Piena di vita

Those expecting a screwball comedy will be disappointed, as this is a tender, touching slice-of-life comedy. The incomparable Baccaloni is afforded some screwball moments having sympathy pains along with Judy's pregnancy, and he is marvelous. It works all-the-better, I think, that Judy contrasts him by playing this one straight-up. This is one of the few movies I've ever seen that depicts the fact that when a woman ishaving her first child, we are far from experts at why we feel the way we feel or how it needs to be handled. Richard Conte is winningly tender as the insecure husband with money worries but unconditional love. And the supporting cast is marvelous. I love this movie.

John Fante always claimed that he wrote lousy screenplays,but I think he must have been fishing for compliments because his screenplay for "Full of Life" is every bit as funny and heart-warming as the book it is based on,which Fante also wrote.Whereas the novel was told from Fante's point of view,the movie really tells the story from his wife's point-of-view,and Judy Holliday was the perfect actress for the role.This is a wonderful little film from the days before America lost its innocence.

Full of Life is a very amusing domestic comedy about pregnant wife Emily Rocco (Judy Holliday) and her husband Nick (Richard Conte) who ask Nick's old Italian father, a carpenter (Salvatore Baccaloni) for help after discovering a hole in the kitchen floor. It's a nice movie, but I was more expecting belly laughs, which is not the purpose of this movie.

I discovered "Full of Life" when I was in High School in the early 1980's. I had never even heard of the film (a comment shared by several contributors to this site) when it came on late night television. It's funny to think a teenager could have been so moved by a film about experiences he has not yet had; but, I was. And as I have returned to this film throughout the years I find it becomes all the more perceptive and, yes, beautiful. "Full of Life" is about life, about the human comedy and it contains three extraordinary performances: one from the ever-amazing Judy Holliday, one from the underrated Richard Conte and one from opera star Salvatore Baccaloni, magnificent as the father-in-law. The screenplay earned a nomination from the Screen Writers Guild, but that is the only contemporary recognition it received. However, it remains--to those willing to discover it's sublime charm--a quietly moving, tender film for thoughtful viewers.

I was sick with the stomach flu one night and I turned on AMC around 3 in the morning not knowing what was on and I discovered this film. I had never heard of it before and I am a big film buff. I was pleasantly surprised. It is a nice sweet little gem of a film about family. It has some real tender moments and some quietly funny moments. It deals with a man, his wife, and his father. His father is originally from Italy and does not like his son's American ways. Which of course drives the son crazy. His wife is pregnant and he is concerned about that. His father wants to help him prepare to be a father, which has its good points and bad points. It shows, quite well, I think, the bonds and the love of family. If it is ever on I highly recommend it. It also has the best title for the story.