Aggiungi una trama nella tua linguaA singer who can't pay his bookie joins a nerdy, star-struck movie fan and his Great Dane in a cross-country convertible ride to Hollywood.A singer who can't pay his bookie joins a nerdy, star-struck movie fan and his Great Dane in a cross-country convertible ride to Hollywood.A singer who can't pay his bookie joins a nerdy, star-struck movie fan and his Great Dane in a cross-country convertible ride to Hollywood.
- Western Actor
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- Casino Patron
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- Dancer
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- Stagehand
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- Photographer
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- Old Lady
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- Gambler
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Recensioni in evidenza
This is the final movie for this legendary pairing. Things got so bad that the guys barely conversed off screen. They are still very professional in their performances. I'm sure their split affected the critical reception at the time. This has the broad comedy and song singing that one expects from this duo. It is not that offensive except for the native stopover and various old fashion stuff. Much of it is a picturesque travelogue. It is not the deepest of movies but one wouldn't expect one here.
With their relationship deeply fractured at this time (this was their last film together), it's something of a surprise to find that Hollywood Or Bust is one of the finest films that Dean Martin (Steve) and Jerry Lewis (Malcolm) made. Everything that made the duo so massively popular is in here, even into the bargain daring to cast a satirical slant to the whiles and trials of Hollywood itself. A lot of the credit has to go to director Frank Tashlin. Tashlin, who was also at the helm for arguably the boys career high point Artists & Models, keeps the whole thing zippy, steering the duo in a direction to which they simply could not fail.
Sure enough the humour is almost juvenile at times, and yes Dean of course croons and tries to bed the girl (a spiky Pat Crowley as Terry), but it's got such a sense of joy to it, the kind of joy that much like Artists & Models, can really lift the blues. Stand out songs from the Sammy Fain and Paul Francis Webster score are "A Day in the Country" and "It Looks Like Love", whilst it will be tough not to giggle at some of the antics of Mr. Bascom and the irrepressible Lewis, particularly with one particular movie parody. Anita Ekberg comes and joins in the fun later in the piece, just in time for the riotous carnage that you know is around the corner.
If the sight of a Great Dane driving a car is not funny to you? Well chances are you should avoid this film completely. But that would be a shame for it's a delightful film, brisk and cheeky, it's most definitely one that's in desperate need of reappraisal from the grumpy brigade because it's a real blues lifter. 8/10
Some hilarious and enjoyable scenes come to mind: The opening moments in the movie theater where Lewis is ruining a woman's hair with popcorn; the rousing musical number "A Day in the Country" (Martin and Lewis in a car) which is Tashlin's homage to the "Beyond the Blue Horizon" number in Lubitsch's 1930 musical "Monte Carlo"; and there is Lewis' imitation of Rudolph Valentino's "Blood and the Sand".
Sure it can be silly and puerile at times, but it's a lot of fun.
Worth seeing.
Lo sapevi?
- QuizThe last film that Dean Martin and Jerry Lewis did together before breaking up as a comedy team.
- BlooperApparently, Tashlin was a little confused about Paramount's production schedule: Malcolm mentions having seen the Burt Lancaster adaptation of Il mago della pioggia (1956), which would not come out until after Hollywood or Bust was already released.
- Citazioni
Steve Wiley: [referring to sexy movie star Anita Ekberg] Do I know her? She drives me crazy!
Malcolm Smith: [obviously excited] Me too!
Steve Wiley: She keeps coming to my back door and wants to borrow a couple of cups of sugar...
Malcolm Smith: Sugar? That's nice, yeah!
Steve Wiley: ...a couple eggs...
Steve Wiley: Oh, eggs! Good!
Steve Wiley: I go over to her place - I borrow a grapefruit or two...
Malcolm Smith: [aroused by the metaphor] Oh, that's cute!
- Curiosità sui creditiDean Martin, standing in front of a stage curtain with a large world globe beside him, addresses the movie audience: "Ladies and gentlemen, this motion picture is dedicated to you - to you in this theater and to all refugees from television throughout the world. We in the motion picture industry would like to pay tribute to a most wonderful person. And here he is, the American movie fan." (A scene shows Jerry Lewis with a box tray full of popcorn, soft drinks and treats, eating and drinking while watching a movie).
- ConnessioniFeatured in Il padrino (1972)
- Colonne sonoreHollywood or Bust
Music by Sammy Fain
Lyrics by Paul Francis Webster
Sung by Dean Martin, Jerry Lewis and Chorus during the Opening Credits
Reprised by Jerry Lewis
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Hollywood or Bust
- Luoghi delle riprese
- Hoover Dam, Arizona-Nevada Border, Stati Uniti(Second unit)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 3.300.000 USD
- Tempo di esecuzione1 ora 35 minuti
- Proporzioni
- 1.85 : 1