dated well and that it's nowhere near scary. Frankly, I don't share this opinion at all. First and foremost because the film suggests more terror rather than showing it explicitly! I am aware that few people nowadays appreciate horror film if it doesn't contain graphic violence and tons of blood, but it really is the unsettling atmosphere what makes this film so brilliant. And besides, I do think that the special and make-up effects are staggering although half a century old. The images of Wordsworth mutating arm wrapped in a filthy overcoat and his facial metamorphose are still definitely creepy! To wrap it all up: "The Quatermass Xperiment" is an exhilarating and trend-setting genre film that should be viewed by every fan of fantasy-flicks. Giant thumbs up for director Val Guest who also made another Hammer classic, "The Abominable Snowman"
The premise of alien-intelligence invading earth through an unfortunate space-mission is extremely stereotyped by today's standards, but "The Quatermass Xperiment" is one of the only oldies in the genre that still feels genuine and original. A form of criticism I often encountered while browsing through other users' comments is that this production supposedly hasn't dated well and that it's nowhere near scary. Frankly, I don't share this opinion at all. First and foremost because the film suggests more terror rather than showing it explicitly! I am aware that few people nowadays appreciate horror film if it doesn't contain graphic violence and tons of blood, but it really is the unsettling atmosphere what makes this film so brilliant. And besides, I do think that the special and make-up effects are staggering although half a century old. The images of Wordsworth mutating arm wrapped in a filthy overcoat and his facial metamorphose are still definitely creepy! To wrap it all up: "The Quatermass Xperiment" is an exhilarating and trend-setting genre film that should be viewed by every fan of fantasy-flicks. Giant thumbs up for director Val Guest who also made another Hammer classic, "The Abominable Snowman"
A British spaceship returns to Earth but instead of celebrating this first space shot, there is a lot of confusion, as two of the three crew members are missing. Additionally, the one who DID return just doesn't look or act right and he's kept under supervision and monitored as his body seems to be undergoing some sort of metamorphosis.
This isn't exactly your standard 1950s sci-fi/monster film, as the story itself is more tightly written and seems more credible than the typical "bug-eyed monster" film. Instead of the over the top acting and silly special effects, this is a more cerebral style film and the "monster" doesn't even make an appearance until near the very end. Instead, the story slowly unfolds and at the same time, simple makeup does the trick--no ping pong ball eyes, giant killer lobsters or any of the sort of tripe seen in the sillier examples of the genre. About the only negative was the whole subplot of the wife trying to kidnap her husband away from the hospital--this didn't make a lot of sense. Still, overall it's a dandy sci-fi film and worth a look.
This isn't exactly your standard 1950s sci-fi/monster film, as the story itself is more tightly written and seems more credible than the typical "bug-eyed monster" film. Instead of the over the top acting and silly special effects, this is a more cerebral style film and the "monster" doesn't even make an appearance until near the very end. Instead, the story slowly unfolds and at the same time, simple makeup does the trick--no ping pong ball eyes, giant killer lobsters or any of the sort of tripe seen in the sillier examples of the genre. About the only negative was the whole subplot of the wife trying to kidnap her husband away from the hospital--this didn't make a lot of sense. Still, overall it's a dandy sci-fi film and worth a look.
Unfortunately Nigel Kneal had absolutely no input into the film version of THE QUATERMASS EXPERIMENT . Out goes the philosophy and long discussions of the human condition and in comes the more formuliac and streamlined plotting of a hostile alien endangering the human race , but to be fair to Richard Landau he also jettisoned many underdeveloped subplots from the serial ( When episode one of TQE was broadcast on television Kneale was still writing episode 5 so some subplots were abandoned by Kneale in order to meet the deadline ) and - unlike film viewers in 2002 - the oft used premise of an alien entity coming back to Earth from a spaceship would still be very new to cinema audiences in the mid 50s. I might even be right in saying this is the first time this idea had appeared in cinema .
Director Val Guest treats THE QUATERMASS EXPERIMENT as SF film noir and brings in a heavy dose of mood and atmosphere especially during the night time zoo sequence. Unlike QUATERMASS 2 there`s no feeling that the night scenes were achieved by sticking a dark filter over the camera . Guest is less successful with his cast . Donlevy is relatively good at playing double crossing mobsters in the likes of THE BIG COMBO but he`s utterly unconvincing as a rocket scientist and it doesn`t help that he keeps pronouncing his name as " Qittermiss ", Margia Dean is utterly appalling as Judith Carroon , but Richard Wordsworth is outstanding as Victor Carroon even if he doesn`t have a single line of dialogue.
