L'ovest selvaggio

It seems like a nice town: quiet and civilized. They're run the bar girls out of town and the miners go some place else for their drinking. Everything is shut on Sunday. Marshall Jock Mahoney keeps things quiet. Then gunfighter Dale Robertson rides into town and opens it up with a series of double eagles and some rowdy boys. He wants two things: Mara Corday, and revenge on Mahoney for taking her from him.

There were several movies in the 1950s about how the thin veneer of civilization was ready to crack and reveal the savagery underneath, and this looks like an attempt to apply it to the western, where there was always the possibility that a saloon entertainer would have a dress so low cut you could see the top of her bosom, or a crowd would break a prisoner out of jail and hang him. Robertson and Mahoney seem awfully calm and controlled, while everyone else seems mildly hysterical While there's some hinting at unpleasant things the respectable people in town might have done, none of it is explicit, except for preacher John Dehner losing his temper. It's very watchable all the way through, but the suspense goes on a trifle too long.

This is not a big budget western. You have to remember that when considering its worth. It's a classic "B" western. I'm not sure why this western would rate low in any old western lovers opinion. I know that this is not a typical role for Dale Robertson. He is playing against type. He is almost always the good guy. His Jagade character starts out fine enough, maybe even heroic in saving the life of the town sheriff. I would point out how well Robertson handles his role as the bad guy, because you are pretty much despising him before the midway point of the movie. Jagade is egotistical, selfish, and all around despicable in just about every way possible. There are not many redeeming qualities to him. He even uses his act of heroism to try to control the marshall through guilt. The marshal is played by one of Hollywood's best western stunt men, Jock Mahoney. His character is loyal to a fault and even though it seems he is bending to Jagade's every whim, Mahoney's turn as the town marshal will surprise you. Mahoney is not the best actor, but watch his character closely, because he is not what he seems to be. This western is not too bad. Let Dale Robertson have his fun playing against type. He plays Jagade to the hilt as a completely despicable bad guy. Even Robertson's disgusting mannerisms he displays as the gunfighter will start getting on your nerves. To me, he's great in this one, and Jock Mahoney's role as the reserved town marshal was one of his better roles in a western. Mara Corday is as beautiful as ever playing the reformed dance hall girl. Remember folks it is a "B" western. Enjoy it! I certainly did. Every time I see it, I enjoy it a little bit more. Robertson is a "B" western favorite of mine, and it's great to see this perennial, good guy actor chew up the scenery as the arrogant Jagade. They say that Mahoney was such a good stunt man, that if he refused to do a stunt, other stunt men refused to do it also, deeming it too dangerous. You might think he seems a little wooden in his role as the marshal, but I think he totally captures the quiet, but dangerous lawman. Plenty worth watching. For me, numerous times.

The nation's sweeping expansion westward . Standing the path on the new civilization were undisciplined , untamed men , the gunfighters whose way of life was coming to an end . The final chapter to the long , violent struggle was written on a summer sunday by a man called.. Jagade . It is a time when law is coming to the west and begins with a manhunt in which a Marshal (Jock Mahoney) is saved by a passing gunman named Jagade (Dale Robertson) donning his six-guns . When the gunslinger arriving a little town called West End that has the usual shops and buildings, as General merchandise, Livery stable, Hardware, Barber shop, Saloon , Hotel and of course the Church, then he finds again the town Marshal . Subsequently , the situation is further complicated due to a former loving relation between Jagade and Sharman Fulton (Mara Corday) who is about to marry Marshal Allan Burnett .The Story of Jagade...last of the MAVERICK KILLERS! This Was The Day Of The Rope And The Ravager!

