L'uomo che visse due volte

I have read most of the other reviews and I have almost nothing to say about the subject of this excellent film on a meagre budget which is reincarnation. The ' almost nothing ' is that I do not know and posit the fact that no one knows, and respect those who are against being reborn and those who don't. But what I do believe is that despite Universal Studios giving two of its ' minor ' actors to play the lead roles that they both give extraordinarily good performances. Jock Mahoney as the pilot who thinks he has been reincarnated is utterly convincing, and the horror and dismay he feels at the beginning of this realisation made me feel that he was far better as an actor than the celebrated Rock Hudson. The same goes for Leigh Snowden, who could have equalled Marilyn Monroe, shows an intelligence and sensitivity in her support for her husband to be, and the nightmarish ( literally ) situation he is in. Why Hollywood did not realise that they had physically beautiful, talented actors who could have played in ' A ' films as well as ' B ' films is beyond understanding. My I don't know about this is much larger than that of reincarnation, and I am saddened to see that both Mahoney and Snowden were so ill used. And then there is Ann Harding, a superb actor who was understood as such and the presence of all three of them at the close of the film brought tears to my eyes. A scene that any budding actor should be able to see, and yet this film has as far as I know been dumped on the bonfire of unwanted films for far too long. There is also a lot of communication in the scenario, and serious discussion which is so lacking in many a Hollywood film of this current verbally poverty stricken era. The direction is capable, the sets minimal but for anyone who loves actor's cinema it is a must see. YouTube has it in a weathered copy, and I for sure will watch it again. I give it a 9 instead of 10 because it should not have been given ' B ' film treatment, and have perhaps been respected more.

It's not a good film, but it's an interesting subject. How they treat it could be discussed indeed, and it's not very well.

The story is this. A passenger airplane pilot sees an elderly lady as a passenger he has never seen before but recognizes her and gets confused for not being able to place her. In the confusion in charge of the plane he suddenly becomes another person and almost crashes the plane. When he wakes up at the hospital he still believes he is a crashed war pilot of world war one. Of course, this creates a problem, especially since he doesn't even recognize the girl he is going to marry.

The whole rest of the film is only discussions, so it gets monotonous, but Ann Harding as the elderly lady makes a fascinating performance - she commands every scene she appears in, and it's actually her case the whole story is about.

It becomes something like a metaphysical detective story. The doctor's explanation of the phenomenon is that it's all about telepathy. All doubters are of course, like always, eventually proved stupid and wrong.

Phenomena like these occur, there are always doubters and deniers trying to explain them away, the insistent maniac who is too aware of the truth to be able to compromise with it is always proved right, sometimes not without martyrdom, but here the most important issue is left unanswered. Will the pilot ever again be admitted to fly? Many questions are discussed at length and answered, but this only important one is carelessly and irrationally neglected.

It's easy to criticize this entry in 1950s' very brief and now forgotten "reincarnation" cycle. Most of the scenes simply consist of two or three people sitting around in standard studio-interior sets laying out the plot in straightforward expository dialog. These scenes progress with unimaginative efficiency from one plot-point to the next. The acting and the technical aspects of the production are never more than B-movie competent, and the flat ending is no more than John McIntyre delivering the kind of tie-up-the-loose-ends sort of speech which screenwriters are supposed to avoid.

And yet ... something about "I've Lived Before" merits a certain grudging admiration. Perhaps it's that unvarnished, minimalist quality which both limits and distinguishes it. In any case, those with a taste for the slightly off-beat may find this worth a look.

The opening two sequences, one set in 1918 France and one set in upstate New York in 1931 are unnecessary and get the movie off on the wrong foot, and there are the usual quirks which are now dated and provoke unwanted laughter such as the co-pilot smoking in the cockpit, the boyfriend sleeping on his fiancee's couch while she chastely retires to the bedroom, and Federal Airways optimistically billing itself as "The World's Safest Airline."

On the other hand, this provides a good showcase for Jock Mahoney, one of those beautiful men who doesn't seem to realize how beautiful he really is. It's both puzzling and unfortunate that he never became a star. Sadly, by the time he played the lead in two Tarzan movies, he was a bit past his prime as was the whole Tarzan genre. In this movie, he has only two fleeting bare-chest scenes contained inside a brief montage of medical examinations.

Fans of movies from the '30s and '40s will be pleased to see Ann Harding in a good supporting role, and the stewardess on the airplane is played by April Kent who later appeared as the female midget in "The Incredible Shrinking Man."

Made on a shoestring budget ,this movie was,at the time of its release , ahead of its time ,predating such works as "bid time return" "Audrey Rose" " fearless" and many more .Time warp was rarely used then ("portrait of Jennie" (1949) was a notable exception though)

An aging Ann Harding is the stand -out : she who was young in "Peter Ibbetson" (1935) ,a masterpiece of the fantasy genre , is ideally cast as this war fiancée who lost her sweetheart when his plane crashed in 1918.

The movie is shrouded in mystery ;clues are given to the viewer: a twelve-year -old drives a plane without having learned to do it ,the strange chemistry between the captain and his passenger ,the strange words the survivor utters when he regains consciousness .

The movie may be too talky for some, but it proves that a fantasy tale does not need a ton of special effects to impress the viewer ; it may be,according to your own sensitivity a Christian movie (soul is immortal) or a mystery science will later explain (the pychiatrist).

A year or two before this film was released, the biggest best seller in the US was a book called "The Search for Bridey Murphy," a book about reincarnation. In that book a modern woman supposedly knew intimate details of the life of Bridey Murphy, an obscure Irish woman who died in the 19th century and of whom she had never heard. This silly film, in which a contemporary (1956) man remembers details in the life of a WWI pilot who was killed in action, was obvious intended to capitalize on "Bridey Murphy"'s success. It's not a good movie.

There is one reason, and only one, to see this film, and that is to see the gorgeous Leigh Snowden. She made very few film and retired from acting before she was 30, after she, truly a woman of the 50s, married accordianist Dick Contino and dedicated herself to raising a family. If her career had been better managed, or if she had been more committed to acting, she might have rivaled some of the blonde sex symbols of the 50s, such as Monroe and Mansfield. But it was not to be. Since this film isn't on video, the only chance you'll have to see it is if you're lucky enough to catch it on cable, most likely during the wee hours. Otherwise, your best opportunity to see the Lovely Leigh is in "All That Heaven Allows," an excellent Douglas Sirk soaper. Leigh, alas, will never be seen again; she died of cancer in 1982.