L'invasione degli ultracorpi

Body Snatchers is a true anomaly in the cinematic world. It has been remade twice, and all three films are essentially adaptations of a novel by Jack Finney. And despite the often terrible nature of remakes, both the 1978 AND 1993 versions are considered to be just as good as this one. I am looking back at these films in light of the 4th Body Snatchers that is coming out this summer with Nicole Kidman (The Hours) and Daniel Craig (Casino Royale).

Invasion of the body snatchers is generally considered a political film as well as sci fi. It is a reflection of the McCarthy area (recently shown in Good Night, and Good Luck), and cold-war hysteria.

Kevin McCarthy (Death of a Salesman) and Dana Wynter were great and there was good chemistry between them.

The film did not need special effects or gore. It built up it's terror with slow suspense, a sense of impending doom, and an atmosphere that was enhanced by the superb musical score.

This is definitive sci fi and one of the best movies of the 50's.

I feel like I've seen so many movies with this kind of concept. People aren't themselves, something fishy is going on. Eventually, the evidence is too much to ignore but our main characters are already outnumbered by tens or hundreds. It's similar to the zombie genre except that here the "possessed" or "infected" ones act normal which is far more unnerving. This has to be one of the earliest and most effective versions of this kind of story.

It is legitimately creepy and has many memorable moments. Blank, "dead" bodies turning up out of nowhere. Alien pods giving birth to proto-humans. A convergence of strangers in the middle of town as if they all have telepathic powers. You begin to suspect people constantly, are they really on our side? Are our heroes being lured into a trap? Are they safe here? The build-up is excellent as well. People urgently seeking a doctor and then abruptly canceling and feeling much better. A boy terrified of his mother because she is not really his mother and then suddenly he is okay again. A woman swears that her uncle is no longer himself but can't quite prove it. Your imagination starts to fill in the gaps.

It's effective to show the main character flustered and babbling at the start. It contrasts greatly with how calm and reasonable he was only a few days ago as he recounts what happened. We figure that it must have taken something very disturbing to drive him to that level of mania. This builds our anticipation for finding out what he went through.

It's funny that the main actor's name is (Kevin) McCarthy. There are certainly parallels that could be drawn with the communism scare of the 1950s. Are we too suspicious about our neighbours? Are we becoming paranoid and seeing everyone as being against us? Or perhaps our freedom is being taken away and we are being forced to robotically follow traditional American values.

Invasion of the Body Snatchers wastes no time at 80min. It builds the way a good suspense/horror film should and the turn of events are satisfying. It isn't too predictable and it really had me on the edge of my seat, apprehensive about where the story was going and how it could possibly be resolved. Less is more and this movie only shows what it really needs to. It plants the seeds of fear in your mind and you do the rest.

'Invasion Of The Body Snatcher's is my favourite 1950s science fiction movie alongside 'Forbidden Planet'. Both are very different movies. 'Forbidden Planet' is arguably the first SF blockbuster, an intergalactic adventure, in colour, with a large budget and impressive special effects. 'Invasion Of The Body Snatcher's is a smaller movie, a low budget black and white paranoid thriller that is a classic of its type. Many subsequent movies have been influenced by this one, and there have been at least two remakes (Philip Kaufman, Abel Ferrara), but it still takes some beating! Director Don Siegel is best known for tough guy crime dramas like 'The Killers' and 'Dirty Harry', but shows his versatility with this extremely effective and disturbing horror story. The legendary Sam Peckinpah had an uncredited hand in the script, and (keep an eye open for) a small cameo as a meter reader. Kevin McCarthy is terrific as the small town doctor turned hero. His performance is excellent, and made him a legend to SF and horror fans everywhere (he reprises it briefly in Kaufman's excellent 1970s remake by the way). The lovely Dana Wynter leads a strong supporting cast, and buffs will get a particular kick out of seeing Carolyn Jones (a.k.a. Morticia Addams) and Whit Bissell. ('I Was A Teenage Werewolf', 'Creature From The Black Lagoon' and too many others to mention!) This movie has aged very well, much better than say, 'The Thing From Another World', and still stands as THE 1950s paranoid SF/horror movie. An absolute classic that I guarantee still packs a punch! Highly recommended!

A chilling motion picture, well directed by Don Sigel, with a script co-written by Daniel Mainwaring and (uncredited) Sam Peckinpah, based on the novel "The Body Snatchers" (aka "Sleep No More") by Jack Finney.

The excellent musical score is by Carmen Dragon. Kevin McCarthy and Dana Wynter head the cast of this four-star classic in which the inhabitants of a small California town are being replaced by alien look-alikes. The aliens come to Earth in the form of "seed pods" that burst open and spew out a foam which grows into human duplicates, complete with all the memories of the original. The best scene in the film takes place in a greenhouse where several alien pods burst open and disgorge the half-formed copies of the horrified humans.

A prologue, a new ending, and a voice over-narration were added after the film's initial release, to help the audience follow the strange plot. In the added scenes, the story opens with Kevin McCarthy being brought into a hospital, raving about alien invaders. Two doctors (Whit Bissell and Richard Deacon) listen to McCarthy's strange story, which the audience sees as a flashback. At the end of he movie the doctors are understandably skeptical about McCarthy's weird yarn, but an unexpected event lends credence to his story.

Many film reviewers criticize these added scenes as unnecessary, an unwise attempt to conclude the story with a happier ending. But these scenes serve a valuable purpose, increasing the viewers sympathy for McCarthy and his efforts to convince someone that mankind is in danger. The alleged "happier ending" does not establish that mankind will win the battle against the aliens. It simply implies a Chapter Two in this epic struggle. Mankind will have a fighting chance in the war, but the outcome is definitely open to debate.

Invasion of the Body Snatchers is the quintessential sci-fi film of the 50s, praying on the particular fears and paranoias of the time as well as more basic, instinctual phobias within each of us. The story is simple enough about a benevolent, intellectual doctor returning from vacation only to find that some weird, unexplainable feelings have been generated in the small town of Santa Mira. Some people say that relatives are not who they seem to be, despite being exact duplicates physically and mentally. This leads to one discovery to another for the good doctor, his girl, and two friends, and what we have through each discovery is one more piece to the puzzle that an alien presence is at work. What makes this film so successful is the pace and frantic mood it creates. We are caught up in Dr. Bennel's work, his fears and anxieties, his discoveries, and his uncovering of the truth. We feel confined, betrayed, and even suspicious of everything he encounters. Credit for this certainly must go to director Don Siegel and his outstanding ability to create this almost claustrophobic atmosphere, as well as to Kevin McCarthy who does an outstanding job playing the doctor. There are scenes in this film that live on long after viewing it...and the last one in particular has forever been etched into my mind. For a good fright, see Invasion of the Body Snatchers...They're here! They're here!