Donna da uccidere

An adequately thrilling and reasonably well directed crime film, completed with an appropriately dark atmosphere clinging to it, the film does however unfortunately waste quite a bit of time on unnecessary supporting characters, and some of the acting feels a bit over-the-top. A few of the scenes also feel as if they are drawing out for too long too, as a number of them have little relevance to the story, but the film still holds up despite its drawbacks. The script and shot footage could have benefited from tighter editing, but as it is, the film is still effective for providing thrills and chills. It is worth a look.

One night Lucy argues with her husband, in anger she runs off to the cinema. Leaving the film early she witnesses two men rob the cinema, one of them, Wade kills the Cinema manager, Lucy runs off in fear, and faces a night of sheer terror.

I thoroughly enjoyed it, I had expected a bit of a pot boiler, but far from it, it's a very good plot, with some excellent characters, and some real tense moments.

It has touches of melodrama at the beginning and end, but the main core of the film is a suspenseful thriller, with Lucy placed in permanently danger.

The patients are lovely characters, particularly Mrs Hudson, Grandma, she was so amusing. Sinden and Pavlow are just great here.

I'd recommend it, 8/10.

Enjoyed this thriller though maybe for the wrong reasons. The plot was engaging enough but seemed to evolve slowly into a 'Carry on' type hospital farce with characters running hither and thither intertwined with a moustachioed and inept villain (all that was missing was a black cloak) along with a romantic and tasty night nurse. Very entertaining though and I found that the unintentional humour just added to the enjoyment.

Some of the patients seemed a bit too perky to be laid up in an emergency ward but their acting was good even if it was more suited to a comedy. Lots of improbable scenes but still worth a watch!

Only those of a certain age appreciate good character acting and dry wit, apparently, because that is what we have in this underrated classic British thriller. While there are a few chance coincidences, the film manages to keep the viewer guessing at the next turn while supplying a very amusing counterpoint of character acting, notably Ada Reeves playing the elderly patient Mrs. Hudson who sees "whole tribes of men skulking about outside the French doors" and is never believed.

I also credit the way the elderly woman patient's dialogue is staged to _Eye Witness's_ director Muriel Box, who the next year (1957) directed _The Truth about Women_, starring Lawrence Harvey and Julie Harris. The viewer may be baffled by some of the comings and goings inside and outside this general hospital (modern in design for its day) but there is nothing amateur about the staged activity. On the contrary, the skillful use of minor characters and near-misses of criminal and pursuers helps to build the tensions, rather than diminishing them.

At its outset, this film shows the realities of life in 1950s England where television ownership was a heady business that was not to be entered into lightly. The whole issue of buying on credit is what sets the initial plot and the first disturbance (the eye-witnessing of a crime)in motion. I recommend this film highly. It is one of those good finds for a Sunday afternoon's viewing.

Donald Sinden usually made sympathetic heroes and amiable gentlemen, but here he is a professional on the other side. With a blacksmith for an aid he breaks into a safe at a cinema, but unfortunately the robbery is jeopardised by an eyewitness and a manager arriving before the job is finished, so he has to be terminated. The rest is the tragedy of the two criminals, one ruthless and the other helpless. They go to the hospital where Muriel Pavlov as the eyewitness is taken in with a concussion after having been knocked down by a bus, running away from the murderer. It's in the hospital all the action takes place, in a wonderful polyphonic hide-and-seek merry-go-round, where Grannie as one of the patients actually is the lead, constantly observing the murderer and never being taken seriously. This is indeed gem of hospital thrillers, and all the characters, odd and serious, add to the splendid show of artfulness in invention - only you as an audience understand and see everything that happens, while all the actors can't understand a thing - until after the film is finished, and you as an audience will have to guess the rest.