Kentucky Rifle

Kentucky Rifle is one of those movies that is immediately recognizable as having been made in the 1950's. The "western" accent used in the movies and television matches nothing I have ever heard anywhere else. The gritty version of the west was just starting to emerge at the time this movie came out, but it wasn't completely there yet.

Not completely void of a story, Kentucky Rifle gives us a simple plot that literally and figuratively goes nowhere. A wagon with a broken axle is left behind a wagon train that must keep its schedule. The wagon contains crated Kentucky Rifles that are of financial interest and a matter of personal honor to Jason Clay (Lance Fuller). Comanche Indians also have an interest in obtaining the rifles. From the start of the movie until the end we only see the characters arguing and reasoning for and against trading the rifles to the Comanches for safe passage once the wagon is repaired. Thankfully the philosophical dialogue is kept brief, and the action is given more weight in this production. Both Jason Clay and Tobias Taylor (Chill Wills) encounter the Comanches and work to keep the group of travelers together and alive for most of the movie. The wagon stays put the entire time. The most important attribute of the story is the will and leadership of Clay and Tobias, and the decisions they are forced to make.

Kentucky Rifle is not a total disaster, but it is hardly worth seeking. Enjoy it in a DVD collection like I did. I rated it with a generous 5, but I have a positive bias when it comes to westerns.

Filmed at Vasquez rocks and on a sound stage - obviously two different places as the by play shifts from scene to scene. Different scenes; wagon train, axle building, sound stage and location shots all have a different color quality, as if different brands of film were used at each location.

The best actors are in the roles of sidekick, Preacher and wagon master, while the lead actor seems to be asleep and the Indians a far from fierce...

TV shows of the time had better action and stage sets... Wagon Train, with Ward Bond had better sets, action and acting.

Chill Wills and Henry Hull should have thrown the script back in writer's face...

Strangely enough, some of the best scenes are the wood work and minor blacksmithing required to put the axle on the wagon.

I suspect those scenes were borrowed from another movie, just as some of the wagon train scenes were borrowed.

Out of the several hundred Westerns in my DVD collection, this one has to be the very worst. Totally incompetent. Hittleman must have been a better salesman than a movie maker to have even managed to raise what little money would have been needed to make this awful mess. It's devoid of even the campy charm that Ed Wood might have put into it. Wills, Downs, Holloway, & Cagney must have been hurting for money to have agreed to appear in something this bad. Released in 1956, the same year as George Stevens' Giant, Chill Wills must have been been rather amazed to find himself in two such different movie productions in the same year. I only wish that I could get back the time I wasted watching this trash.

Everyone in this film is sooo clean and smelling of roses even though they are in the middle of nowhere, and BO is never a problem in the hot sun ! Cheap Western, shot mostly in a studio with a few external shots somewhere just outside ... Oh, and the bad guys are the Red Indians as usual .

Kentuckian Lance Fuller heads west with a wagon train and his one-hundred rifles meant for the settlers of California. When his wagon breaks an axel, he's forced to stay behind with a small disparate group and look for a large enough piece of wood to fix it, all the while contending with in-fighting and the lingering threat of Comanches.

This starts slow and only gets a little better as time goes on. Despite a few sparks along the way, this dull western never catches fire the way it should have. Chill Wills is good as Fuller's partner, but not good enough to inject much life into this very Luke-warm production. There is some good scenery though.

Viewers seeking out a nineteen-fifties color B-western can do a lot worse, but they can definitely do a heckuva lot better too.