Aggiungi una trama nella tua linguaTo Laura Hammond's large family, she is simply the mother who makes all their lives run more smoothly. But although they don't know it, she is a very successful novelist.To Laura Hammond's large family, she is simply the mother who makes all their lives run more smoothly. But although they don't know it, she is a very successful novelist.To Laura Hammond's large family, she is simply the mother who makes all their lives run more smoothly. But although they don't know it, she is a very successful novelist.
- Regia
- Sceneggiatura
- Star
Alan Bates
- King Lear
- (partecipazione non confermata)
- (non citato nei titoli originali)
Fred Griffiths
- Removal man
- (non citato nei titoli originali)
Recensioni in evidenza
Phyllis Calvert has her hands full as Laura Hammond the mum that everyone relies on. Her middle-class family, all living together, include her irascible mother, stepdaughter Tessa (Susan Stephen) a drama queen in more than one sense; also stepson John (Richard Leech) and his wife (Sarah Lawson) who have a baby and enjoy throwing household objects at each other at regular intervals. Her older husband (Patrick Barr) seems at his most active when reading the paper, but still manages to attract the attention of the attractive single lady next door. They all take Laura for granted, but don't realise that her 'scribbling' whenever she gets the odd five minutes from the chaos surrounding her, has produced a best-seller. Enter a literary agent (Guy Rolfe) who whisks her off to the US to work on a film script.
Of course, the conventions of the Fifties dictate that the traditional order has to be restored in the end, and though the ways in which all is resolved tend toward the predictable, there's considerable fun along the way. The early scenes, mainly confined to one set, are smoothly directed by Michael McCarthy, who was sadly to suffer an early death. The colour photography is excellent. Phyllis Calvert might not always have been convincing as the heroine of exotic melodramas, but as a woman like Laura in a comedy of this nature, she couldn't be bettered. Nothing bears any resemblance to life today, but then that's not the least of the film's charms.
Of course, the conventions of the Fifties dictate that the traditional order has to be restored in the end, and though the ways in which all is resolved tend toward the predictable, there's considerable fun along the way. The early scenes, mainly confined to one set, are smoothly directed by Michael McCarthy, who was sadly to suffer an early death. The colour photography is excellent. Phyllis Calvert might not always have been convincing as the heroine of exotic melodramas, but as a woman like Laura in a comedy of this nature, she couldn't be bettered. Nothing bears any resemblance to life today, but then that's not the least of the film's charms.
This film is based on a play.You can see the 3 separate acts without difficulty.It is all very bland,and vaguely amusing.The story is very familiar,an unlikely famous novelist who is taken for granted by all her very selfish family .The best scene comes at the beginning of the film where a bemused Sam Kydd stands between the two arguing lovers.
Lo sapevi?
- QuizUncredited theatrical movie debut of Sir Alan Bates (King Lear).
- BlooperJohn Hammond's shirt sleeves keep going up and down in length.
- ConnessioniVersion of It's Never Too Late (1954)
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Luoghi delle riprese
- St. John's Wood Underground Station, Westminster, Londra, Inghilterra, Regno Unito(Tessa and John argue outside in the opening scene)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione1 ora 36 minuti
- Proporzioni
- 1.37 : 1
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti
Divario superiore
By what name was It's Never Too Late (1956) officially released in India in English?
Rispondi