The BBC serial of THE QUATERMASS EXPERIMENT shocked the viewers of Britain when it was broadcast and in its own way the film version is almost as groundbreaking , it was a big hit at the UK box office which led to Hammer Films to concentrate solely on horror films something they would excell at for the next 10-15 years .
Trivia point 1 - The montage scenes of soldiers searching for Carroon at night time are actually culled from another British SF flick - SEVEN DAYS TO NOON
Trivia point 2- The last four episodes of the BBC serial were shown live on television but because of an industrial dispute they weren`t - unlike the first two episodes - recorded onto film which means no one will ever see the complete BBC QUATERMASS EXPERIMENT
Director Val Guest treats THE QUATERMASS EXPERIMENT as SF film noir and brings in a heavy dose of mood and atmosphere especially during the night time zoo sequence. Unlike QUATERMASS 2 there`s no feeling that the night scenes were achieved by sticking a dark filter over the camera . Guest is less successful with his cast . Donlevy is relatively good at playing double crossing mobsters in the likes of THE BIG COMBO but he`s utterly unconvincing as a rocket scientist and it doesn`t help that he keeps pronouncing his name as " Qittermiss ", Margia Dean is utterly appalling as Judith Carroon , but Richard Wordsworth is outstanding as Victor Carroon even if he doesn`t have a single line of dialogue.
The BBC serial of THE QUATERMASS EXPERIMENT shocked the viewers of Britain when it was broadcast and in its own way the film version is almost as groundbreaking , it was a big hit at the UK box office which led to Hammer Films to concentrate solely on horror films something they would excell at for the next 10-15 years .
Trivia point 1 - The montage scenes of soldiers searching for Carroon at night time are actually culled from another British SF flick - SEVEN DAYS TO NOON
Trivia point 2- The last four episodes of the BBC serial were shown live on television but because of an industrial dispute they weren`t - unlike the first two episodes - recorded onto film which means no one will ever see the complete BBC QUATERMASS EXPERIMENT
In the countryside of London, a rocket crashes on a farm and Professor Bernard Quatermass (Brian Donlevy) and Scotland Yard Inspector Lomax (Jack Warner) arrive in the spot. The rocket was launched by Prof. Quatermass with the astronauts Victor Carroon (Richard Wordsworth), Greene and Reichebheim; however only Carroon is found very sick in the cabin. He is transported to a private clinic to stay under observation despite the protests of his wife Mrs. Judith Carroon (Margia Dean). She bribes a nurse to bring Carroon to her and she finds that he is transforming into a monster. Carroon escapes killing people and animals during his metamorphosis while the Scotland Yard is hunting him down and Dr. Quatermass discovers that his process is an alien invasion.
"The Quatermass Xperiment" is an early sci-fi from Hammer with a creepy alien invasion. Despite the low-budget, the screenplay is very well written and the film entertains, specially fans of sci-fi from the 50's. My vote is six.
Title (Brazil): "Terror que Mata" ("Terror that Kills")
Note: On 12 Dec 2019, I saw this film again.
"The Quatermass Xperiment" is an early sci-fi from Hammer with a creepy alien invasion. Despite the low-budget, the screenplay is very well written and the film entertains, specially fans of sci-fi from the 50's. My vote is six.
Title (Brazil): "Terror que Mata" ("Terror that Kills")
Note: On 12 Dec 2019, I saw this film again.
Lo sapevi?
- QuizThe film achieved notoriety Stateside when in 1956 the parents of Stewart Cohen attempted to sue Chicago's Lake Theater and distributors United Artists for negligence after their nine-year-old son died of a ruptured artery at a double-bill of this and Il sonno nero del dottor Satana (1956) on Sunday 28th October, during the opening sequence of the Hammer movie. Cohen entered the Guinness Book of Records as the only known case of someone literally dying of fright at a horror film (he had been unknowingly living with an undiagnosed heart condition): pathologist Dr Albert Baugher officially found that "The boy died of a heart collapse after extraordinary tension while watching a film."
- BlooperVolkswagen Bus en route to the crash site is not the same Volkswagen Bus that arrives through the gate at the crash site. VW badge is larger, chrome trim is missing and license plate is different.
- Citazioni
Prof. Bernard Quatermass: There's no room for personal feelings in science, Judith!
- Versioni alternativeThe original 1955 "Quatermass Xperiment" print has the closing caption "The End"; the reissued version (with a still bearing the new title "The Quatermass Experiment" inserted into the opening credits) replaces this with "A Hammer Production Produced at Bray Studios".
- ConnessioniFeatured in Frances Farmer Presents: The Creeping Unknown (1959)
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Dettagli
Botteghino
- Budget
- 45.000 £ (previsto)
- Tempo di esecuzione
- 1h 22min(82 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.37 : 1(original/negative aspect ratio, alternative theatrical ratio)
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