This Western is set in a time when law was expanding westward , appearing a mysterious stranger , who comes to embitter some embattled citizens. As gunslinger Jagade arrives in a law-abiding god-fearing town and he arranges to change the townsfolk into scoff-law sinners , while the town Marshal Allan Burnett is powerless due to a moral debt to Jagade , and things go wrong when the sheriff learns the previous relationship between his fiancée and Jagade . Well crafted Western with interesting screenplay by James Edmiston and Oscar Brodney , displaying twists and turns . Although atmospheric , it's also downbeat and sometimes just downright nasty . The story is almost terrific as the drifter comes to strange frontier town just in time to reckoning villagers and bandits. This stirring picture contains a powerful examination of morality and hypocrisy on people of a little town . Dale Roberson plays decently as an avenger gunslinger , though only this time the pistolero appears to have been sent from hell rather than heaven to carry out a vendetta . Jock Mahoney gives a good acting as a Marshal who is caught between the town citizens fears and the debt he owes the gunslinger. While the third starring , Mara Corday , shows brilliantly her beauty and and gorgeous face . Good casting with several notorious and familiar secondaries as Carl Benton Reid , Jan Merlin , Dee Carroll, Malcolm Atterbury , Phil Chambers , James Bell , and John Dehner as a reverend.

This Universal Pictures movie with great main and support cast, being efficiently produced and competently directed . Furthermore, it contains a colorful and glimmer cinematography by Ellis Carter . As well as rousing and stirring musical score by Irving Gertz and Henry Mancini , though uncredited .This outlandish motion picture produced by Robert Arthur was professionally directed by Harmon Jones. He was a craftsman who worked as a production manager, editor, producer and filmmaker. He directed all kinds of genres as Westerns, drama, Thriller, Comedy, Film Noir, such as : The beast of Budapest, Wolf Larsen, Gorilla at large, Target zero, Canyon river, City of bad men , The pride of St Louis, Bloodhound of Broadway, As young a you feel. And he directed a lot of episodes of popular TV series as Land of giants , Death valley, Voyage to the bottom of the sea, The Virginian, Iron Horse, Perry Mason, Gunslinger, Daniel Boone, Iron Horse, The Monroe, The Zorro, among others. Rating 6. 5/10. Decent and above average Western.

A well-turned screenplay, efficient editing, good small-scale production values, and tense directing make A Day of Fury much better than most Westerns.

Dale Robertson is a better actor than his reputation, but all 3 leads are limited in range. The best role and performance are the Preacher by John Dehner, who helps any film in which he appears. Most Westerns present ministers either as comic-cowardly milquetoasts or as unrealistic studs who give up their guns for the good book. When changes unsettle the town, Day of Fury's Preacher is the first to lose his temper and threaten violence, but then he's embarrassed by his own failing and horrified that his parishioners turn into a lynch mob.

The plot plays an interesting variation on the classic Western formula of the Old Wild West struggling to survive in or against the Cleaned-Up Bourgeois Town. The taciturnity of Robertson's Jigade fairly inverts the man-of-few-words Sheriff typically played by Joel McCrea or Randolph Scott into a Mephistophelean villain who quietly but steadily chips and shatters the thin veneer of civilization until the townsfolk break down into drunken irresponsibility, foolish greed, and vengeful terror. Jagade's opportunistic power compromises the town's Sheriff, played by the physically imposing Jock Mahoney, whose taciturnity can only dwindle to mute puzzlement until the wild card in Jagade's deck--the punk gunman Billy Brant--changes the game and creates a clear path of action for the law.

The sets are few, but the director keeps moving the characters across each other in well-defined space. The film's most impressive quality is to open with an atmosphere of uncertainty that steadily escalates into tension or dread. But its most interesting feature is that the anti-hero Jagade seems to have orchestrated the story as a suicide note.

Despite the wooden acting of its stars, this film's intriguing themes and well-written dialog elevate it to something out of the ordinary. "A Day of Fury" is about the end of the Old West, embodied by the gunfighter, and its replacement by "decent folk" and their values. However, one gunfighter returns to town and exposes the hypocrisy and small-mindedness that lies beneath the veneer of civilization. This film is a must-see for those who love Clint Eastwood's "High Plains Drifter" as it seems to have inspired that film to a large degree. (One character remarks that if Jagade is allowed to stay, "He'll turn this town into hell.") Despite the emotionless acting of its leads and the irritating, strangely pronounced name of the main character, I enjoyed this film a great deal for its cynical view of the human character and its exposure of human weakness and fear.