Congo

Reading that Universal got Virginia Mayo's services for Congo Crossing in exchange for Rock Hudson going to Warner Brothers I was stunned and thinking in baseball terms. The biggest one sided deal I had ever heard of since the Mets parted with Nolan Ryan to the Angels for Jim Fregosi. The cast didn't even get the benefit of a nice African location shoot.

Shot in the Botanical Gardens of Los Angeles this routine action adventure film has Virginia Mayo as a socialite on the run and George Nader an engineer on a surveying mission.

They're both at a real sleazy town in the French Congo where Peter Lorre runs a rather loose enforcement policy. There's also Michael Pate who is a hit man contracted to get Mayo.

Nader's mission to survey the place as the Congo River boundaries have changed and find out whether Lorre's jurisdiction of Congotanga is in the French or Belgian Congo. The ambiguity of the situation causes concern for all and it's made Congotanga the wide open place it is. Everyone wants to know, but many don't want the knowledge to go public.

In this is a very nice portrayal from Rex Ingram of a black doctor running a hospital. Which colonial power he lives under is of little concern to him. He knows the white man will be gone soon enough, but while he's there he wants what he needs to run his hospital.

Congo Crossing is a below average action adventure film. Must George Nader ever have envied Rock Hudson.

A passable noirish African adventure in derivative Casablanca type style , dealing with a fugitive from the law : Virginia Mayo, gathering together with other peculiar characters as George Nader , Michael Pate , Peter Lorre in a fictitious country of Congotanga where extradition laws are not practised . Later on , the geographer Nader , the pursued Mayo and the mysterious Michael Pate sets out to a dangerous expedition through Congotanga and Belgian Congo .In Africa's savage city of outcasts they met un a rendezvous with terror!.

One of the colorful , moving and action features that Universal International trotted out with polish , profesionality and much regularly in the 50s. It has a solid cast that beefs up this standard and enjoyable African jungle story with attractive settings from Robert Boyle and Alexander Golitzen. It arranges to be , at least , an agreeable adventure movie because of it packs action , breathtaking outdoors and outlandish , risked situaciones abound .It bears remarkable resemblance to another Universal film titled "Tanganyka" 1954 by Andre De Toth with Van Hefiln , Ruth Roman , Jeff Morrow , Howard Duff . The routine happenings are lit up only by the gorgeous presence of the always beautiful Virginia Mayo and , of course, the astringent Peter Lorre, returning to weightier after five years , due to previous illness .This one was third film on his comeback to the big screen after a long absence brought on mainly by alcoholism sickness .He went back splendidly and more ironical than ever. These roles are well accompanied by other important secondaries giving enthusiast interpretations such as Rex Ingram , Michael Pate , Raymond Bailey and George Ramsey .

It contains Russell Metty's brilliant and elegant Technicolor camerawork , though including some stock shots of animals as Crocs .The motion picture was professionally directed by Joseph Pevney , though with no originality . Pevney was a craftsman who directed a lot of films of all kinds of genres , such as Wartime : Torpedo Run, Away All Boats , Air Cadet . Adventures as : Yankee Pasha, Tammy , Twilight for the God , Desert Legion . Western : Lady from Texas , The Plunderers . Thriller : Undercover Girl, Flesh and Fury , Man of a Thousand Faces , Iron Man , Shakedown , The Strange Door , 6 Bridges to cross , Istanbul . Rating 6/10 . Acceptable and passable African adventure, though some dull, at times.

Congotanga, a criminal colony on the western border of the then Belgian Congo, is a magnet for various fugitives from justice the world over. The law is nominally represented by Colonel Arragas (Peter Lorre) but the real power lies in the hands of shady types like Rittner (Tonio Selwart).

David Carr (George Nader), who has been hired to carry out a river survey on behalf of the Belgian mining concerns, sets off down the river accompanied by Louise Whitman (Virginia Mayo), a one time model running from a murder rap in France, and O'Connell (Michael Pate), a hitman - his target is Louise.

Beset by tsetse flies, crocodiles and the murderous attentions of Rittner's henchmen, the party has more than its share of hazards to navigate

Ravishing Virginia Mayo spices up this jungle adventure that passes the time adequately- she plays a woman of mystery, cold and sharp tongued, and of course, her relationship with George Nader's character comes off to a shaky start, then changes and they become lovers. Michael Pate plays the villain. It's adequately acted, there's some slow parts and some lively portion with some decent action.

Same kind of intrigue as the Michael Curtiz's film, a mix up of exotic adventre and espionage yarn, intrigue, with good action scenes. It is full of charm of the fifties, and I thought about a Paramount film instead of Universal, because the Mountainl logo film company was more specialized in exotoc features, starring for instance John Payne and Rhonda Fleming or Arlene Dahl, directed by the likes of Lewis Foster or Edward Ludwig, than Universal, the science fiction and western oriented studio. Not my favourite from Jo Pevney who was a complete director: westerns, adventure - many with Jeff Chandler - crime; never any horror nor science fiction though. This one deserves to be seen at least once, for your knowledge.

"Congo Crossing" is a fine example of the Universal Studio ethos of the fifties. The powers that be at Universal decreed that films were all about look with content a whole lot less important. Audiences did not come to the cinema to be educated or enlightened, they came to be entranced by great looking charismatic leading actors, lit and costumed to perfection. The screenplay was simply to service the stars. It would take the genius of a Douglas Sirk to transfer Universal's mediocre screenplays into great cinema. Joseph Pevney, the director of "Congo Crossing", was not able to able to perform such a feat and clearly had no such aspiration, but he fared well with "Congo Crossing" and even better with Universal's "Foxfire" and "Female on the Beach".

The studio look included the often hand painted posters that accompanied the film, usually featuring the male lead clutching the female lead (check out the aforementioned films). The aesthetic of many Universal films was meticulously crafted by their superb art direction department headed by Alexander Golitzen and highly skilled cameramen such as Russell Metty. Actors George Nader and Virginia Mayo were blessed with captivating looks as were all the studio's leads, but when well-costumed, beautifully lit and filmed by Metty, you simply can't take your eyes off them. The entire film takes place in the heart of Africa yet Mayo's hair and make-up remain perfect and she appears in a whole range of eye-catching designs, from the shortest of shorts to slinky evening wear. How she managed to pack them all in her suitcase remains a mystery, but who cares. Nader is more appropriately dressed, but even his jungle wear is casually elegant and his hair of course virtually unruffled.

"Congo Crossing" has a totally absurd narrative but Universal works its usual magic and affords an entertaining 85 minutes.