Sesso debole?

This 1950's version of the 1930's "The Women" was updated quite a bit. The ideals of the 1950's show up, along with the new male characters (who were never seen in the original)and the fashion.

Actually, while "The Women" is dated, too, the dialog is sharper and the characters much more fun. Joan Crawford beats Joan Collins easily as the vamp, and Rosalind Russell eats up scenery. Of course, Leslie Nelson back in his hunky leading man days is plenty of fun. This version is a little more moralistic, with more hand wringing and melodramatic action. And the addition of the male characters really isn't that much of a plus. Sometimes the comic action is overboard.

All in all, not a bad movie, but if you really want to see action, catch "The Women" instead.

This remake of The Women (1939) misses the boat for two main reasons - 1. it's too nice. Joan Crawford's Crystal Allen was far more acidic than Joan Collins' sweet little version 2. it casts loads of talented musical performers - and doesn't use them! Ann Miller, Joan Blondell, Ann Sheridan, Doleres Gray - all wasted. June Allyson is miscast as Kay Hilliard, a little long in the tooth for all this.

(Incidentally interesting to see Blondell and Allyson in the same film, considering their shared marital history off-screen as successive wives to Dick Powell).

Pros - the musical numbers aren't bad, if a bit on the camp side; it features a fashion parade throughout to die for; it's colourful.

Otherwise it rips off the original, adds songs and men, and messes the whole thing up. It's watchable, but Norma, Joan, Paulette, and Rosalind will remain the standard for this particular story.

No need to compare this stand-alone with the original. MGM's wardrobe department must have worked overtime. The ladies-- and there are many-- get to model all the high fashion of 1956, and some outfits are real doozies. But then this is a tell-all musical remake about sophisticated Manhattan show people from influential author Luce who certainly should know. You may need a scorecard, however, to keep up with the rotating relationships among the high class types.

I expect the film sets feminist teeth on edge now with its depiction of women as either maliciously catty (Gray & Collins) or catty as a defensive measure (Allyson, Blondell, & Sheridan). And that's when they're not chasing after men on whom it appears they're emotionally dependent. I imagine that if the movie were made today, key changes would be made.

That's not to say this Technicolor candy box isn't entertaining. It is at least campy fun, although the musical numbers are mostly forgettable. Instead, it's the characters that are irresistible, particularly Gray as the queen of acid gossip; Collins as the ruthless husband stealer; and Richards as the dude ranch stud. It's also a well-honed supporting cast, down to a blondined henchwoman Carolyn Jones. Unfortunately, it's also a rather dour June Allyson, a long way from her usual verve and sparkle.

But the high-point may well be the biggest no-holds-barred brawl between two women (Miller and Gray) that I've seen. Stand aside John Wayne and the rest of the macho brawlers because this one is worthy of the best smoke-filled bar room. I don't know if stunt doubles filled in, but somebody deserved a fat paycheck. Anyway, if you don't mind seeing women behaving badly 1950's style, this well-upholstered confection deserves a look-see.

I have to say I am baffled by the trashing of this film. Are we watching the same movie? I have watched both The Women and The Opposite Sex, all within the span of a week on Turner Classic and though the Women was cleverer, The Opposite Sex was not really in the "Chopped Liver" category either.

Yes, it's true. Given a choice, I would rather watch The Women too.

But the Opposite Sex has adequate acting, women in gorgeous gowns and sticks quite faithfully to the original story-line whereby the 1st Wife gets her revenge against the 2nd wife. Who doesn't love the lucked-out-housewife-wins-the-day-story-line? I know I do.

And I do enjoy looking at Jeff Richards as the hunky singing cowboy, Buck.

If you have the time, why not check it out yourself.

I don't know why so many people on here are trashing this film. Is it a classic movie, no. But is it so awful, no. It is a perfectly good, entertaining movie. I think Allyson, the perfect 50's movie wife, is cast well as Kay, who is a perfect wife who gets left. I thought it was a little inside 50s joke, here is the perfect wife being left. Anyway, she is good and yes she was not 20, but it is a wife role and her daughter is about 10. It is not a young woman's part, that is the whole point; the husband leaves her for a younger woman. Ann Miller, Agnes Moorehead, Ann Sheridan, Dolores Gray, Joan Collins are all great. Does Miller sing or dance, no. But maybe someone was thinking she was a good actress and funny with lines and could be in a movie and not tap dance. I am sure she was happy to be cast as an actress for once. She was always a very funny performer. So check the movie out for yourself, it is really pretty good (and nice to see Allyson in some pretty clothes after all those years of white blouses in movies).