VALUTAZIONE IMDb
7,4/10
1745
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA poor laundrywoman tries to cope with a depressing burden of society.A poor laundrywoman tries to cope with a depressing burden of society.A poor laundrywoman tries to cope with a depressing burden of society.
- Regia
- Sceneggiatura
- Star
- Candidato a 1 Oscar
- 10 vittorie e 3 candidature totali
Hubert de Lapparent
- M. Lorilleux - un chaîniste, le mari souffreteux de Mme Lorilleux
- (as Hubert Lapparent)
Rachel Devirys
- Mme Fauconnier
- (as Rachel Devyris)
Georges Paulais
- Le miséreux
- (as Paulais)
Recensioni in evidenza
This as far as I know is the only film version of a very famous story by a French Novelist called Emile Zola. It is "L'Assommoir" and is the story of how drink and alcohol can ruin lives and kill. The film is extremely well acted but seems a bit "short" compared to the book which has far more lurid details concerning the downfall of each of the characters. The story takes place behind the Gare du Nord in the Northern Sector of Paris in what is called today the "Quartier de la Goutte d'Or". Unfortunately that area today bears absolutely no resemblance to that portrayed either in the book or the film and is extremely dangerous and violent - any visit of it is strongly advised against. Anyway the story is very moving but be warned the outcome is not a happy one. One other thing, the book is one of a series written by Zola about a family called "Les Rougon-Macquart". The series also includes the book "Germinal" which has several times been made as a film. But of all the films of Zola's books I have see, L'Assommoir (Gervaise ) is my favourite !
This is one of the best movie I've ever seen. Maria Schell is beautiful and hearthbreaking.I am not surprised it won the best foreign film of 1956. Suzy Delair is terrific and Francois Perier is superb. I will never forget this movie. It touched me deeply.
"Gervaise" is a film based on the story "L'Assommoir" by Emile Zola. It had been filmed several times before (these were mostly silent versions) and this is the most recent version of his story. It's all about a rather pathetic poor lady (Gervaise--Maria Schell) and her horrible choices of men. It is very well made but not exactly a pleasant film. In fact, at times, it's a bit painful to watch.
When the film begins, Auguste leaves Gervaise for another woman-- leaving her with children to raise. Eventually she marries Coupeau and their life seems to be going well. However, when the husband gets injured on the job, he degenerates to alcoholism and makes Gervaise's life completely miserable. The husband even knowingly brings his new friend, Auguste, home to live with them---knowing that long ago he was his wife's lover! At the same time, Gervaise has fallen for the only decent man in her life, the blacksmith. What's next in this tale of misery? See the film...if you dare.
This story is both about the wretched lives of the urban poor, as they are exploited, and about the disintegration of the morals of this class as well. It's not exactly pleasant viewing and is also clearly a lesson about the ills of drink--a very popular message when the film was made and remade several times during the silent era. Nearly everyone in this film is nasty and selfish and despite all this is IS well made. The acting, sets and direction by René Clément are all quite good...but you have to be willing to sit through nearly two hours of wretchedness and who wants to do that?!
When the film begins, Auguste leaves Gervaise for another woman-- leaving her with children to raise. Eventually she marries Coupeau and their life seems to be going well. However, when the husband gets injured on the job, he degenerates to alcoholism and makes Gervaise's life completely miserable. The husband even knowingly brings his new friend, Auguste, home to live with them---knowing that long ago he was his wife's lover! At the same time, Gervaise has fallen for the only decent man in her life, the blacksmith. What's next in this tale of misery? See the film...if you dare.
This story is both about the wretched lives of the urban poor, as they are exploited, and about the disintegration of the morals of this class as well. It's not exactly pleasant viewing and is also clearly a lesson about the ills of drink--a very popular message when the film was made and remade several times during the silent era. Nearly everyone in this film is nasty and selfish and despite all this is IS well made. The acting, sets and direction by René Clément are all quite good...but you have to be willing to sit through nearly two hours of wretchedness and who wants to do that?!
This is a beautifully made, but terribly sad film, based on one of Emile Zola's most depressing stories of French life in the 1800s.
Gervaise is a poor woman with a poorer choice of men. She is loving, smart, and industrious, but falls for superficial, lazy drunks who take advantage of her. While she tries to provide for her family by following her dream of owning her own shop, her husband drinks away the profits and complicates her life by inviting her former lover to live in their house.
I can't say enough good things about Maria Schell's glowing performance as a tragic heroine. Her beautiful, expressive face is impossible to forget, and her emotional range is impressive. The rest of the cast is also pitch-perfect, from her various neighbors and clients, down to the lovely little girl who plays daughter Nana with touching sadness.
Surgeon general's warning: don't watch this film while under the influence of alcohol or mood- depressing drugs. It might push you over your limit.
Gervaise is a poor woman with a poorer choice of men. She is loving, smart, and industrious, but falls for superficial, lazy drunks who take advantage of her. While she tries to provide for her family by following her dream of owning her own shop, her husband drinks away the profits and complicates her life by inviting her former lover to live in their house.
I can't say enough good things about Maria Schell's glowing performance as a tragic heroine. Her beautiful, expressive face is impossible to forget, and her emotional range is impressive. The rest of the cast is also pitch-perfect, from her various neighbors and clients, down to the lovely little girl who plays daughter Nana with touching sadness.
Surgeon general's warning: don't watch this film while under the influence of alcohol or mood- depressing drugs. It might push you over your limit.
François Perier as the alcoholic Henri Coupeau is unsurpassed as sick man having his overdose and delirium by alcohol. Maria Shell as Gervaise is convincing as the poor woman working day and night for the drunken men she is having in her home and her little daughter! This movie should be shown to all people having drinking problems. As it is set in a different period (the end of the second Emperor Napoleon's reign) is has something universal. The general atmosphere of this epoch is however very accurate.
Lo sapevi?
- QuizOfficial submission by France for the 'Best Foreign Language Film' category of the 29th Academy Awards in 1957.
- Citazioni
Gervaise Macquart Coupeau, une blanchisseuse douce et courageuse: Morning came and he still hadn't returned. He'd been out all night. It was the first time. I was so proud to have the handsomest guy around, me, the gimp.
- Versioni alternativeThe original French version is much more risque than the heavily edited US version in at least one scene and probably others: the scene where Maria Schell has a catfight with Suzy Delair, which ends with Schell spanking Delair with a wooden paddle, is much more explicit in the French version which includes scenes of Suzy Delairs' bare behind getting whacked.
- ConnessioniEdited into Meine Schwester Maria (2002)
I più visti
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Dettagli
- Tempo di esecuzione1 ora 52 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.37 : 1
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